2022
Sam Pulitzer, If the muck of ages and the wealth of nations were identical, would there be any need for a weekend?
15 Orient, New York
May 7 – June 10, 2022
Installation view, Sam Pulitzer, If the muck of ages and the wealth of nations were identical, would there be any need for a weekend?, 15 Orient, New York, 2022
Installation view, Sam Pulitzer, If the muck of ages and the wealth of nations were identical, would there be any need for a weekend?, 15 Orient, New York, 2022
Installation view, Sam Pulitzer, If the muck of ages and the wealth of nations were identical, would there be any need for a weekend?, 15 Orient, New York, 2022
Installation view, Sam Pulitzer, If the muck of ages and the wealth of nations were identical, would there be any need for a weekend?, 15 Orient, New York, 2022
Installation view, Sam Pulitzer, If the muck of ages and the wealth of nations were identical, would there be any need for a weekend?, 15 Orient, New York, 2022
Installation view, Sam Pulitzer, If the muck of ages and the wealth of nations were identical, would there be any need for a weekend?, 15 Orient, New York, 2022
Installation view, Sam Pulitzer, If the muck of ages and the wealth of nations were identical, would there be any need for a weekend?, 15 Orient, New York, 2022
Installation view, Sam Pulitzer, If the muck of ages and the wealth of nations were identical, would there be any need for a weekend?, 15 Orient, New York, 2022
Installation view, Sam Pulitzer, If the muck of ages and the wealth of nations were identical, would there be any need for a weekend?, 15 Orient, New York, 2022
Installation view, Sam Pulitzer, If the muck of ages and the wealth of nations were identical, would there be any need for a weekend?, 15 Orient, New York, 2022
Installation view, Sam Pulitzer, If the muck of ages and the wealth of nations were identical, would there be any need for a weekend?, 15 Orient, New York, 2022
Installation view, Sam Pulitzer, If the muck of ages and the wealth of nations were identical, would there be any need for a weekend?, 15 Orient, New York, 2022
Installation view, Sam Pulitzer, If the muck of ages and the wealth of nations were identical, would there be any need for a weekend?, 15 Orient, New York, 2022
Installation view, Sam Pulitzer, If the muck of ages and the wealth of nations were identical, would there be any need for a weekend?, 15 Orient, New York, 2022
Installation view, Sam Pulitzer, If the muck of ages and the wealth of nations were identical, would there be any need for a weekend?, 15 Orient, New York, 2022
Installation view, Sam Pulitzer, If the muck of ages and the wealth of nations were identical, would there be any need for a weekend?, 15 Orient, New York, 2022
Installation view, Sam Pulitzer, If the muck of ages and the wealth of nations were identical, would there be any need for a weekend?, 15 Orient, New York, 2022
Installation view, Sam Pulitzer, If the muck of ages and the wealth of nations were identical, would there be any need for a weekend?, 15 Orient, New York, 2022
Installation view, Sam Pulitzer, If the muck of ages and the wealth of nations were identical, would there be any need for a weekend?, 15 Orient, New York, 2022
Installation view, Sam Pulitzer, If the muck of ages and the wealth of nations were identical, would there be any need for a weekend?, 15 Orient, New York, 2022
Installation view, Sam Pulitzer, If the muck of ages and the wealth of nations were identical, would there be any need for a weekend?, 15 Orient, New York, 2022
Installation view, Sam Pulitzer, If the muck of ages and the wealth of nations were identical, would there be any need for a weekend?, 15 Orient, New York, 2022
Installation view, Sam Pulitzer, If the muck of ages and the wealth of nations were identical, would there be any need for a weekend?, 15 Orient, New York, 2022
Installation view, Sam Pulitzer, If the muck of ages and the wealth of nations were identical, would there be any need for a weekend?, 15 Orient, New York, 2022
Installation view, Sam Pulitzer, If the muck of ages and the wealth of nations were identical, would there be any need for a weekend?, 15 Orient, New York, 2022
Installation view, Sam Pulitzer, If the muck of ages and the wealth of nations were identical, would there be any need for a weekend?, 15 Orient, New York, 2022
Installation view, Sam Pulitzer, If the muck of ages and the wealth of nations were identical, would there be any need for a weekend?, 15 Orient, New York, 2022
Installation view, Sam Pulitzer, If the muck of ages and the wealth of nations were identical, would there be any need for a weekend?, 15 Orient, New York, 2022
Installation view, Sam Pulitzer, If the muck of ages and the wealth of nations were identical, would there be any need for a weekend?, 15 Orient, New York, 2022
Installation view, Sam Pulitzer, If the muck of ages and the wealth of nations were identical, would there be any need for a weekend?, 15 Orient, New York, 2022
Installation view, Sam Pulitzer, If the muck of ages and the wealth of nations were identical, would there be any need for a weekend?, 15 Orient, New York, 2022
Installation view, Sam Pulitzer, If the muck of ages and the wealth of nations were identical, would there be any need for a weekend?, 15 Orient, New York, 2022
Installation view, Sam Pulitzer, If the muck of ages and the wealth of nations were identical, would there be any need for a weekend?, 15 Orient, New York, 2022
Installation view, Sam Pulitzer, If the muck of ages and the wealth of nations were identical, would there be any need for a weekend?, 15 Orient, New York, 2022
Installation view, Sam Pulitzer, If the muck of ages and the wealth of nations were identical, would there be any need for a weekend?, 15 Orient, New York, 2022
Installation view, Sam Pulitzer, If the muck of ages and the wealth of nations were identical, would there be any need for a weekend?, 15 Orient, New York, 2022
2019
Sam Pulitzer, The Premise of a Better Life, Kunsthaus Glarus
October 27, 2019 – January 1, 2020
Installation view, Sam Pulitzer, Kunsthaus Glarus, 2019. Photo: Gunnar Meier
Installation view, Sam Pulitzer, Kunsthaus Glarus, 2019. Photo: Gunnar Meier
Installation view, Sam Pulitzer, Kunsthaus Glarus, 2019. Photo: Gunnar Meier
Installation view, Sam Pulitzer, Kunsthaus Glarus, 2019. Photo: Gunnar Meier
Installation view, Sam Pulitzer, Kunsthaus Glarus, 2019. Photo: Gunnar Meier
Installation view, Sam Pulitzer, Kunsthaus Glarus, 2019. Photo: Gunnar Meier
Installation view, Sam Pulitzer, Kunsthaus Glarus, 2019. Photo: Gunnar Meier
Installation view, Sam Pulitzer, Kunsthaus Glarus, 2019. Photo: Gunnar Meier
Installation view, Sam Pulitzer, Kunsthaus Glarus, 2019. Photo: Gunnar Meier
Installation view, Sam Pulitzer, Kunsthaus Glarus, 2019. Photo: Gunnar Meier
Installation view, Sam Pulitzer, Kunsthaus Glarus, 2019. Photo: Gunnar Meier
Installation view, Sam Pulitzer, Kunsthaus Glarus, 2019. Photo: Gunnar Meier
Installation view, Sam Pulitzer, Kunsthaus Glarus, 2019. Photo: Gunnar Meier
Installation view, Sam Pulitzer, Kunsthaus Glarus, 2019. Photo: Gunnar Meier
Installation view, Sam Pulitzer, Kunsthaus Glarus, 2019. Photo: Gunnar Meier
2018
Sam Pulitzer, Whim or Sentiment or Chance, Hamburger Bahnhof, Berlin
October 19, 2018 – April 14, 2019
Installation view, Sam Pulitzer, Whim or Sentiment or Chance, Hamburger Bahnhof, Berlin, 2018. Photo: Thomas Bruns
Installation view, Sam Pulitzer, Whim or Sentiment or Chance, Hamburger Bahnhof, Berlin, 2018. Photo: Thomas Bruns
Installation view, Sam Pulitzer, Whim or Sentiment or Chance, Hamburger Bahnhof, Berlin, 2018. Photo: Thomas Bruns
Installation view, Sam Pulitzer, Whim or Sentiment or Chance, Hamburger Bahnhof, Berlin, 2018. Photo: Thomas Bruns
Installation view, Sam Pulitzer, Whim or Sentiment or Chance, Hamburger Bahnhof, Berlin, 2018. Photo: Thomas Bruns
Installation view, Sam Pulitzer, Whim or Sentiment or Chance, Hamburger Bahnhof, Berlin, 2018. Photo: Thomas Bruns
Installation view, Sam Pulitzer, Whim or Sentiment or Chance, Hamburger Bahnhof, Berlin, 2018. Photo: Thomas Bruns
Installation view, Sam Pulitzer, Whim or Sentiment or Chance, Hamburger Bahnhof, Berlin, 2018. Photo: Thomas Bruns
Installation view, Sam Pulitzer, Whim or Sentiment or Chance, Hamburger Bahnhof, Berlin, 2018. Photo: Thomas Bruns
Installation view, Sam Pulitzer, Whim or Sentiment or Chance, Hamburger Bahnhof, Berlin, 2018. Photo: Thomas Bruns
Installation view, Sam Pulitzer, Whim or Sentiment or Chance, Hamburger Bahnhof, Berlin, 2018. Photo: Thomas Bruns
Sam Pulitzer, May the last nationalist be strangled with the guts of the last technocrat, Gavin Brown, Sant'Andrea de Scaphis, Rome
September 20 – December 8, 2018
Installation view, Sam Pulitzer, Gavin Brown, Sant'Andrea de Scaphis, Rome, 2018
Installation view, Sam Pulitzer, Gavin Brown, Sant'Andrea de Scaphis, Rome, 2018
Installation view, Sam Pulitzer, Gavin Brown, Sant'Andrea de Scaphis, Rome, 2018
Installation view, Sam Pulitzer, Gavin Brown, Sant'Andrea de Scaphis, Rome, 2018
Installation view, Sam Pulitzer, Gavin Brown, Sant'Andrea de Scaphis, Rome, 2018
Installation view, Sam Pulitzer, Gavin Brown, Sant'Andrea de Scaphis, Rome, 2018
Installation view, Sam Pulitzer, Gavin Brown, Sant'Andrea de Scaphis, Rome, 2018
Installation view, Sam Pulitzer, Gavin Brown, Sant'Andrea de Scaphis, Rome, 2018
2017
Sam Pulitzer, Shadow of the Problem as Such, Galerie Francesca Pia, Zurich
November 25, 2017 – January 19, 2018
Installation view, Sam Pulitzer, Shadow of the Problem as Such, Galerie Francesca Pia, Zurich, 2017. Photo: Annik Wetter
Installation view, Sam Pulitzer, Shadow of the Problem as Such, Galerie Francesca Pia, Zurich, 2017. Photo: Annik Wetter
Sam Pulitzer, The Profit Hoarders (after Doug Henwood), 2017, Color pencil and adhesive vinyl on paper, framed, 32 × 47.5 × 3.5 cm
Sam Pulitzer, Project for a New American Century, 2017, Color pencil and adhesive vinyl on paper, framed, 32 × 47.5 × 3.5 cm
Installation view, Sam Pulitzer, Shadow of the Problem as Such, Galerie Francesca Pia, Zurich, 2017. Photo: Annik Wetter
Sam Pulitzer, Light is / the night isolated by stars, 2017, Color pencil and adhesive vinyl on paper, framed, 32 × 47.5 × 3.5 cm
Sam Pulitzer, I know little about bushes and trees, / I have met them in backyards and streets; / I shall become disreputable if I hang about them., 2017, Color pencil and adhesive vinyl on paper, framed, 32 × 47.5 × 3.5 cm
Installation view, Sam Pulitzer, Shadow of the Problem as Such, Galerie Francesca Pia, Zurich, 2017. Photo: Annik Wetter
Sam Pulitzer, 385 Hicks, 2017, Color pencil and adhesive vinyl on paper, framed, 32 × 47.5 × 3.5 cm
Sam Pulitzer, A to Z and back again, 2017, Color pencil and adhesive vinyl on paper, framed, 32 × 47.5 × 3.5 cm
Installation view, Sam Pulitzer, Shadow of the Problem as Such, Galerie Francesca Pia, Zurich, 2017. Photo: Annik Wetter
Installation view, Sam Pulitzer, Shadow of the Problem as Such, Galerie Francesca Pia, Zurich, 2017. Photo: Annik Wetter
2016
Sam Pulitzer & Peter Wächtler, House of Gaga / Reena Spaulings Fine Art, Los Angeles
December 11, 2016 – February 4, 2017
Installation view, Sam Pulitzer & Peter Wächtler, House of Gaga / Reena Spaulings Fine Art, Los Angeles, 2016
Installation view, Sam Pulitzer & Peter Wächtler, House of Gaga / Reena Spaulings Fine Art, Los Angeles, 2016
Installation view, Sam Pulitzer & Peter Wächtler, House of Gaga / Reena Spaulings Fine Art, Los Angeles, 2016
Installation view, Sam Pulitzer & Peter Wächtler, House of Gaga / Reena Spaulings Fine Art, Los Angeles, 2016
Installation view, Sam Pulitzer & Peter Wächtler, House of Gaga / Reena Spaulings Fine Art, Los Angeles, 2016
Installation view, Sam Pulitzer & Peter Wächtler, House of Gaga / Reena Spaulings Fine Art, Los Angeles, 2016
Installation view, Sam Pulitzer & Peter Wächtler, House of Gaga / Reena Spaulings Fine Art, Los Angeles, 2016
Installation view, Sam Pulitzer & Peter Wächtler, House of Gaga / Reena Spaulings Fine Art, Los Angeles, 2016
Installation view, Sam Pulitzer & Peter Wächtler, House of Gaga / Reena Spaulings Fine Art, Los Angeles, 2016
2014
Sam Pulitzer, A Colony for "Them", Artists Space, New York
March 16 – May 18, 2014
Installation view, Sam Pulitzer, A Colony for "Them", Artist Space, New York, 2014. Photo: Daniel Pérez
Installation view, Sam Pulitzer, A Colony for "Them", Artist Space, New York, 2014. Photo: Daniel Pérez
Installation view, Sam Pulitzer, A Colony for "Them", Artist Space, New York, 2014. Photo: Daniel Pérez
Installation view, Sam Pulitzer, A Colony for "Them", Artist Space, New York, 2014. Photo: Daniel Pérez
Installation view, Sam Pulitzer, A Colony for "Them", Artist Space, New York, 2014. Photo: Daniel Pérez
Installation view, Sam Pulitzer, A Colony for "Them", Artist Space, New York, 2014. Photo: Daniel Pérez
Installation view, Sam Pulitzer, A Colony for "Them", Artist Space, New York, 2014. Photo: Daniel Pérez
2012
Sam Pulitzer, curated by Michele D'Aurizio, Fondazione Pastifico Cerere, Rome
September 19 – November 7, 2012
Installation view, Sam Pulitzer, Fondazione Pastificio Cerere, Rome, 2012. Photo: Giorgio Benni
Installation view, Sam Pulitzer, Fondazione Pastificio Cerere, Rome, 2012. Photo: Giorgio Benni
Installation view, Sam Pulitzer, Fondazione Pastificio Cerere, Rome, 2012. Photo: Giorgio Benni
Installation view, Sam Pulitzer, Fondazione Pastificio Cerere, Rome, 2012. Photo: Giorgio Benni
Installation view, Sam Pulitzer, Fondazione Pastificio Cerere, Rome, 2012. Photo: Giorgio Benni
Installation view, Sam Pulitzer, Fondazione Pastificio Cerere, Rome, 2012. Photo: Giorgio Benni
Installation view, Sam Pulitzer, Fondazione Pastificio Cerere, Rome, 2012. Photo: Giorgio Benni
Installation view, Sam Pulitzer, Fondazione Pastificio Cerere, Rome, 2012. Photo: Giorgio Benni
Installation view, Sam Pulitzer, Fondazione Pastificio Cerere, Rome, 2012. Photo: Giorgio Benni
Installation view, Sam Pulitzer, Fondazione Pastificio Cerere, Rome, 2012. Photo: Giorgio Benni
Installation view, Sam Pulitzer, Fondazione Pastificio Cerere, Rome, 2012. Photo: Giorgio Benni
Installation view, Sam Pulitzer, Fondazione Pastificio Cerere, Rome, 2012. Photo: Giorgio Benni