2012-2023 - Galerie Francesca Pia

2023

Puppies Puppies (Jade Guanaro Kuriki-Olivo), PULSE
September 21 – October 28, 2023

Press release

Puppies Puppies (Jade Guanaro Kuriki-Olivo), *Latin Night June 11th 2016 (Pulse Nightclub Flyer)*, 2023, Injekt print on paper, signed by the artist, white aluminum frame, Ed. of (+ 1 AP), 50 x 40 cm

Installation view, Puppies Puppies (Jade Guanaro Kuriki-Olivo), *PULSE*, Galerie Francesca Pia, Zurich, 2023. Photo: Cedric Mussano

Puppies Puppies (Jade Guanaro Kuriki-Olivo), *Backstage Vanity Mirror (Pulse)*, 2023, Cosmetic table made of melamine-coated MDF, pull-out drawer with three storage compartments, 3-piece folding mirror with LED-lighting, lipstick on mirror, Dior Forever Liquid 820 lipstick, stool, 157 x 90 x 42 cm

Puppies Puppies (Jade Guanaro Kuriki-Olivo), *Backstage Vanity Mirror (Pulse)* (Detail), 2023, Cosmetic table made of melamine-coated MDF, pull-out drawer with three storage compartments, 3-piece folding mirror with LED-lighting, lipstick on mirror, Dior Forever Liquid 820 lipstick, stool, 157 x 90 x 42 cm

Puppies Puppies (Jade Guanaro Kuriki-Olivo), *Electric Dress (Atsuko Tanaka)*, 2023, LED-dress made from textile and plastic, draped on mannequin, 12 lithium-ion batteries in cases in textile pockets, Madrix programmed micro SD-card, performance (optional), 81 x 66 x 63 cm

Puppies Puppies (Jade Guanaro Kuriki-Olivo), *Electric Dress (Atsuko Tanaka)* (Detail), 2023, LED-dress made from textile and plastic, draped on mannequin, 12 lithium-ion batteries in cases in textile pockets, Madrix programmed micro SD-card, performance (optional), 81 x 66 x 63 cm

Puppies Puppies (Jade Guanaro Kuriki-Olivo), *Bouncer*, 2023, Black upholstered chrome bar stool with footrest, three PULSE logo stickers, flashlight attached to chain, performance (optional), 85.5 x 42 x 42 cm

Puppies Puppies (Jade Guanaro Kuriki-Olivo), *Bouncer* (Detail), 2023, Black upholstered chrome bar stool with footrest, three PULSE logo stickers, flashlight attached to chain, performance (optional), 85.5 x 42 x 42 cm

Puppies Puppies (Jade Guanaro Kuriki-Olivo), *Pulse (Sturtevant)*, 2023, Printed PULSE logo billboard paper pasted on wall, Dimensions variable

Puppies Puppies (Jade Guanaro Kuriki-Olivo), *Pulse (Sturtevant)* (Detail), 2023, Printed PULSE logo billboard paper pasted on wall, Dimensions variable

Puppies Puppies (Jade Guanaro Kuriki-Olivo), *Spectrum of Color (Window)*, 2023, Printed self-adhesive film in Progress Pride colors (light blue, pink, white, brown, black, red, orange, yellow, green, indigo, purple), Dimensions variable

Opening Performance *My heart is beating as I lip sync to this song* by Lara Dâmaso for Puppies Puppies (Jade Guanaro Kuriki-Olivo), *PULSE*, Galerie Francesca Pia, Zurich, 2023

Opening Performance *Bouncer*, Puppies Puppies (Jade Guanaro Kuriki-Olivo), *PULSE*, Galerie Francesca Pia, Zurich, 2023

Opening Performance *Dance like nobody is watching*, DJ Set by Moruk for Puppies Puppies (Jade Guanaro Kuriki-Olivo), *PULSE*, Galerie Francesca Pia, Zurich, 2023

2023

Gili Tal, You May See Butterflies: Elephant Park
June 7 – July 22, 2023

Press release

Installation view, Gili Tal, *You May See Butterflies: Elephant Park*, Galerie Francesca Pia, Zurich, 2023. Photo: Cedric Mussano

Gili Tal, *False Autumn (bike racks, shrub)*, 2023, Inkjet print on paper in artist’s frame, 42.6 x 50.8 x 3 cm

Gili Tal, *Buses VIII*, 2023, Oil on canvas, 140 x 300 cm

Gili Tal, *Buses X*, 2023, Oil on canvas, 140 x 300 cm

Gili Tal, *False Autumn (silver bins in perspective, benches)*, 2023, Inkjet print on paper in artist’s frame, 42.6 x 50.8 x 3 cm

Gili Tal, *Buses IX*, 2023, Oil on canvas, 140 x 300 cm

Gili Tal, *Buses XII*, 2023, Oil on canvas, 140 x 300 cm

Gili Tal, *False Autumn (gust of wind, miscellaneous rubbish), ii*, 2023, Inkjet print on paper in artist’s frame, 42.6 x 50.8 x 3 cm

Gili Tal, *False Autumn (planter, fallen leaves)*, 2023, Inkjet print on paper in artist’s frame, 42.6 x 50.8 x 3 cm

Gili Tal, *Buses XI*, 2023, Oil on canvas, 140 x 300 cm

Gili Tal, *Buses XIII*, 2023, Oil on canvas, 140 x 300 cm

2023

CRAFT, curated by Nicolas Trembley
April 20 – May 27, 2023

Press release

Installation view, *CRAFT*, curated by Nicolas Trembley, Galerie Francesca Pia, Zurich, 2023. Photo: Cedric Mussano

James Benning, *After Missouri Pettway*, Stained glass, lead came, zinc, tin, lead; denim, corduroy, burlap; ink on paper in artist's frame, 2013

James Benning, *After Missouri Pettway* (Detail), Stained glass, lead came, zinc, tin, lead, 2013

James Benning, *After Missouri Pettway* (Detail), Denim, corduroy, burlap, 2013

Anonymous, Wedding bedcovers, Guizhou, China, Recycled cotton, two sided, ca. 1900

Anonymous, Asante Kente woman's cloth from Ghana, indigo and white cotton, strips sewn together, and embroidered with traditional motifs, used, 1920–1950

Ulrike Müller, *Rug (gato verde)*, Wool handwoven in the workshop of Jerónimo and Josefina Hernández Ruiz, Teotitlán del Valle, Oaxaca, Mexico, 2015

Ulrike Müller, *Rug (gato verde)* (Detail), Wool handwoven in the workshop of Jerónimo and Josefina Hernández Ruiz, Teotitlán del Valle, Oaxaca, Mexico, 2015

Anonymous, Grès de Puisaye Pots, Partly ash-glazed stoneware from Puisaye, France, Late 18th / early 19th c.
JB Blunk, Ceramics, 1975–1990

Anonymous, Grès de Puisaye Pots, Partly ash-glazed stoneware from Puisaye, France, Late 18th / early 19th c.
Yukari Hirotani, Nanban Yakijime pottery, Clay plates
JB Blunk, Ceramics, 1975–1990

Atelier E.B with Marc Camille Chaimowicz, 3 silkscreen prints on cotton fabric, 2012
Kazunori Hamana, *Tsubo*, Ceramic, 2022

Atelier E.B with Marc Camille Chaimowicz, 3 silkscreen prints on cotton fabric (Detail), 2012
Kazunori Hamana, *Tsubo*, Ceramic, 2022

Atelier E.B with Marc Camille Chaimowicz, 3 silkscreen prints on cotton fabric (Detail), 2012

Mai-Thu Perret, *Untitled*, Haute lisse hand woven wool tapestry, 2015

Mai-Thu Perret, *Untitled* (Detail), Haute lisse hand woven wool tapestry, 2015

Anonymous, Bamana or Fulani blanket from Mali, hand-spun cotton in indigo blue with variations, 1950s
Mai-Thu Perret, *Abnormally avid II*, Glazed ceramics, steel, 2019
Anonymous, Hanakago (Flower Baskets), Showa era (1926–1989)
Anonymous, Chaff Sieve, Woven willow basket, Bern, Switzerland

Anonymous, Bamana or Fulani blanket from Mali (Detail), hand-spun cotton in indigo blue with variations, 1950s
Anonymous, Chaff Sieve, Woven willow basket, Bern, Switzerland
Mai-Thu Perret, *Abnormally avid II*, Glazed ceramics, steel, 2019
Anonymous, Hanakago (Flower Baskets), Showa era (1926–1989)

Anonymous, Bamana or Fulani blanket from Mali (Detail), hand-spun cotton in indigo blue with variations, 1950s
Mai-Thu Perret, *Abnormally avid II*, Glazed ceramics, steel, 2019
Anonymous, Hanakago (Flower Baskets), Showa era (1926–1989)
Anonymous, Chaff Sieve (Detail), Woven willow basket, Bern, Switzerland

Mai-Thu Perret, *Abnormally avid II*, Glazed ceramics, steel, 2019

Anonymous, Boro futonji, Japan, Recycled cotton, two sided, Meiji era (1868–1912)
Sofu Teshigahara, *Untitled*, Wood, brass, 1950s–1970s
Anonymous, Dry Ikebana by Sogetsu teacher Lea Ruprecht, Zurich, Ceramic vase, dried branches, laquered bamboo, tape, 2022

Sofu Teshigahara, *Untitled*, Wood, brass, 1950s–1970s

Anonymous, Dry Ikebana by Sogetsu teacher Lea Ruprecht, Zurich, Ceramic vase, dried branches, laquered bamboo, tape, 2022

Arrange Whatever Pieces Come Your Way, *Quilt 39*, Cotton, silk, 2022

Arrange Whatever Pieces Come Your Way, *Quilt 39* (Detail), Cotton, silk, 2022

BLESS, *Saunariderinterior Blanket*, Woven cotton blanket with fringed edge and BLESS engraved logo button, 2022
*Pillow with pockets for books, remote control, phone, or else.., N°75 Slitcushion Vintage Denim*, Vintage Denim, Shell: 100% Cotton / Filling: 100% Polyester, 2022
*N°72 Jeansified Objects*, PET bottles with handle covered with denim fabric, 2022

James Benning, *On Paradise Road*, Single-channel HD video installation, 75 min, 2020

2023

Ericka Beckman, Lucky Charm – Drawings and photographs from the 80’s until today
Curated with Jeanne Graff
February 4 – March 18, 2023

Press release
Text by Jeanne Graff

Installation view, Ericka Beckman, *Lucky Charm*, Galerie Francesca Pia, 2023. Photo: Cedric Mussano

2022

David Shrigley, Proposals for Record Covers
December 3, 2022 – January 28, 2023

Press release

Installation view, David Shrigley, *Proposals for Record Covers*, Galerie Francesca Pia, Zurich, 2022. Photo: Annik Wetter

David Shrigley, *Untitled (Red Line)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Please Forgive My Absence)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (You Are Imprisoned by Your Own Foolishness)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Photographers Lack True Purpose)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (I Threw a One for the Hundreth Time in a Row)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (You Are Not Ready to See Behind the Curtain)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Proposal, Old Wheel for New Car)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Proposal)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Drive Fast, Until You Crash)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Sit Down)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Cat Odyssey)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Beans for All, No One to Go Without)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Here)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Socks)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (I Still See Him When I Close My Eyes)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Emotional Pancake)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Do Not Unravel It)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (I Am Rarely Seen and Widely Misunderstood)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (We Should Leave Him in the Sea)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Everything Is Shit, But Do Not Lose Hope)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Good Good)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Gold Watch, Tells the Time, Nothing More)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Ride No Other Horse but This)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (I'm Not Angry, I'm Disappointed)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Punk Cannot Be Created or Destroyed)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Pinnacle of Human Endeavour)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Donut for Sale, Partly Eaten)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (You Must Wear These Boots)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (My Body Is a Canvas)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Look at My Ass)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Centre Parting)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Just Passing Through)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (It's Fine, the Worm Has Gone)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (He Did Not Need It)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Man In the Mirror)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (I Like It)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Red Guitar, Do Not Be Afraid of It)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Look at the Wall)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (You Dance Here, We Will Clap and Cheer)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Consider Your Failings)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Time to Emerge From Your Hole)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (He Tells Me What to Do)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (The Dog Beat Me Again)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Old Dog, We Still Love You)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Resist Bad Stuff)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Ice Cubes for Dinner)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Tennis Ball)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (The Rain Is Delicous)*, 2022, Acrylic on paper, 55 x 55 cm

2022

Dozie Kanu
October 15 – November 26, 2022

Press release

Installation view, Dozie Kanu, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano

Dozie Kanu, *Knuckle crate (rejected Vitra design)*, 2022, Birch wood, stainless steel, Ed. of 50 (+5 AP), 39.85 x 39.37 x 35.3 cm

Dozie Kanu, *unresolved design marathon dance continua (Hermès, Houston)* (detail), 2022, Polished stainless steel, United States of America 1 cent pennies, grout, varnish, 2 parts, 5 x 140 x 280 cm each

Dozie Kanu, *aro pillars chukwu dinners*, 2022, Found steel pipes, burnt pine wood, spray paint, powder-coated steel keyhole plates, 45 x 65 x 76 cm

Dozie Kanu, *aro pillars chukwu dinners* (detail), 2022, Found steel pipes, burnt pine wood, spray paint, powder-coated steel keyhole plates, 45 x 65 x 76 cm

Dozie Kanu, *Chair [ xix ] (head hunt)*, 2022, Steel, acrylic polyurethane enamel primer paint, 440 x 106 x 102 cm

Dozie Kanu, *hang something metric*, 2022, Found water pump component, steel, coat hanging clips, 150 cm measuring stick, 250 x 150 x 40 cm

Dozie Kanu, *youtu.be/vrqLrxWUBXc*, 2022, LCD Screen, Raspberry Pi, electrical wiring, 13 x 8 cm

Dozie Kanu, *three / four useless flagpoles playing with gaud*, 2022, Mixed media, 340 cm height

Dozie Kanu, *TESIA JONES*, 2022, Glass mirror, found glass mirror in polished steel frame, steel, acrylic polyurethane enamel paint, ironing board, 168 x 148 x 60 cm

Dozie Kanu, *Untitled*, 2022, Steel, acrylic polyurethane enamel paint, 83 x 67 x 50 cm

Dozie Kanu, *Chair [ xviii ] (cooler)*, 2022, Found cooler, steel, concrete, epoxy sculpting clay, foam, acrylic polyurethane enamel paint, 80 x 60 x 50.5 cm

Dozie Kanu, *brooks*, 2022, Found steel pipes, internal scale components, stainless steel, acrylic polyurethane enamel paint, 67 x 50 x 83 cm

Dozie Kanu, *Explosion Proof*, 2022, Found explosion proof light case, found steel sheet, steel, electrical wiring, 57 x 57 x 40 cm

Dozie Kanu, *Headboard (Love Crime)*, 2022, Found mahogany head board, found chrome plated steel, inkjet prints on matte photopaper, artist's frames, epoxy sculpting clay, 136 x 58 x 7 cm

Dozie Kanu, *Headboard (Love Crime)* (detail), 2022, Found mahogany head board, found chrome plated steel, inkjet prints on matte photopaper, artist's frames, epoxy sculpting clay, 136 x 58 x 7 cm

Dozie Kanu, *weighing forgiveness in light of*, 2022, Found weighing scale, steel plates, electrical wiring, found cone lamp shade, acrylic polyurethane enamel paint, 152 x 67 x 50 cm

2022

Bruno Serralongue, Pour la vie, Galerie Francesca Pia, Zurich
September 3 – October 8, 2022

Press release
Texts about the series

Installation view, Bruno Serralongue, *Pour la vie*, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano

Cherri Foytlin of the Navajo Diné Nation, leader of the Bayou Bridge Pipeline opposition movement and founder of Water is life Camp. Protecting Mother Earth Conference, Wa He Lut Indian School, Olympia, Washington, July 1, 2018
Inkjet print (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas box, 157 x 126 x 5 cm, Ed. 1/3 + 2 AP

*Inhabitants, Aguascalientes F. Gomez (Chiapas)*, 1996
Framed Cibachrome print mounted on aluminum, 158.5 x 129 cm, Ed. 1/3 + 2 AP

*Park Jun Kyu, Hwang Yi Min, Yu Man Hyeong (in a meeting room at KCTU headquarters), Seoul*, 2001
Framed Ilfochrome print mounted on aluminum, 128 x 159 cm, Ed. 1/3 + 2 AP

*Tahar Abidi, Tunisian journalist, political refugee in France, WSIS, Geneva, December 10, 2003*
Framed ilfochrome print mounted on aluminum, 158.5 x 129 cm, 1/3 + 2 AP

*For life (the Zapatista journey has already begun), Paris, May, 29, 2021*
Inkjet print (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas box, 51 x 63 x 5 cm, Ed. 1/5 + 2 AP

*ZAD of Notre-Dame-des-Landes, November 5, 2016*
Inkjet print (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas box, 63 x 51 x 5 cm, Ed. 1/3 + 2 AP

*Sunday Afternoon, 1999*
57 vintage silverprints, framed, each 32 x 25 cm, Ed. 3/3 + 2 AP

*Sunday Afternoon, 1999* (detail)
57 vintage silverprints, framed, each 32 x 25 cm, Ed. 3/3 + 2 AP

*Pastor Harry Joseph of Mount Triumph Baptist Church in front of his church, Saint James, Louisiana, August 7, 2017*
Inkjet print (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas box, 126 x 157 x 5 cm, Ed. 1/3 + 2 AP

Boubacar Diallo, elected member of the consultation committee of the ADEF residence in Saint-Ouen, led the fight for a dignified rehousing of the residents following their evacuation to allow the destruction of the residence, which is located within the perimeter of the future Olympic village, Saint-Ouen, January 23, 2021
Inkjet print (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas box, 126 x 157 x 5 cm, Ed. 2/5 + 2 AP

*Kim Sung-ok, Seoul*, 2001
Framed ilfochrome print mounted on aluminum, 128 x 159 cm, Ed. 1/3 + 2 AP

*Campfire, Calais, December 2008*
Inkjet print (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas box, 51 x 63.5 x 5 cm, Ed. 2/5 + 2 AP

Marcus Mitchell of the Navajo Diné Nation, shot on January 19, 2017, by a Norton County deputy sheriff at a protest against construction of the Dakota Access Pipeline in Standing Rock. Hit in the head, he lost his left eye and hearing in his left ear. Protecting Mother Earth Conference, Nisqually Nation reservation, Wa He Lut Indian School, Olympia, Washington, July 1, 2018
Inkjet print (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas box, 126 x 157 x 5 cm, Ed. 1/3 + 2 AP

*V Tube, Water is Life Camp, Rayne, Louisiana, July 7, 2018*
Inkjet print (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas box, 51 x 63 x 5 cm, Ed. 1/3 + 2 AP

*Jardins des Vertus, at the foot of a straw wall, Aubervilliers, May 8, 2021*
Inkjet print (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas box, 63 x 51 x 5 cm, Ed. 1/5 + 2 AP

*Afghan refugee encampment on waste ground near the the hospital, Calais, July 16, 2020*
Diptych, inkjet prints (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas boxes, each 126 x 157 x 5 cm, Ed. 1/3 + 2 AP

*Ahmed, heading for the Jules Ferry day centre, Calais, Thursday 16 April 2015*
Inkjet print (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas box, 63.5 x 51 x 5 cm, Ed. 1/5 + 2 AP

'La Fanfare Climatique' (climate brass band) playing to support the occupancy of the Jardins Ouvriers des Vertus (community gardens) threatened with destruction to allow the building of a swimming pool for the Olympic Games, Aubervilliers, May 8, 2021
Inkjet print (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas box, 126 x 157 x 5 cm, Ed. 1/5 + 2 AP

La vie ici, Foyer Adef, 82 rue de Saint-Denis, Saint-Ouen, January 7, 2020 - November 6, 2021 (in the months preceding its destruction to make way for the athletes' village of the Olympic Games Paris 2024)
50 inkjet prints behind glass, each 20 x 25 cm, Ed. 1/3 + 2 AP

*Group (road workers and villagers), 12.08.2004*
Framed Ilfochrome print with passe-partout, 67 x 77 cm, Ed. 1/3 + 2 AP

*Group (Brickworks) Jinan, 13.08.2004*
Framed Ilfochrome print with passe-partout, 67 x 77 cm, Ed. 1/3 + 2 AP

*Group (CNHTC, Volvo Truck), Jinan, 13.08.2004*
Framed Ilfochrome print with passe-partout, 67 x 77 cm, Ed. 1/3 + 2 AP

*Counting of the Great Crested Newt. Photograph taken during the field trip of the 'Naturalistes en lutte' (Naturalists strike back) on the ZAD of Notre-Dame-des-Landes on Sunday, April 9, 2017*
Framed inkjet print (Canson Baryta Photographique paper) with passe-partout, 48.5 x 62.5 cm, 3/3 + 2 AP

2022

Alvin Baltrop, Wade Guyton, Heimo Zobernig
June 3 – July 23, 2022

Press release

Installation view, Alvin Baltrop, Wade Guyton, Heimo Zobernig, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano

Heimo Zobernig, *Ohne Titel (HZ 2012-090)*, 2012, Pressboard, 137.5 x 137.5 x 66 cm
Installation view, Alvin Baltrop, Wade Guyton, Heimo Zobernig, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano

Wade Guyton, *Untitled*, 2020, Epson UltraChrome HDX inkjet on linen, 91.4 x 68.6 cm

Alvin Baltrop, *The Piers (exterior with two figures)*, n.d. (1975–1986), Silver gelatin print, 11.4 x 17.1 cm

Heimo Zobernig, *Ohne Titel (HZ 2012-122)*, 2012, Acrylic, Kriptonite, Polyester, Steel, 182 x 50 x 62 cm

Heimo Zobernig, *Ohne Titel (HZ 1988-025)*, 1988, Dispersion, Pressspan, 120 x 60 x 60 cm
Installation view, Alvin Baltrop, Wade Guyton, Heimo Zobernig, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano

Alvin Baltrop, *The Piers (man leaning)*, n.d. (1975–1986), Silver gelatin print, 25.4 x 20.2 cm

Heimo Zobernig, *Ohne Titel (HZ 1988-025)*, 1988, Dispersion, pressboard, 120 x 60 x 60 cm
Installation view, Alvin Baltrop, Wade Guyton, Heimo Zobernig, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano

Heimo Zobernig, *Ohne Titel (HZ1988-016)*, 1988, Pigment, foam, 10 x 200 x 100 cm

Alvin Baltrop, *The Piers (body under cloth)*, n.d. (1975–1986), Silver gelatin print, 17.8 x 11.4 cm

Alvin Baltrop, *The Piers (exterior with two figures)*, n.d. (1975–1986), Silver gelatin print, 20.3 x 25.4 cm

Alvin Baltrop, *The Piers (exterior view)*, n.d. (1975–1986), Silver gelatin print, 11.3 x 17.7 cm

Alvin Baltrop, *The Piers (man lying in room)*, n.d. (1975–1986), Silver gelatin print, 11.4 x 20 cm

Alvin Baltrop, *The Piers (exterior with two figures)*, n.d. (1975–1986), Silver gelatin print, 18.4 x 11.4 cm

Alvin Baltrop, *The Piers (man looking in window)*, n.d. (1975–1986), Silver gelatin print, 25.5 x 20.5 cm

2022

Philippe Decrauzat, No Journey Ends
April 9 – May 21, 2022

Press release

Installation view, Philippe Decrauzat, *No Journey Ends*, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano

Philippe Decrauzat, *no journey ends*, 2022, Acrylic on canvas, 175 × 175 cm

Philippe Decrauzat, *no journey ends* (detail), 2022, Acrylic on canvas, 175 × 175 cm

Philippe Decrauzat, *returned (indigo)*, 2022, Acrylic on canvas, 128 × 128 cm

Philippe Decrauzat, *returned (indigo)* (detail), 2022, Acrylic on canvas, 128 × 128 cm

Philippe Decrauzat, *Take On / No Take*, 2017, 16mm black-and-white film, mirror, motor, loop

Philippe Decrauzat, *a closed placed (carbon black)*, 2021, Acrylic on canvas, 175 × 175 cm

Philippe Decrauzat, *a closed placed (carbon black)* (detail), 2021, Acrylic on canvas, 175 × 175 cm

Philippe Decrauzat, *supreme indifference (gris de Payne)*, 2021, Acrylic on canvas, 175 × 192 cm

Philippe Decrauzat, *supreme indifference (gris de Payne)* (detail), 2021, Acrylic on canvas, 175 × 192 cm

Philippe Decrauzat, *something that stands for what it is not (anthracite)*, 2021, Acrylic on canvas, 175 × 175 cm

Philippe Decrauzat, *something that stands for what it is not (anthracite)* (detail), 2021, Acrylic on canvas, 175 × 175 cm

2022

Rochelle Feinstein, You Again, Galerie Francesca Pia, Zurich
A six venue exhibition at Bridget Donahue, New York; Candice Madey, New York; Nina Johnson, Miami;
Francesca Pia, Zurich; Campoli Presti, Paris; Hannah Hoffman, Los Angeles
February 11 – April 2, 2022

Press release

Installation view, Rochelle Feinstein, *You Again*, Galerie Francesca Pia, Zurich, 2022. Photo: Annik Wetter

Rochelle Feinstein, *We Love You*, 2004, Oil, aluminum paint on canvas, 121.9 x 162.6 cm / 48 x 64 in.

Rochelle Feinstein, *Love is Over*, 2008, Silkscreen glass ink, mirror on canvas board, framed, 122 x 104 cm / 48 x 41 in.

Rochelle Feinstein, *Plein Air VII*, 2021, Gold, aluminum leaf on dropcloth, 274.32 x 335.28 cm / 108 x 132 in.

Rochelle Feinstein, *Love is Over*, 2008, Mirror on masonite board, styrofoam bricks, 2 parts, 123.2 x 95.3 cm

Rochelle Feinstein, *Shag*, 2021, UV print on Dibond, 152.4 x 147.3 cm / 60 x 58 in.

Rochelle Feinstein, *iTouch*, 2021, UV print on canvas, 152.4 x 147.3 cm / 60 x 58 in.

Rochelle Feinstein, *Boo Fucking Hoo & Ball and Chain*, 2009, Gold and aluminum leaf, oil on canvas, 2-inch disco ball, rotating display, thread, battery, 188 x 200.7 cm / 74 x 79 in.

Rochelle Feinstein, *Analog restrospective. 1992–2008*, 2012, 80 diapositive slides, Kodak Ektagraphic projector, 5 min., loop, 19 x 33 x 27.9 cm

Rochelle Feinstein, *Wonderful Weather*, 2021, Oil on birch veneer, 83.8 x 83.8 cm / 33 x 33 in.

Rochelle Feinstein, *Think*, 1991, Oil relief prints on canvas, 106.7 x 106.7 cm / 42 x 42 in.

Rochelle Feinstein, *Pick Pick Pick*, 1993, Paper, oil and acrylic on canvas, 106.7 x 106.7 cm / 42 x 42 in.

Rochelle Feinstein, *Wonderful Vacation*, 1994, Oil on canvas, 83.3 x 83.3 cm / 33 x 33 in.

Rochelle Feinstein, *Pinky*, 1991, Oil on canvas, 106.7 x 106.7 cm / 42 x 42 in.

Rochelle Feinstein, *Face Value*, 1993, Oil, tape on canvas, 106.7 x 106.7 cm / 42 x 42 in.

Rochelle Feinstein, *Wonderful Sex*, 1992, Oil, fabric, printed dish towel on canvas, 83.8 x 83.8 cm / 33 x 33 in.

Rochelle Feinstein, *Wonderful View*, 1995, Oil on canvas, 83.8 x 83.8 / 33 x 33 in.

2021

Hans-Peter Feldmann
November 13, 2021 – February 5, 2022

Press release

Installation view, Hans-Peter Feldmann, Galerie Francesca Pia, Zurich, 2021. Photo: Annik Wetter

Hans-Peter Feldmann, *Mokkatassen*, 1990s, 18 different ceramic mocha cups, 18 ceramic saucers, variable dimensions, each approx. 12 x 12 x 6 cm

Hans-Peter Feldmann, *Fotos Autoradio, "Photos von Autoradios als schöne Musik spielte"*, 6 photographs, 58 x 85 cm

Hans-Peter Feldmann, *Family*, 2000s, Oil painting on canvas, triptych, frames, each 45 x 38 cm

Hans-Peter Feldmann, *Blumentöpfe an der Wand*, 5 plastic flower pots, variable dimensions, each approx. 30 x 30 x 35 cm

Hans-Peter Feldmann, *2 linke Schuhe*, 1990s, Leather shoes, approx. 30 x 22 x 12 cm

Hans-Peter Feldmann, *Kartenhaus*, 1990s, Playing cards, cardboard, glitter, 44 x 39.5 x 21 cm

Hans-Peter Feldmann, *Schuhe (Guess)*, Shoes, thumbtacks, 17 x 21 x 19 cm

Hans-Peter Feldmann, *Kanne mit Schatten*, 1990s, Porcelaine teapot, cardboard, 13 x 29 x 20 cm

Hans-Peter Feldmann, *Schachtelskulptur auf Sockel*, 1990s, Cardboard boxes, 16 x 18 x 10 cm

Hans-Peter Feldmann, *Zollstockhaus*, 2000s, Folding rules, wire, 79 x 47 x 64 cm

Hans-Peter Feldmann, *Betten*, 11 b/w photographs, each 20.5 x 27 cm

Hans-Peter Feldmann, *Verkehrspolizist*, 2010s, Oil on canvas, 97 x 160 x 2 cm

Hans-Peter Feldmann, *1 Pfund Erdbeeren*, 2000s, 34 photographs, each 10 x 10 cm

Hans-Peter Feldmann, *Flugzeug*, 2000s, Cardboard, 136 x 60 cm

Hans-Peter Feldmann, *THANK YOU*, b/w print, 63 x 118 cm

Hans-Peter Feldmann, *Brotbilder*, 2000s, Photographs, each 100 x 100 cm

Hans-Peter Feldmann, *Saxophon mit Text*, 1990s, Photograph on paper, 30.5 x 22 cm

Hans-Peter Feldmann, *Zeit Serie, Fensterputzerin*, 1970s, 31 b/w photographs, 9 x 13 cm

Hans-Peter Feldmann, *Zeit Serie, Fensterputzerin* (Detail), 1970s, 31 b/w photographs, 9 x 13 cm

Hans-Peter Feldmann, *Zeit Serie, Schiff auf dem Rhein*, 1970s, 35 b/w photographs, 10 x 15 cm

Hans-Peter Feldmann, *Zeit Serie, Schiff auf dem Rhein* (Detail), 1970s, 35 b/w photographs, 10 x 15 cm

Hans-Peter Feldmann, *Alle Kleider einer Frau*, 1970s, 70 photographs, each 9 x 8.8 cm, 87 x 118 cm

Hans-Peter Feldmann, *Alle Kleider einer Frau* (Detail), 1970s, 70 photographs, each 9 x 8.8 cm, 87 x 118 cm

Hans-Peter Feldmann, *Collage*, 2000s, Collage, 103 x 74 cm

Hans-Peter Feldmann, *Ohne Titel*, 2000s, Oil painting on canvas, frame, 60 x 51.5 cm

2021

Greg Parma Smith, Gems in the Temple
September 18 – November 6, 2021

Press release

Installation view, Greg Parma Smith, *Gems in the Temple*, Galerie Francesca Pia, Zurich, 2021. Photo: Annik Wetter

Greg Parma Smith, *Transmundane Guardian: American Pitbull in Pigment Slurry*, 2021, Oil on canvas, 137.2 x 132.1 cm

Greg Parma Smith, *Banner Ducks Manifesting as Inter-Spatial Membrane*, 2021, Oil on canvas, 132.1 x 132.1 cm

Greg Parma Smith, *Angel of the Ecliptic (Sun)*, 2021, Oil on canvas, 111.8 x 111.8 cm

Greg Parma Smith, *Four Pigment Eggs (Life’s Covenant)*, 2021, Oil on canvas, 101.6 x 111.8 cm

Greg Parma Smith, *Beatified Salmon in Sheer Landscape*, 2021, Oil on canvas, 101.6 x 203.2 cm

Greg Parma Smith, *Lunar Panel with Stellar Array*, 2021, Oil on canvas, 71.1 x 71.1 cm

Greg Parma Smith, *Universal Flower in Situated Lapis Lazuli Firmament*, 2021, Oil on canvas, 71.1 x 55.9 cm

2021

This city Is
Jenna Bliss, Hans-Christian Lotz, Alan Michael, Sam Pulitzer, Gili Tal
June 12 – September 11, 2021

Press release

Installation view, *This city Is*, Galerie Francesca Pia, Zurich, 2021. Photo: Flavio Karrer

Sam Pulitzer, *dashed with sarcasm, a scarlet standard threshold*, 2019, Acrylic lacquer on wood, 215 × 97 × 12 cm

Alan Michael, *Syn*, 2015, Oil on canvas, 152 × 105 cm

Alan Michael, *Present Day*, 2016, Oil on canvas, 105 × 75 cm

Alan Michael, *Generalized Secrecy*, 2012, Oil on canvas, 101 × 152 cm

Gili Tal, *Windows (Winter)*, 2021, UV print on canvas and blackout material, 160 × 150 × 25 cm

Sam Pulitzer, *arbeit sans phrase*, 2021, Metal, screen printing fire enameled, 59 × 75 cm

Sam Pulitzer, *Under Erasure for Illustrative Purposes*, 2021, Metal, screen printing fire enameled, 59 × 75 cm

Alan Michael, *The Self is a Process*, 2010, Oil on canvas, 101 × 76 cm

Hans-Christian Lotz, *Untitled*, 2021, Aluminum, acrylglass, 124 × 76 × 10 cm

Hans-Christian Lotz, *Scale*, 2014, Mixed media, 30 × 40 cm

Jenna Bliss, *Tribute In Light #3*, 2021, Silver gelatin prints, scratched and exposed super8mm reversal film, 25.6 × 20.2 cm

Jenna Bliss, *New York New York*, 2019, Super8mm film, transfered to video, 01:38 min. looped

Jenna Bliss, *Tribute In Light #6*, 2021, Silver gelatin prints, scratched and exposed super8mm reversal film, 25.6 × 20.2 cm

Jenna Bliss, *Tribute In Light #4*, 2021, Silver gelatin prints, scratched and exposed super8mm reversal film, 25.6 × 20.2 cm

Gili Tal, *Spaces for Reflection*, 2019, Lazertran and varnish on canvas, 170 × 120 cm

2021

Isabelle Cornaro
March 27 – June 5, 2021

Press release

Installation view, Isabelle Cornaro, Galerie Francesca Pia, Zurich, 2021. Photo: Annik Wetter

Isabelle Cornaro, *Streams II (#11, Aluminum)*, 2019, Resin and aluminum powder, 23 x 23 x 4 cm

Isabelle Cornaro, *Streams II (#8, Aluminum)*, 2019, Resin with aluminum powder, 200 x 22.5 x 11.5 cm

Isabelle Cornaro, *Streams II (#5, Aluminum)*, 2019, Resin with aluminum powder, 140 x 22.5 x 11.5 cm

Isabelle Cornaro, *Streams II (#1, Aluminum)*, 2019, Resin with aluminum powder, 269.5 x 22.5 x 11.5 cm

Isabelle Cornaro, *Streams II (#6, Aluminum)*, 2019, Resin with aluminum powder, 116.5 x 22.5 x 11.5 cm

Isabelle Cornaro, *Shimmers* (film still), 2017, 16 mm film transferred to digital, color, silent, 16/9, 1:25 min

Isabelle Cornaro, *Accumulation* (film still), 2020, 16 mm film transferred to digital, color, silent, 16/9, 2:28 min

Isabelle Cornaro, *Transient* (film still), 2020, 16 mm film transferred to digital, color, silent, 16/9, 1:18 min

2021

Hollis Frampton
March 27 – June 5, 2021

Press release

Installation view, Hollis Frampton, Galerie Francesca Pia, Zurich, 2021. Photo: Annik Wetter

Hollis Frampton, *ADSVMVS ABSVMVS (II. JELLY)*, 1982, Ektacolor photograph, 50.8 x 40.6 cm

Hollis Frampton, *ADSVMVS ABSVMVS (II. JELLY)*, 1982, Ektacolor photograph, 40.6 x 50.8 cm

Hollis Frampton, *ADSVMVS ABSVMVS (III. CUTTLEFISH)*, 1982, Ektacolor photograph, 40.6 x 50.8 cm

Hollis Frampton, *ADSVMVS ABSVMVS (IV. CHIMÆRA)*, 1982, Ektacolor photograph, 50.8 x 40.6 cm

Hollis Frampton, *ADSVMVS ABSVMVS (V. LOTUS)*, 1982, Ektacolor photograph, 50.8 x 40.6 cm

Hollis Frampton, *ADSVMVS ABSVMVS (VI. MIDSHIPMAN)*, 1982, Ektacolor photograph, 40.6 x 50.8 cm

Hollis Frampton, *ADSVMVS ABSVMVS (VII. OYSTER SHELL*), 1982, Ektacolor photograph, 50.8 x 40.6 cm

Hollis Frampton, *ADSVMVS ABSVMVS (VIII. COMMON GARTER and EASTERN COACHWHIP)*, 1982, Ektacolor photograph, 40.6 x 50.8 cm

Hollis Frampton, *ADSVMVS ABSVMVS (IX. GARDEN TOAD)*, 1982, Ektacolor photograph, 40.6 x 50.8 cm

Hollis Frampton, *ADSVMVS ABSVMVS (X. PEPPER)*, 1982, Ektacolor photograph, 50.8 x 40.6 cm

Hollis Frampton, *ADSVMVS ABSVMVS (XII. MOURNING DOVE)*, 1982, Ektacolor photograph, 40.6 x 50.8 cm

Hollis Frampton, *ADSVMVS ABSVMVS (XI. GRASS FROG*), 1982, Ektacolor photograph, 50.8 x 40.6 cm

Hollis Frampton, *ADSVMVS ABSVMVS (XIII. BROWN RAT*), 1982, Ektacolor photograph, 50.8 x 40.6 cm

Hollis Frampton, *ADSVMVS ABSVMVS (XIV. ROSE*), 1982, Ektacolor photograph, 50.8 x 40.6 cm

Hollis Frampton, *Black & white spaghetti*, 1964, Black & white photograph, 27.9 x 35.6 cm

Marion Faller and Hollis Frampton, *Rites of Passage (Empty cake)*, 1983/84, Gelatin silver print, 35.6 x 27.9 cm

Marion Faller and Hollis Frampton, *Rites of Passage (Stork/Birth)*, 1983/84, Gelatin silver print, 35.6 x 27.9 cm

Marion Faller and Hollis Frampton, *Rites of Passage (Car)*, 1983/84, Gelatin silver print, 35.6 x 27.9 cm

Marion Faller and Hollis Frampton, *Rites of Passage (Marriage)*, 1983/84, Gelatin silver print, 35.6 x 27.9 cm

Marion Faller and Hollis Frampton, *Rites of Passage (To War)*, 1983/84, Gelatin silver print, 35.6 x 27.9 cm

Marion Faller and Hollis Frampton, *Rites of Passage (Return/Peace)*, 1983/84, Gelatin silver print, 35.6 x 27.9 cm

Marion Faller and Hollis Frampton, *Rites of Passage (Retirement)*, 1983/84, Gelatin silver print, 35.6 x 27.9 cm

2020

Kaspar Müller, In and Out
November 14, 2020 – March 13, 2021

Press release

Installation view, Kaspar Müller, *In and Out*, Galerie Francesca Pia, 2020. Photo: Annik Wetter

Kaspar Müller, Untitled (detail), 2020, 22 hand blown glass orbs, rope, dimensions variable

Kaspar Müller, Untitled, 2020, UV cured ink and Sennelier oil pastel on canvas, 210 x 160 x 3 cm

Kaspar Müller, Untitled (detail), 2020, UV cured ink and Sennelier oil pastel on canvas, 210 x 160 x 3 cm

Kaspar Müller, Untitled, 2020, Inkjet on paper, Ed. 1 (+ AP), 59.4 x 42 cm

Installation view, Kaspar Müller, *In and Out*, Galerie Francesca Pia, 2020

Kaspar Müller / Iacopo Spini, Bottle Catapult, 2020, 3D fused filament fabrication, straw basket pattern, wine bottle, electronic motorized parts, sand bag, elastic band, 67 x 74 x 180 cm

Kaspar Müller / Iacopo Spini, Bottle Catapult (detail), 2020, 3D fused filament fabrication, straw basket pattern, wine bottle, electronic motorized parts, sand bag, elastic band, 67 x 74 x 180 cm

Kaspar Müller, Chandelier, 1915/2020, Anonymus/unkown antique Chandelier, brass cast, galvanized, LED lamps, 64 x 90 x 90 cm

Kaspar Müller, Chandelier (detail), 1915/2020, Anonymus/unkown antique Chandelier, brass cast, galvanized, LED lamps, 64 x 90 x 90 cm

2020

Arrows, curated by Eva Svennung
Jay Chung & Q Takeki Maeda, Peter Fischli, Wade Guyton, Yuki Kimura, Nina Könnemann, Matthew Langan-Peck, Hampus Lindwall, Adam Martin, Josef Strau, Bernadette Van-Huy, Min Yoon
September 12 – November 7, 2020

2020

Mai-Thu Perret, With an unbounded force
June 20 – August 29, 2020

Press release

Installation view, Mai-Thu Perret, *With an unbounded force*, Galerie Francesca Pia, Zurich, 2020. Photo: Annik Wetter

Installation view, Mai-Thu Perret, *With an unbounded force*, Galerie Francesca Pia, 2020. Photo: Annik Wetter

Mai-Thu Perret, *With an unbounded force (yellow frog)*, 2020, Glazed ceramic, 22 x 21 x 15 cm

Mai-Thu Perret, *With an unbounded force (brown witch)*, 2020, Glazed ceramic, 25 x 18 x 9 cm

Mai-Thu Perret, *With an unbounded force (blue fox)*, 2020, Glazed ceramic, 22 x 19 x 16 cm

Mai-Thu Perret, *With an unbounded force (brown goat)*, 2020, Glazed ceramic, 38 x 39 x 16 cm

Mai-Thu Perret, *With an unbounded force (yellow witch)*, 2020, Glazed ceramic, 25 x 18 x 9 cm

Mai-Thu Perret, *With an unbounded force (blue donkey)*, 2020, Glazed ceramic, 30 x 15 x 13 cm

Mai-Thu Perret, *With an unbounded force (brown owl)*, 2020, Glazed ceramic, 27.5 x 23 x 14 cm

Mai-Thu Perret, *With an unbounded force (yellow cat)*, 2020, Glazed ceramic, 21.5 x 23.5 x 18 cm

Mai-Thu Perret, *With an unbounded force (brown donkey)*, 2020, Glazed ceramic, 30 x 15 x 13 cm

Mai-Thu Perret, *With an unbounded force (brown frog)*, 2020, Glazed ceramic, 22 x 21 x 15 cm

Mai-Thu Perret, *Abnormally avid II*, 2019, Glazed ceramic, steel, 35 x 48 x 36 cm

2020

Emil Michael Klein, Mono Cross
February 21 – June 13, 2020

Press release, Exhibition text by Chus Martínez

Installation view, Emil Michael Klein, *Mono Cross*, Galerie Francesca Pia, Zurich, 2020. Photo: Annik Wetter

Emil Michael Klein, *Line*, 2019, Oil on cotton, 265 x 150 cm. Photo: Annik Wetter

Emil Michael Klein, *Line*, 2020, Enamel, oil on linen, 45 x 75 cm. Photo: Annik Wetter

Emil Michael Klein, *Line*, 2020, Enamel, oil on linen, 85 x 167 cm. Photo: Annik Wetter

Emil Michael Klein, *Monochrome, Cadmium Orange*, 2019, Enamel, oil on linen, 187 x 130 cm. Photo: Annik Wetter

Emil Michael Klein, *Cross,* 2020, Acrylic, wax, oil on linen, 198 x 150 cm. Photo: Annik Wetter

Emil Michael Klein, *Cross, Black,* 2020, Enamel, edding, oil on linen, 187 x 130 cm. Photo: Annik Wetter

Emil Michael Klein, *Cross, White,* 2020, Enamel, oil on linen, 224 x 149.5 cm. Photo: Annik Wetter

Emil Michael Klein, *Cross,* 2020, Acrylic, wax, oil on linen, 152 x 114 cm. Photo: Annik Wetter

Emil Michael Klein, *Monochrome, Payne's Grey and Black*, 2020, Enamel, oil on linen, 106.5 x 80 cm. Photo: Annik Wetter

Emil Michael Klein, *Monochrome, Phthalo Blue*, 2019, Enamel, oil on linen, 187 x 130 cm. Photo: Annik Wetter

Emil Michael Klein, *Line*, 2020, Enamel, oil on linen, 60 x 90 cm. Photo: Annik Wetter

Emil Michael Klein, *Cross,* 2020, Acrylic, wax, oil on linen, 187 x 130 cm. Photo: Annik Wetter

2019

Marta Riniker-Radich, Last Gasp
October 26 – November 30, 2019

Press release

Installation view, Marta Riniker-Radich, *Last Gasp*, Galerie Francesca Pia, Zurich, 2019. Photo: Annik Wetter

Marta Riniker-Radich, *Baby Talk*, 2018, Colored pencil and pencil on paper, 29.7 x 21 cm

Marta Riniker-Radich, *Born to Lead*, 2019, Colored pencil and pencil on paper, 29.7 x 21 cm

Marta Riniker-Radich, *Born to Lead*, 2019, Colored pencil and pencil on paper, 21 x 29.7 cm

Marta Riniker-Radich, *The End of an Era*, 2019, Colored pencil and pencil on paper, 21 x 29.7 cm

Marta Riniker-Radich, *Unwelcome Gifts*, 2019, Colored pencil and pencil on paper, 21 x 29.7 cm

Marta Riniker-Radich, *With No Apologies*, 2019, Colored pencil and pencil on paper, 29.7 x 21 cm

Marta Riniker-Radich, *The Conservative Treehouse*, 2018, Colored pencil and pencil on paper, 21 x 29.7 cm

Marta Riniker-Radich, *Denn Hier Bestimmen Wir*, 2018, Colored pencil and pencil on paper, 29.7 x 21 cm

Marta Riniker-Radich, *A Sidekick Named Snake*, 2019, Colored pencil and pencil on paper, 21 x 29.7 cm

Marta Riniker-Radich, *A Frame of Cast Iron Lace*, 2018, Colored pencil and pencil on paper, 29.7 x 21 cm

Marta Riniker-Radich, *The Vapors*, 2019, Colored pencil and pencil on paper, 29.7 x 21 cm

2019

Virginia Overton, Fresh Hot Pizza
December 14, 2019 – February 14, 2020

Press release

Installation view, Virginia Overton, *Fresh Hot Pizza*, Galerie Francesca Pia, Zurich, 2019. Photo: Annik Wetter

Virginia Overton, *Untitled (snake)*, 2019, Painted aluminum, 448 x 290 x 15.5 cm. Photo: Annik Wetter

Virginia Overton, *Untitled (double curve)*, 2019, Painted aluminum, 178 x 162 x 15 cm. Photo: Annik Wetter

Virginia Overton, *Untitled*, 2019, Painted aluminum, 110.5 x 104 x 15.5 cm. Photo: Annik Wetter

Virginia Overton, *Untitled (detail)*, 2019, Painted aluminum, 110.5 x 104 x 15.5 cm. Photo: Annik Wetter

Virginia Overton, *Untitled (inversion)*, 2019, Painted aluminum, 108 x 108 x 16 cm. Photo: Annik Wetter

Virginia Overton, *Untitled (monolith)*, 2019, Painted aluminum, 145 x 570 x 15 cm. Photo: Annik Wetter

Virginia Overton, *Untitled*, 2019, Painted aluminum, 193 x 115 x 120 cm. Photo: Annik Wetter

Virginia Overton, *Untitled*, 2019, Sketch book. Photo: Annik Wetter

Virginia Overton, *Untitled (detail)*, 2019, Sketch book

Virginia Overton, *Untitled (watermelon*), 2019, Painted aluminum, 270 x 440 x 15.5 cm. Photo: Annik Wetter

Virginia Overton, *Untitled (slant)*, 2013, Wooden boards, 82 x 594 x 30.3 cm. Photo: Annik Wetter

2019

Eliza Douglas / Puppies Puppies (Jade Kuriki Olivo)
October 26 – November 30, 2019

Press release

Installation view, Eliza Douglas / Puppies Puppies (Jade Kuriki Olivo), Galerie Francesca Pia, Zurich, 2019. Photo: Annik Wetter

Puppies Puppies (Jade Kuriki Olivo), *Survival Preparations (Dedicated to Carlos Olivo) (My Father) (RIP)*, 2019, Shelf, mixed media, 178 x 90 x 45 cm

Puppies Puppies (Jade Kuriki Olivo), *Survival Preparations (Dedicated to Carlos Olivo) (My Father) (RIP)* (detail), 2019, Shelf, mixed media, 178 x 90 x 45 cm

Eliza Douglas, *Window(Puppies Puppies 1)*, 2019, Oil on canvas, 140 x 110 cm. Photo: Annik Wetter

Eliza Douglas, *Window (Puppies Puppies 2)*, 2019, Oil on canvas, 140 x 110 cm. Photo: Annik Wetter

Eliza Douglas, *Window (Puppies Puppies 3)*, 2019, Oil on canvas, 140 x 110 cm. Photo: Annik Wetter

Eliza Douglas, *Window (Puppies Puppies 4)*, 2019, Oil on canvas, 140 x 110 cm. Photo: Annik Wetter

Eliza Douglas, *Window (Puppies Puppies 5)*, 2019, Oil on canvas, 140 x 110 cm. Photo: Annik Wetter

Eliza Douglas, *Window (Puppies Puppies 6)*, 2019, Oil on canvas, 140 x 110 cm. Photo: Annik Wetter

Puppies Puppies (Jade Kuriki Olivo), *Coffin* (Sculpture & Performance), 2019, Wooden coffin, coffin nails, pillow, blanket, fabric lining, 200 x 63 x 53 cm

Performance, Eliza Douglas / Puppies Puppies (Jade Kuriki Olivo), Galerie Francesca Pia, Zurich, 2019

Performance, Eliza Douglas / Puppies Puppies (Jade Kuriki Olivo), Galerie Francesca Pia, Zurich, 2019. Photo: Anne Imhof

Performance Eliza Douglas, Galerie Francesca Pia, Zurich, 2019. Photo: Anne Imhof

Eliza Douglas, *Living Dead*, 2019, Video, 25:04 min

Eliza Douglas, *Apocalypse Apparel*, 2019, Shirt, pants, baseball cap, shoes, dirt, artist blood, Dimension variable

2019

Vaclav Pozarek, HOW (hot or what)
August 31 – October 19, 2019

Press release

Installation view, Vaclav Pozarek, *HOW (hot or what)*, Galerie Francesca Pia, Zurich, 2019. Photo: Flavio Karrer

Vaclav Pozarek, *Skulptur*, 1993, Wood covered in wax, 148 x 72 x 66 cm

Vaclav Pozarek, *Halboffen, halbvoll mit Neon*, 2014, Wood painted, 77 x 210 x 116 cm

Vaclav Pozarek, *Fassade*, 2000-2010, Pencil colored pencil, ink on paper, 45,6 x 30,5 cm

Vaclav Pozarek, *Rom*, ab 1980, Black and white photograph on Baryta paper, Ed. 3, 48 x 32 cm

Vaclav Pozarek, *Loeffelfrau*, 1987, Wood covered with color, 148 x 66 x 72 cm

Vaclav Pozarek, *o. T. mit Neon*, 1990, Wood painted, 84 x 62 x 64 cm

Vaclav Pozarek, *Venice*, 2008-2010, Pencil and China ink on paper, 21 x 29.7 cm

2019

Josef Strau, How to be an Angel Painter
June 8 – July 20, 2019

Press release

Installation view, Josef Strau, *How to be an Angel Painter*, Galerie Francesca Pia, Zurich, 2019. Photo: Flavio Karrer

2019

Absolute Thresholds, curated by John Miller, Elisa R. Linn and Lennart Wolff
Patricia L. Boyd, Rochelle Feinstein, Dan Graham, Matt Keegan, Yves Klein & Claude Parent, Nina Könnemann, Carolyn Lazard, John Miller, Kaspar Müller, Karin Schneider, Greg Parma Smith, Aura Rosenberg, Camilla Wills

April 13 – May 25, 2019

Press release

Installation view, *Absolute Thresholds*, Galerie Francesca Pia, Zurich, 2019. Photo: Annik Wetter

2019

Cinzia Ruggeri, Finché si scherza
February 23 – April 6, 2019

Press release

Installation view, Cinzia Ruggeri, *Finché si scherza*, Galerie Francesca Pia, Zurich, 2019. Photo: Annik Wetter

2019

Matthew Lutz-Kinoy, Screaming Compost
January 17 – February 2, 2019
Performance: Screaming Compost by Matthew Lutz-Kino featuring Jan Vorisek, January 17, 2019

Press release

Performance, Matthew Lutz-Kinoy (featuring Jan Vorisek)*, Screaming Compost*, Galerie Francesca Pia, Zurich, 2019. Photo: Brigham Baker

Installation view, Matthew Lutz-Kinoy, *Screaming Compost*, Galerie Francesca Pia, Zurich, 2019. Photo: James Bantone

2018

Lampen
Ei Arakawa, Thomas Bayrle, James Campbell, Isabelle Cornaro, Cédric Eisenring, Yannic Joray, Guyton/Walker, Karl Holmqvist, Emil Michael Klein, Klara Lidén, Tobias Madison, Tobias Madison and Emanuel Rossetti, Sveta Mordovskaya, Kaspar Müller, Virginia Overton, Mai-Thu Perret, Vaclav Pozarek, David Shrigley, Josef Strau, Stefan Tcherepnin

November 19, 2018 – January 5, 2019

Press release

Installation view, *Lampen*, Galerie Francesca Pia, Zurich, 2018. Photo: Annik Wetter

Kaspar Müller, *Untitled*, 2017, Double electrical sockets, bulbs, approx. 70 x 70 x 70 cm

Vaclav Pozarek, *Bell's (Light Year)*, 1972/2017, Electrical sockets, wire, bulb, 200 x 230 x 5 cm

Cédric Eisenring, *Safelight*, 2018, Oil on Kodak darkroom lamp, 28 x 40 x 14 cm

Kaspar Müller, *Untitled*, 2018, Mixed media, 40 x 40 x 40 cm

Yannic Joray, *Lichtfalle*, 2018, Stoneware ceramic, olive oil lamp, 10 x 40 x 40 cm

Tobias Madison, *Tomorrow (Swamp Thing)*, 2012, Mixed media

Stefan Tcherepnin, *...half fathomed. Strung on a crooked spine*, 2016, Welded metal, 60 x 99 x 66 cm

2018

Thomas Bayrle, Film Video Materialien 1989–1999
August 25 – October 18, 2018

Press release

Thomas Bayrle, Eat Feed I-VI, *from (B)Alt*, 1998, Iris print on hand made paper, each 60 x 72 cm
Installation view, Thomas Bayrle, *Film Video Materialien 1989 - 1999*, Galerie Francesca Pia, Zurich, 2018. Photo: Annik Wetter

Installation view, Thomas Bayrle, *Film Video Materialien 1989 - 1999*, Galerie Francesca Pia, Zurich, 2018. Photo: Annik Wetter

2018

Wade Guyton, Fire and Fury
May 26 – July 21, 2018

Wade Guyton, Untitled, 2018, Epson UltraChrome K3 inkjet on linen, 325 x 275 cm
Installation view, Wade Guyton, *Fire and Fury*, Galerie Francesca Pia, Zurich, 2018. Photo: Gunnar Meier

Wade Guyton, Untitled, 2018, Epson UltraChrome HDX inkjet on linen, 213.4 x 175.3 cm
Installation view, Wade Guyton, *Fire and Fury*, Galerie Francesca Pia, Zurich, 2018. Photo: Gunnar Meier

Installation view, Wade Guyton, *Fire and Fury*, Galerie Francesca Pia, Zurich, 2018. Photo: Gunnar Meier

2018

Harsh Astral – The Radiants II, Green Tea Gallery at Francesca Pia, curated by UNITED BROTHERS, Henning Bohl and Stefanie Kleefeld
Norimizu Ameya/Iwaki Sogo High School, Ei Arakawa, Nobuyoshi Araki, Henning Bohl, Kerstin Brätsch/United Brothers/ Sergei & Stefan Tcherepnin, Jay Chung & Q Takeki Maeda, Bontaro Dokuyama, Chaos*Lounge, Wenzel August Hablik, Oriza Hirata/Seinendan, Susumu Katsumata/Ryan Holmberg, Kitty Kraus, Erika Kobayashi, Jutta Koether, Anita Leisz, Ariane Müller, Mutant Autopilot Brushes, Lucie Stahl, Yuki Okumura, Pratchaya Phinthong, Terry Riley, Alivia Zivich

March 24 – May 12, 2018

Press release

Installation view, *Harsh Astral - The Radiants II*, Galerie Francesca Pia, Zurich, 2018. Photo: Annik Wetter

2018

Fillette, New works by Mai-Thu Perret
Monika Baer, Andrea Büttner, Susan Cianciolo, Isabelle Cornaro, Daan van Golden, Seth Price, Carol Rama, Hayley Tompkins, Sue Tompkins, Richard Wright, anonymous Tantra painting

January 26 – March 17, 2018

Press release

Installation view, *Fillette*, Galerie Francesca Pia, Zurich, 2018. Photo: Annik Wetter

2017

Sam Pulitzer, Shadow of the Problem as Such
November 25, 2017 – January 19, 2018

Press release

Installation view, Sam Pulitzer, *Shadow of the Problem as Such*, Galerie Francesca Pia, Zurich, 2017. Photo: Annik Wetter

Sam Pulitzer, *Project for a New American Century*, 2017, Color pencil and adhesive vinyl on paper, framed, 32 × 47.5 × 3.5 cm

Sam Pulitzer, *The Profit Hoarders (after Doug Henwood)*, 2017, Color pencil and adhesive vinyl on paper, framed, 32 × 47.5 × 3.5 cm

Sam Pulitzer, *Light is / the night isolated by stars*, 2017, Color pencil and adhesive vinyl on paper, framed, 32 × 47.5 × 3.5 cm

Sam Pulitzer, *I know little about bushes and trees, / I have met them in backyards and streets; / I shall become disreputable if I hang about them.*, 2017, Color pencil and adhesive vinyl on paper, framed, 32 × 47.5 × 3.5 cm

Sam Pulitzer, *385 Hicks*, 2017, Color pencil and adhesive vinyl on paper, framed, 32 × 47.5 × 3.5 cm

Sam Pulitzer, *A to Z and back again*, 2017, Color pencil and adhesive vinyl on paper, framed, 32 × 47.5 × 3.5 cm

2017

Fabrice Gygi
August 26 – November 11, 2017

Press release

Installation view, Fabrice Gygi, Galerie Francesca Pia, Zurich, 2017. Photo: Annik Wetter

Fabrice Gygi, *Untitled (Texas),* 2016, Watercolor on paper, framed, 99.6 × 69.9 cm

Fabrice Gygi, *Untitled (Texas)*, 2016, Watercolor on paper, framed, 49 × 69.7 cm

Fabrice Gygi, *Untitled (30 Mai 2017)*, 2017 Watercolor on paper, framed, 60 × 190 cm

Fabrice Gygi, *Untitled (Août 2017)*, 2017 Watercolor on paper, framed, 60 × 190 cm

Fabrice Gygi, *Untitled (Août 2017)*, 2017 Watercolor on paper, framed, 130 × 95 cm

2017

Hans-Peter Feldmann / Elad Lassry
June 3 – August 19, 2017

Press release

Installation view, Hans-Peter Feldmann / Elad Lassry, Galerie Francesca Pia, Zurich, 2017. Photo: Annik Wetter

Elad Lassry, *Untitled (Carrier, Tomatoes)*, 2017, Claro walnut, 59.5 x 64.5 x 65.7 cm

Elad Lassry, *Untitled (Carrier, Tomatoes)* (detail), 2017, Claro walnut, 59.5 x 64.5 x 65.7 cm

Elad Lassry, *Untitled (nails 4)*, 2017, C-print, carpet, walnut frame, 26.5 x 21.5 x 3.8 cm

Elad Lassry, *Untitled (earrings)*, 2017, C-print, carpet, walnut frame, 26.5 x 21.5 x 3.8 cm

Elad Lassry, *Untitled (nails 3)*, 2017, C-print, carpet, walnut frame, 26.5 x 21.5 x 3.8 cm

Elad Lassry, *Untitled (Carrier, Orange Bell Pepper)*, 2017, MDF, 70 x 105 x 68.7 cm

Elad Lassry, *Untitled (Carrier, Orange Bell Pepper)* (detail), 2017, MDF, 70 x 105 x 68.7 cm

Elad Lassry, *Untitled (soccer 3)*, 2017, C-print, carpet, walnut frame, 26.5 x 21.5 x 3.8 cm

Elad Lassry, *Untitled (lizard)*, 2017, C-print, wire, walnut frame, 58 x 36 x 20 cm

Elad Lassry, *Untitled (Carrier, Eyes B)*, 2017, MDF, 46.7 x 71 x 47 cm

Elad Lassry, *Untitled (Carrier, Eyes B)* (detail), 2017, MDF, 46.7 x 71 x 47 cm

2017

Greg Parma Smith, Music of the Spheres
April 22 – May 27, 2017

Press release

Installation view, Greg Parma Smith, *Music of the Spheres*, Galerie Francesca Pia, Zurich, 2017. Photo: Marc Asekhame

Greg Parma Smith, *Offering with Sunkist*, 2017, Oil on canvas, 76.2 x 116.8 cm

Greg Parma Smith, *Albatross with Gloriole*, 2017, Oil and jewels on canvas, 167.6 x 167.6 cm

Greg Parma Smith, *Greater Flamingo with Aureole*, 2017, Oil and jewels on canvas, 167.6 x 167.6 cm

Greg Parma Smith, *Roseate Spoonbill with Nimbus,* 2017, Oil and jewels on canvas, 167.6 x 167.6 cm

Greg Parma Smith, *Seagull with Mandorla*, 2017, Oil and jewels on canvas, 81.3 x 101.6 cm

Greg Parma Smith, *Andean Condor with Annulu*s, 2017, Oil and jewels on canvas, 167.6 x 167.6 cm

Greg Parma Smith, *Offering with Palo Santo*, 2017, Oil and metallic leaf on canvas, 76.2 x 116.8 cm

2017

L'Image, curated by Vincent Romagny
with works by Jérémie Bonnefous, bruant&spangaro, Jay Chung & Q Takeki Maeda, Isabelle Cornaro, Hanne Darboven, Juan José Gurrola, Lisa Holzer, David Jourdan, Jutta Koether, Monica Majoli, Fabian Marti, Virginia Overton, Mai-Thu Perret, Anne-Laure Sacriste, Josef Strau, Benjamin Swaïm, Miriam Visaczki

February 25 – April 8, 2017

Press release

Installation view, *L'image*, Galerie Francesca Pia, Zurich, 2017. Photo: Annik Wetter

2016

Stefan Tcherepnin, Stefan "Jackson" Tcherepnin, The Missing Years: 2014–17
December 10, 2016 – February 4, 2017

Press release

Installation view, Stefan Tcherepnin, Galerie Francesca Pia, Zurich, 2016

Stefan Tcherepnin, *Fat Frog (Phantom Twin)*, 2016, Fabric, silk, thread, wood, 210 x 110 x 50 cm

Stefan Tcherepnin, *Fortnight in Rosenlaui*, 2016, Aquarell on paper, 26 x 36 cm

Stefan Tcherepnin, *Coney Island Spirits*, 2016, Aquarell on paper, 26 x 36 cm

Stefan Tcherepnin, *The scent of smouldering lemon tarts in a saucer*, 2016, Aquarell on paper, 26 x 36 cm

Stefan Tcherepnin, *Steeplechase Park, 1897–1964*, 2016, Aquarell on paper, 26 x 36 cm

Stefan Tcherepnin, *Chain of exquisite tempe*r, 2016, Welded metal, 160 x 64 x 55 cm

Stefan Tcherepnin, *Shadow Monster*, 2016, Fake fur, leather, thread, wood, 260 x 210 x 80 cm

Stefan Tcherepnin, *Forgetting Movie*, 2016, Video, 35:31 min.

Stefan Tcherepnin, *Rebus (The Puzzle's in the Answer)*, 2016, UV prints on transparent sheets, plexiglass, nylon string, 50 x 140 x 0.6 cm

Stefan Tcherepnin, *Wrathful Diety (Rusty)*, 2016, Fake fur, thread, wood, 230 x 230 x 67 cm

Stefan Tcherepnin, *Vesper in Solitude*, 2016, Oil on canvas, 91.4 x 66 cm / *Mad Viper II*, 2016, Oil on canvas, 91.4 x 66 cm / *Cosmic Worm*, 2016, Oil on canvas, 91.4 x 66 cm

2016

Kaspar Müller
October 14 – December 8, 2016

Press release

Installation view, Kaspar Müller, Galerie Francesca Pia, Zurich, 2016. Photo: Marc Asekhame

2016

Heike-Karin Föll, news
September 9 – October 7, 2016

Press release

Installation view, Heike-Karin Föll, *news*, Galerie Francesca Pia, Zurich, 2016. Photo: Marc Asekhame

2016

Rochelle Feinstein
June 9 – September 29, 2016

Press release

Rochelle Feinstein, Research Park Project: Kk, 2014, Acrylic and silkscreen on canvas, 203 x 180 x 0.5 cm
Installation view, Rochelle Feinstein, Galerie Francesca Pia, Zurich, 2016. Photo: Annik Wetter

Installation view, Rochelle Feinstein, Galerie Francesca Pia, Zurich, 2016. Photo: Annik Wetter

Rochelle Feinstein, The Little Engine: Zwelethy Mthethwa/Zwelethu Mthethwa; The Little Engine; Shoot; Image, 2005–2008, 2016, Engraved aluminum plaques; Enamel, acrylic on canvas; Acrylic, oil on canvas; Gold and aluminum leaf on canvas (polyptych), 205 x 523 x 5 cm
Installation view, Rochelle Feinstein, Galerie Francesca Pia, Zurich, 2016. Photo: Annik Wetter

Rochelle Feinstein, El Bronco, 1994, Oil, acrylic, tape on linen (diptych), 157.5 x 320 x 3.5 cm
Installation view, Rochelle Feinstein, Galerie Francesca Pia, Zurich, 2016. Photo: Annik Wetter

Rochelle Feinstein, My Left Eye, My Black Eye, My Third Eye, 1996, Oil, laser prints on linen; Oil, silkscreen on linen; Mixed media on linen (triptych), 106 x 106 x 3 cm, 137 x 137 x 3 cm, 51 x 45 x 3 cm
Installation view, Rochelle Feinstein, Galerie Francesca Pia, Zurich, 2016. Photo: Annik Wetter

Rochelle Feinstein, Listen, 2000-2001, Cibachrome (diptych), each 76.2 x 101.6 x 5 cm
Installation view, Rochelle Feinstein, Galerie Francesca Pia, Zurich, 2016. Photo: Annik Wetter

2016

Spring Awakening
with works by Thomas Bayrle, Stéphane Dafflon, Hans-Peter Feldmann, Aloïs Godinat, Adrian Manuel Huber, Kent Iwemyr, Jutta Koether, Kaspar Müller, Marta Riniker-Radich, Rose Salane and Peter Wächtler

April 16 – May 21, 2016

Press release

Installation view, *Spring Awakening*, Galerie Francesca Pia, Zurich, 2016. Photo: Mark Asekhame

Aloïs Godinat, *Tape Tapis III (puisqu'il n'est point-z-à vous et pas t-à vous, ma foi, je ne sais pas-t-à qu'est-ce.)*, 2011, Rattan, leather, 80 x 25 x 2.5 cm

Aloïs Godinat, *Tape Tapis I (puisqu'il n'est point-z-à vous et pas t-à vous, ma foi, je ne sais pas-t-à qu'est-ce.)*, 2011, Rattan, leather, 80 x 25 x 2.5 cm

Stéphane Dafflon, *AST213*, 2012, Acyrlic on canvas, 180 x 100 cm

Thomas Bayrle, *Feuer im Weizen*, 1970/1995, Silkscreen on paper, glued on cardboard, 355 x 48 cm

Marta Riniker-Radich, *Untitled*, 2016, Paper, glass

Rose Salane, *The Fresh Air that Cured the Contessa (Online)*, 2016, Card stock with ink jet, 21 x 10 cm

Marta Riniker-Radich, *(Licking his ice cream cone)*, 2013, Colored pencil and pencil on paper, 21 x 29.7 cm

Marta Riniker-Radich, *Untitled*, 2012, Colored pencil and pencil on paper, 21 x 29.7 cm

Thomas Bayrle, *Feuer im Weizen (Sexmappe)*, 1970, 9 silkscreens on hand-made paper, each 47.5 x 64.5 cm

Jutta Koether, *Untitled (Couple / after Bacon)*, 2010, Acrylic on canvas, 148 x 122 cm

Hans-Peter Feldmann, *Blumentöpfe an der Wand*, 5 plastic flower pots, dimensions variable

2016

Lars Friedrich / Francesca Pia, Stuttgart
with Flora Klein, Anita Leisz, Ilya Lipkin, Hans-Christian Lotz, Georgie Nettel/Morag Keil, Miriam Visaczki
February 27 – April 9, 2016

Ilya Lipkin, *Badlands*, 2014, C-print, series of 14 prints, each 111 x 75 cm

Installation view, *Stuttgart*, Galerie Francesca Pia, Zurich, 2016. Photo: Annik Wetter

Anita Leisz, *Untitled*, 2013, Primed chipboard, 83 x 73 x 8.2 cm

Anita Leisz, *Untitled*, 2013, Primed chipboard, 195 x 73 x 11 cm

Miriam Visaczki, *Daughter of deceit*, 2016, Felt, 69 x 68 x 1 cm

Hans-Christian Lotz, *Untitled*, 2015, Aluminium, glass, rubber, silicone caulk, record STA 20 module, mixed media, 275 x 350 x 20 cm

Georgie Nettell/Morag Keil, *The Fascism of Everyday Life*, 2015, Video, 11:14 min

2016

Joseph Grigely, Even If You Can't Hear
January 29 – March 17, 2016

Press release

Installation view, Joseph Grigely, *Even If You Can't Hear,* Galerie Francesca Pia, Zurich, 2016. Photo: Annik Wetter

2015

Gems and Ladders
December 5, 2015 – January 16, 2016

2015

Sylvie Auvray, Rings
December 5, 2015 – January 16, 2016

Installation view, Sylvie Auvray, *Rings*, Galerie Francesca Pia, Zurich, 2015

2015

Philippe Decrauzat
November 21, 2015 – February 20, 2016

Press release

Installation view, Philippe Decrauzat, Galerie Francesca Pia, Zurich, 2015. Photo: Annik Wetter

2015

Emil Michael Klein
October 10 – November 14, 2015

Press release

Installation view, Emil Michael Klein, Galerie Francesca Pia, Zurich, 2015. Photo: Annik Wetter

Emil Michael Klein, *Untitled*, 2014-2015, oil on canvas, 252 x 167 cm

Emil Michael Klein, *Untitled*, 2014-2015, oil on canvas, 190 x 126.5 cm

Emil Michael Klein, *Untitled*, 2014-2015, oil on canvas, 252 x 167.5 cm

Emil Michael Klein, *Untitled*, 2014-2015, oil on canvas, 180 x 120 cm

Emil Michael Klein, *Untitled*, 2014-2015, oil on canvas, 252 x 187.5 cm

Emil Michael Klein, *Untitled*, 2014-2015, oil on canvas, 191 x 110 cm

2015

Jay Chung and Q Takeki Maeda, Dull and Bathos
August 27 – October 3, 2015

Press release

Installation view, Jay Chung & Q Takeki Maeda, *Dull and Bathos*, Galerie Francesca Pia, Zurich, 2015. Photo: Annik Wetter

2015

Group Show
Thomas Bayrle, Stéphane Dafflon, Lucky DeBellevue, Fabrice Gygi, Tobias Madison, Ana Pellicer, Mai-Thu Perret, Stefan Tcherepnin, John Tremblay, Aldo Walker
June 13 – July 24, 2015

Press release

Installation view, *Group Show*, Galerie Francesca Pia, Zurich, 2015. Photo: Annik Wetter

2015

Vaclav Pozarek, WOT wieder ohne Titel
April 18 – May 30, 2015

Press release

Installation view, Vaclav Pozarek, *WOT wieder ohne Titel*, Galerie Francesca Pia, Zurich, 2015. Photo: Annik Wetter

2015

Tobias Madison
February 20 – April 11, 2015

Press release

Installation view, Tobias Madison, Galerie Francesca Pia, Zurich, 2015. Photo: Annik Wetter

2014

Isabelle Cornaro
November 22, 2014 – January 31, 2015

Press release

Installation view, Isabelle Cornaro, Galerie Francesca Pia, Zurich, 2014. Photo: Annik Wetter

2014

Jutta Koether, Maquis
August 29 – November 1, 2014

Press release

Installation view, Jutta Koether, *Maquis*, Galerie Francesca Pia, Zurich, 2014. Photo: Annik Wetter

2014

Loretta Fahrenholz, Implosion
August 29 – November 1, 2014

Press release

2014

Thomas Bayrle, Vespini
May 23 – July 18, 2014

Press release

Installation view, Thomas Bayrle, *Vespini,* Galerie Francesca Pia, Zurich, 2014. Photo: Annik Wetter

Installation view, Thomas Bayrle, *Vespini,* Galerie Francesca Pia, Zurich, 2014. Photo: Annik WetterThomas Bayrle, Vorzeichung zu Mr. Dalliman, 2013 Pencil on transparent paper, 142 × 99 cm

Thomas Bayrle, Vespini, 2014, 2 VESPA motors, speakers, dimensions variable
Installation view, Thomas Bayrle, Vespini, Galerie Francesca Pia, Zurich, 2014. Photo: Annik Wetter

Thomas Bayrle, Vespini (detail), 2014, 2 VESPA motors, speakers, dimensions variable
Installation view, Thomas Bayrle, Vespini, Galerie Francesca Pia, Zurich, 2014. Photo: Annik Wetter

Thomas Bayrle, Mr. Dalliman, 2014, Pencil and acrylic on cardboard (on cardboard in glassless wooden frame), 157,5 × 128 × 11 cm

Thomas Bayrle, Brücken nirgends hin, 2014, Cardboard, paper, 86 × 66,5 × 7 cm

2014

Emil Michael Klein
March 15 – May 10, 2014

Press release

Installation view, Emil Michael Klein, Galerie Francesca Pia, Zurich, 2014. Photo: Annik Wetter

2014

Betty Woodman, Interior Views
March 15 – May 10, 2014

Press release

Installation view, Betty Woodman, *Interior Views,* Galerie Francesca Pia, 2014, Zurich. Photo: Annik Wetter

2014

El Tercer Convoy – The Third Convoy
Juan José Gurrola and James Metcalf, Ana Pellicer, Bill Copley
January 23 – March 8, 2014

Press release

Installation view, *El Tercer Convoy – The Third Convoy*, Galerie Francesca Pia, Zurich, 2014. Photo: Mathilde Agius

James Metcalf, *Hyperbolic*, 2012, Hammered brass, 29 x 37 x 46 cm

Juan José Gurolla, *Madame Edwarda*, 1979, Acrylic and carbon on canvas, 84 x 75 x 4cm

Juan José Gurolla, *Madame Edwarda 2*, 1979, Acrylic and carbon on canvas, 84.5 x 44.5 x 4 cm

Ana Pellicer, *Earring for a Great Lady*, 1986, Hammered brass, 166 x 46 x 22.1 cm

2013

XMAS Show at Galerie Francesca Pia
December 14–21, 2013

Installation view, *X-Mas Show*, Galerie Francesca Pia, Zurich, 2013. Photo: Mathilde Agius

2013

gemini, by Jeanne Graff
Performance: Anne Imhof, Sotsb, 6th of at least three
November 23, 2013 – January 11, 2014

Installation view, *Gemini*, Galerie Francesca Pia, Zurich, 2013

Performance view, *Gemini*, Galerie Francesca Pia, Zurich, 2013

2013

Mai-Thu Perret, The Prairie
August 31 – November 9, 2013

Press release

Installation View, Mai-Thu Perret, *The Prairie*, Galerie Francesca Pia, Zurich, 2013. Photo: Gunnar Meier

2013

Elad Lassry
June 8 – July 20, 2013

Press release

Installation view, Elad Lassry, Galerie Francesca Pia, Zurich, 2013. Photo: Stefan Altenburger

Elad Lassry, *Skyscrapers*, 2013, Silver gelatine print, walnut frame, 36.8 x 29.2 x 3.8 cm

Elad Lassry, *Partition,* 2013, Silver gelatin print, walnut frame, 29.2 x 36.8 x 3.8 cm

Elad Lassry, *Partition, Hand*, Silver gelatin print, walnut frame, 2013, 29.2 x 36.8 x 3.8 cm

Elad Lassry, *Untitled (Isopod)*, 2013, C-Print, walnut frame, 4-ply silk, 36.8 x 29.2 x 3.8 cm

2013

Aldo Walker, Aloïs Godinat
April 6 – May 25, 2013

Press release

Installation view, Aldo Walker, Alois Godinat, Galerie Francesca Pia, Zurich, 2013. Photo: Nelly Rodriguez

2013

Bruno Serralongue, South Sudan series (8–12 July 2011)
February 9 – March 23, 2013

Press release

Installation view, Bruno Serralongue, *South Sudan series (8–12 July 2011),* Galerie Francesca Pia, Zurich, 2013. Photo: Gunnar Meier

2012

Marta Riniker-Radich, The Color of Mud and Clouds
December 14, 2012 – February 2, 2013

Press release

Installation view, Marta Riniker-Radich, Galerie Francesca Pia, Zurich, 2012. Photo: Gunnar Meier

Marta Riniker-Radich, *A Private Store of Fog*, 2011, Colored pencil and pencil on paper, 21 × 29.7 cm

Marta Riniker-Radich, *Untitled*, 2012, Colored pencil and pencil on paper, 29.7 × 21 cm

Marta Riniker-Radich, *Marbella & Altamira*, 2012, Colored pencil, pencil and collage on paper, 29.7 × 41 cm

Marta Riniker-Radich, *NB4*, 2012, Colored pencil and pencil on paper, 29.7 × 21 cm

Marta Riniker-Radich, *Untitled*, 2012, Colored pencil and pencil on paper, 21 × 29.7 cm

Marta Riniker-Radich, *The Punisher*, 2012, Colored pencil and pencil on paper, 29.7 × 21 cm

Marta Riniker-Radich, *Untitled*, 2010, Colored pencil and pencil on paper, 21 × 29.7 cm

Marta Riniker-Radich, *Ruby in the Sky*, 2010, Colored pencil and pencil on paper, 21 × 29.7 cm

2012

La Demeure Joyeuse II
Caroline Achaintre, Sylvie Auvray, Karina Bisch, Bless, Guidette Carbonell, Isabelle Cornaro, Daniel Dewar & Gregory Gicquel, Ligia Dias, Trisha Donnelly, Elsi Giauque, Fabrice Gygi, Elias Hansen, Tobias Kaspar, Christina Mackie, Emil Michael Klein, Jutta Koether, Ingrid Luche, Paule Marrot, Aurélien Mole, Kaspar Müller, Jean Painlevé, Mai-Thu Perret, Josef Strau, Benjamin Valenza, Jessica Warboys, Betty Woodman

October 2 – November 17, 2012

Press release

Installation view, *La Demeure Joyeuse II*, Galerie Francesca Pia, Zurich, 2012. Photo: Annik Wetter

2012

Showroom
Joseph Grigely, Thomas Bayrle, David Shrigley, Fabrice Gygi, Elad Lassry, Jutta Koether, Kaspar Müller
June 9 – July 14, 2012

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