2023 | Office Baroque, Basic Fit, Antwerp
Bortolami, Junkyard of Dreams, New York
White Cube West Palm Beach, Daren Almond, Isamu Noguchi, Virginia Overton, West Palm Beach, FL |
2022 | La Biennale di Venezia, 59th International Art Exhibition, The Milk of Dreams, curated by Cecilia Alemani, Venice |
2021 | The Ranch, Camp Hero: Frank Benson, Aaron Curry, Virginia Overton, Marianne Vitale, Montauk |
2020 | The Kitchen, Ice and Fire: A Benefit Exhibition in Three Parts, New York
Whitney Museum of American Art, Nothing is so humble: Prints from everyday objects, New York
Hayward Gallery, Among the Trees, London
Kanal Centre Pompidou, It Never Ends, curated by John Armleder, Brussels
Goldsmiths CCA, Transparent Things, London
Borch, Marina Adams, Mamma Andersson, Virginia Overton, Berlin |
2019 | MAMCO, Ecart at Art Basel, Geneva
Gio Marconi, I campi magnetici, Milan
Peter Freeman INC, Downtown Painting, New York |
2018 | Galerie Francesca Pia, Lampen, Zurich
Office Baroque, Above The Treeline, Brussels
White Cube, Remembering Tomorrow: Artworks and Archives, Hong Kong
White Cube Bermondsey, Memory Palace, London
Emalin Gallery, a window, a floor, credit cards, a bench, London
Beeler Gallery at the Columbus College of Art & Design, Season Zero: How well do you behave? IN THE FLAT FIELD., Columbus
Bernal Espacio Gallery, Balance: Gravity in Contemporary Art, Madrid |
2017 | Boom Boom Room, EUCALYPT US, Brooklyn
Westfälischer Kunstverein, Jahresgaben, Münster
BORCHs Butik, Everberg, Overton, Saunders, Taylor, Whitney, Zurier, Copenhagen
Maisterravalbuena, N. Dash | Virginia Overton | B. Wurtz (form, content, place), Lisbon
Spencer Brownstone Gallery, 1107 Manhattan Ave Pt.II., curated by Olivier Mosset, New York
Apples, Alley Show, organized by Israel Lund and Sam Korman, Brooklyn
Freymond-Guth, Reflections on the Surface, Basel
Museum of Contemporary Art Detroit, 99 Cents or Less, curated by Jens Hoffman, Detroit
Lever House, MIDTOWN, organized by Maccarone, Salon 94 Design, and Salon 94, New York
Moran Bondaroff, Where the Sidewalk Ends, Los Angeles
Galerie Francesca Pia, L’image, curated by Vincent Romagny, Zurich
Shulamit Nazarian Gallery, Escape Attempts, curated by Kathy Battista, Los Angeles
Border Patrol, Now Burning, Portland |
2016 | Bortolami, Michael François, Liz Larner, Tony Lewis, Virginia Overton, Morgan Fisher: Screening Room, New York
Koppe and Astner, These Are Flat Things and Things Which are Not Flat, curated by Katarina Burin, Glasgow
Freymond-Guth, Basel
Galerie Patrick Seguin, Pièces-Meublés, curated by Bob Nickas, Paris
Freymond-Guth/Harlem, Touching Surface, Touching Ground, New York
Institute of Contemporary Art, University of Pennsylvania, Descent, curated by Charlotte Ickes, Philadelphia
Freymond-Guth, Decade, Zurich
Kai Matsumiya Gallery, Redeux (Sort of), organized by Foundation Barbin and Lucky DeBellevue, New York |
2015 | Jewish Historical Museum, Excavating The Contemporary, curated by Renee Bloch and Sara Tas, Amsterdam
Galerie Frank Elbaz, Lost in the Flood, Paris
APPLES, Fence Show, organized by Israel Lund and Sam Korman, Brooklyn
Freymond-Guth, Virginia Overton / Heidi Bucher, Zurich
Palais–Galerie, Primo, Neuchâtel
Rothman’s Gallery, MOMMA with Servane Mary, Virginia Overton, John Miller & Richard Hoec, Olivier Mosset, and Michael Auder (text by Bob Nickas), Southold
Laleh June Galerie, By Olivier Mosset, Basel
Salon 94, American Idle, organized by Lydia Kutko, New York
Marlborough Broome Street, Marlborough Lights, curated by Leo Fitzpatrick, New York
Sikkema Jenkins & Co., Over & Under, organized with the cooperation of Matt Keegan, New York
138 Eldridge Street, OMM: Overton/Mary/Mosset, New York
Capital Gallery, Touch the Spindle, San Francisco
Triple V, Mary/Miller/Mosset/Overton, Paris |
2014 | Invisible-Exports, and Samson Projects, Great Expectations: A Group Exhibition in the Home of Nina Johnson-Milewski and Daniel Milewski, organized by Gallery Diet with the Box, Miami
Freymond-Guth, Monumental Fatigue, Zurich
Office Baroque at former Entrepots Gérard Koninckx frères, Nuit Américaine, Brussels
Mitchell-Innes & Nash, Days Inn, curated by Justine Kurlan, New York
Carpenter Center for the Visual Arts, Harvard University, Visiting Faculty 2014–15, Cambridge
Cave, Video Works by Sarah Dornner, GOD, Sarah Magenheimer, Virginia Overton, Jacolby Satterwhite and Matthew Schlanger, selected by Bridget Finn and Erin Somerville, Detroit
Roberts & Tilton, Infinitude, Culver City
Max Wigram Gallery, Ice Fishing, curated by Darren Flook, London
A Palazzo Gallery, Servane Mary / Virginia Overton / Olivier Mosset, Brescia
Habersham Mills, Roving Room, curated by Kelly Kaczynski and Cori Williams, Demorest
Freymond-Guth, Le Salon Particulier, Zurich
VI, VII, Like a Virgin, Oslo
Mitchell-Innes & Nash, Work Order, Change Order, curated by Daniel Lefcourt, New York |
2013 | Bill Brady / KC, Israel Lund, Virginia Overton, Steinman and Tear, Kansas City
Venus Over Manhattan, Piston Head, Miami
Cookie Butcher, Ground Control to Major Tom: Works from the Verhaegen Family Collection, Antwerp
Disjecta Contemporary Art Center, subject, answer, countersubject, curated by Summer Guthery, Portland
Contemporary Art Museum, Place is the Space, curated by Brad Cloepfil and Dominic Molon, St. Louis
Martos Gallery, LAT. 41° 7' N., LONG. 72° 19' W., organized by Bob Nickas, East Marion
Richard Telles Fine Art, Illuminations, curated by Matthew Higgs, Los Angeles
Gemeentemuseum Den Haag, Transforming the Known: Works from the Bert Kreuk Collection, The Hague
Institut curatorial de la Head, Electric Fields, Geneva
L&M Arts, Neo Povera, Los Angeles
Ausstellungsraum Klingental, within the horizon of the object, curated by Samuel Leuenberger, Basel
Galerie Rodolphe Janssen, Rien faire et laisser rire, organized by Bob Nickas, Brussels
Cafe Dancer, Salon for Contemporary Dancing, organized by Sam Gordon, New York
apexart:Memphis, Memphis Social, organized by Tom McGlynn, Memphis
Palazzo delle Esposizioni, Empire State, curated by Alex Gartenfeld and Norman Rosenthal, Rome; travelling to Galerie Thaddaeus Ropac, Paris
Museum of Arts and Design, E.S.P. TV Live Taping: Public Service Announcement, New York
Carriage Trade, The Pathos of Things, New York
Freymond–Guth, Nicola Martini, Virginia Overton, Magali Reus: Heavy duty, silent haze, racing hearts, Zurich
Brand New Gallery, Beyond the Object, Milan |
2012 | Angstrom Gallery, Matterdaddy, curated by Israel Lund and John Roebas, Dallas
Whitney Museum, Emergency Cheesecake, curated by Wade Guyton and Jay Sanders, New York
Carl Freedman Gallery, Plenitude, curated by Stephan Tanbin Sastrawid, London
Venus Over Manhattan, Bulletin Boards, New York
Martos Gallery, Creature from the Blue Lagoon, curated by Bob Nickas, Bridgehampton
Office Baroque, Henry Codax, Virginia Overton, Kyle Thurman, Antwerp
James Cohan Gallery, Abstract Everyday–Everyday Abstract, curated by Matthew Higgs, New York
Freymond-Guth, Physical! Physical!, Zurich
Hard Hat, Different Strokes, Geneva
Praz-Delavallade, Shake and Bake, curated by Hard Hat, Paris |
2011 | Freymond-Guth, The Secret Garden, Zurich
Air de Paris, Florbelle (after Sade), curated by Vincent Romagny, Paris,
Gavlak, Sentimental Education, Palm Beach
Spencer Brownstone, 1107 Manhattan Avenue, New York
Wassaic Project, The Finishers, curated by Eric Gleason and Ethan Greenbaum, Wassaic
Blum and Poe, GLEE, curated by Cecilia Alemani, Los Angeles
Martos Gallery, The 2011 Bridgehampton Biennial, curated by Bob Nickas, Bridgehampton
Laurel Gitlen, Broken Umbrellas, curated by Christopher Aque, New York
fordProject, Summer Affair, curated by Tim Goossens, New York
IMO, I don't know if it makes any sense – I feel quite dizzy and a little drunk due to the blow. I will return with more info shortly..., curated by Howie Chen & Tim Saltarelli, Copenhagen
Klemens Gasser & Tanja Grunert, Against the Way Things Go, New York
Nicelle Beauchene Gallery, Indeterminate Activity, New York
The Wrong Again Gallery, Road to Nowhere, a collaborative effort between Virginia Overton and Aaron Suggs, Memphis
White Flag Projects, Impossible Vacation, St. Louis |
2010 | Mitchell-Innes & Nash, Jacob Kassay, Robert Morris, Virginia Overton, New York
White Columns, Looking Back / The Fifth White Columns Annual, organized by Bob Nickas, New York
N.O. Gallery, Multipli D'Artista, Milan
SUArt Galleries, Run and Tell That! New Work from New York, Syracuse University, Syracuse
Museum of Contemporary Art Tucson, The Artist as Collector: Olivier Mosset, Tuscon
Galerie Chantal Crousel, The Rule of the Game, Paris
Elizabeth Dee Gallery, Today I Made Nothing, curated by Tim Saltarelli, New York
Marlborough Gallery, Grass Grows By Itself, curated by Sima Familant, New York
Martos Gallery, Wait for Me at the Bottom of the Pool, curated by Bob Nickas, Bridgehampton
MoMA PS1, the backroom, organized by Kate Fowle, Long Island City
MoMA PS1, Greater New York, Long Island City
Windows at Saks 5th Avenue, New York
Burning Bridges, Be Yourself, New York
Michel Allen Projects, From the Mississippi to the Hudson, New York
Foundation Barbin, Media Int'l Group, organized by Lucky DeBellevue, New York
Le Magasin-CNAC, Portrait de l’artiste en motocycliste, Grenoble
Friedrich Petzel Gallery, The Audio Show, organized by Seth Kelly, New York
SculptureCenter, In Practice, Long Island City |
2007 | Greene Naftali Gallery, String Show, curated by Josh Smith, New York |
2006 | Marshall Arts and Powerhouse, VA4398UV, curated by Virginia Overton, Memphis |
2005 | Art Museum of the University of Memphis, MAX 2005: The Inner Voice of Art, curated by David Moos, Memphis
MFA Thesis Show, Art Museum of the University of Memphis, Memphis |
