1958

born in Cologne

Lives and works in Berlin

 

Solo Exhibitions (selection)

 

2020

Lévi Gorvy, Jutta Koether: 4 the Team, New York

2019

Museum Abteiberg, Libertine, Mönchengladbach
Mudam, Tour de Madame, Luxembourg

2018

Museum Brandhorst, Tour de Madame, Munich

2017

Campoli Presti, Serinettes. Ladies Pleasures Varying, Paris

2016

Campoli Presti, Best of Studios, London
Galerie Buchholz, Zodiac Nudes, Berlin

2015

Bortolami, Fortune, New York

2014

Galerie Francesca Pia, Maquis, Zurich
Campoli Presti, A Moveable Feast – Part XV, Paris
Reena Spaulings Fine Art, Champrovent, New York

2013

Arnolfini, Seasons and Sacraments, Bristol
DCA, Jutta Koether, Dundee, Scotland
PRAXES, Cycle 1. Jutta Koether. Viktoria, Luise, Isabelle, Berlin
Campoli Presti, The Double Session, London
Andrew Rafacz, Psychosexual, Chicago
Établissement d'en face projects, Un établissement aux Foliès-Koethère, Brussels

2012

Forde, Panegyric, Geneva
Bortolami Gallery, The Fifth Season, New York

2011

Moderna Museet, Performance by Jutta Koether & Tony Conrad, Stockholm
Galerie Daniel Buchholz, Berliner Schlüssel, Berlin
Moderna Museet, Jutta Koether. The Thirst, Stockholm

2010

Galerie Daniel Buchholz, Jutta Koether, Berlin
Kunstverein München, Jutta Koether – Bitches Brew, München

2009

Susanne Vielmetter Los Angeles Projects, Sovereign Women in Painting, Los Angeles
Reena Spaulings Fine Art, Lux Interior, New York
Van Abbemuseum, Jo Baer / Jutta Koether, Eindhoven

2008

Galerie Francesca Pia, The Fact That You Place Your Bet On Red Does Not Mean That The Black Is Not Still There, Zurich
Kunsthall Landmark, No. 5, Bergen, Norway
Galerie Daniel Buchholz, New Yorker Fenster, Cologne
Song song, Touch and Resist, Vienna
Sutton Lane Gallery Paris, JXXXA LEIBHAFTIGE MALEREI, Paris

2007

Kunsthalle Bern, Änderungen aller Art, Bern
Reena Spaulings Fine Art, Kim Gordon and Jutta Koether, Dead Already, New York

2006

Akademie der Bildenden Künste, love in a void (with Silke Otto-Knapp), Vienna
Kölnischer Kunstverein, Fantasia Colonia, Cologne
Susanne Vielmetter Los Angeles Projects, Los Angeles

2005

Simultanhalle, Very Lost Highway, Vienna
Ausstellungsraum Ursula Werz, extreme harsh, Tübingen
Thomas Erben Gallery, I Is Had Gone, New York
Kim Gordon and Jutta Koether, Her Noise, Talk and Performance at Tate Modern, London
South London Gallery, Her Noise, London

2004

Kölnischer Kunstverein, Fresh Aufhebung – Künstlerisches Interesse am philosphisch verneinten Wunderglauben, Cologne
Galerie Meerrettich, Berlin
371 Grand Street, Fresh Aufhebung, New York

2003

Kenny Schachter conTEMPorary, The Club in the Shadow (collaboration with Kim Gordon), New York
Galerie Meerrettich, desire is war, Berlin
Pro qm, Europe Extreme III: Farbenfieber, Performance, Berlin

2002

Swiss Institute, Black Bonds, Jutta Koether and Steven Parrino, New York
Galerie Daniel Buchholz, Cologne

2000

Galerie Daniel Buchholz, Cologne
Galerie Freund, zur grünen schenke-fünf uhr nachmittags. die geheimen Bilder, Vienna

1999

Pat Hearn Gallery, New York

1998

Galerie Daniel Buchholz, Billet-Doux, Cologne
Pat Hearn Gallery, Songs of New York & c, New York

1996

Pat Hearn Gallery, after shows, New York
Galerie Daniel Buchholz, Warmer Stern, Cologne

1995

Pat Hearn Gallery, frontage, New York

1993

Galerie Bruno Brunnet, Unter, Berlin
Pat Hearn Gallery, Affective Import: Antibodies I-V, New York
Galerie Sophia Ungers, 100% Malerei, Cologne
Generali Foundation, Massen. Malerei und Versammlung, Vienna
Pat Hearn Gallery, Kissing the Canvas, New York
Standard Graphik, The Halal File, Cologne
Galerie Bleich-Rossi, Graz

1992

Institute for Contemporary Art, 7 Rooms, 7 Curators (cur. Lois Nesbitt), New York
Buchholz & Buchholz, Projezioni (by Gregorio Magnani), Cologne
Le Consortium, Dijon, (cur. Bob Nickas)
Bruno Brunnet Fine Arts, Berlin (with Merlin Carpenter, Michael Krebber, Cosima von Bonin)
Galerie Laage Salomon, Paris (with L. Joubert)
Galerie Sophia Ungers, Massenverhältnisse - Standards, Cologne
Water Bar, The Inside Job on the occasion of The real Thing (org. Eric Oppenhein), New York

1991

36. Salon de Montrouge, Regard sur la Jeune Creation Allemande, Montrouge
90 a.s.o., Koether - Malerei 2 (cur. Francoise Claire Prodhon und Alain Reinaudo), Auvers-sur-Oise,
9 Kölner Galerien, Auf Tod folgt Tod on the occasion of The Köln Show, Cologne

1989

Kunstverein München, Hypostatics (cur. minimal club), Munich

 

1987

Forum Stadtpark, ... of Everyday Life, on the occasion of the exhibition Broken Neon (cur. Martin Kippenberger), Graz
Wiener Secession, Information in Jutta Koether, Vienna
La Maquina Espanola, Spectacle of the West (with Bettina Semmer and Rosemarie  Trockel), Sevilla
Raum Lothringer Straße, Practical Relations of Everyday Life, Munich

 

1986

Forum Stadtpark, Terminal Islands (cur. Diedrich Diedrichsen), Graz

 

1985

La Grande Serre, Trockel Semmer Koether, Rouen (with Bettina Semmer and Rosemarie Trockel)

 
 

Group Exhibitions (selection)

 

2018

Galerie Buchholz, Hölle, New York
Mumok, Doppelleben. Bildende Künstler_innen machen Musik, Vienna
Halle für Kunst, HARSH ASTRAL. The Radiants II, Lüneburg
Galerie Francesca Pia, HARSH ASTRAL – The Radiants II, Green Tea Gallery at Galerie Francesca Pia, Zurich

2017

MAMCO, Zeitgeist, Geneve
Stedelijk Museum, Jump into the Future – Art from the 90’s and 2000’s. The Borgmann Donation, Amsterdam
Bortolami, University of Desasters, curated by Matthew Grumbach, New York
Galerie Francesca Pia, L’image, curated by Vincent Romagny, Zurich

2016

Kunsthalle Bern, 30 Jahre Stiftung Kunsthalle Bern, Bern
Leonard & Bina Ellen Gallery, SBC Gallery of Contemporary Art and VOX, centre de l’image, Putting Rehearsals to the Test, Montreal
Campoli Presti Paris, Group Exhibition, Paris
Mumok, Painting 2.0: Expression in the Information Age, Vienna
Halle für Kunst, Fantasie, Lüneburg
Galerie Francesca Pia, Spring Awakening, Zurich

2015

Rubell Family Collection, No Man’s Land, Miami
Museum Brandhorst, Painting 2.0: Expression in the Information Age, Munich
Kunstmuseum Stuttgart, I Got Rhythm. Kunst und Jazz seit 1920, Stuttgart
Whitney Museum of American Art, Collected by Thea Westreich Wagner and Ethan Wagner, New York
Musée d’Art Moderne de la Ville de Paris, Apartés, Paris
Kunsthaus Zürich, Sinnliche Ungewissheit- Eine private Sammlung, Zurich
Campoli Presti, The Pleasure of the Text, London
Bortolami, The Radiants (cur. by Jacob King and UNITED BROTHERS), New York

2014

Bonnefantenmuseum, Beating around the bush. Episode #4, Maastricht
Silberkuppe, New Dawn (cur. by Leidy Churchman), Berlin
On Stellar Rays, No Drink No Talk Just Beautiful, New York

2013

Andrew Rafacz, Psychosexual, Chicago
The New Museum, NYC 1993: Experimental Jet Set, Trash and No Star, New York
Künstlerhaus Graz, Chat Jet, Malerei <jenseits> ihres Mediums, Graz
Campoli Presti, DEATH BY WATER. DEATH BY FIRE. Lucy Dodd. Jutta
Koether. Nora Schultz. Viola Yesiltac., Paris
Moderna Museet, Lies About Painting, Malmö
Locks Gallery, Catch as Catch Can, Philadelphia
PRAXES, Innagrual Cycles, Berlin

2012

Tate Gallery, A Bigger Splash: Paintings after Performance, London
Galerie Francesca Pia, La Demeure Joyeuse II, Zurich
Museum of Contemporary Art, Blues for Smoke, Los Angeles
Kunsthalle Bern, The Old, The New, The Different, Bern
The Geffen Contemporary at MOCA, Blues for Smoke, Los Angeles
Saatchi Gallery, Gesamtkunstwerk: new art from Germany, London
Whitney Museum, Whitney Biennal 2012, New York
Collezione Maramotti, Archetypes and Historicity. Painting and Other Radical Forms 1995-2007, Reggio Emilia

2011

Galerie Peithner-Lichtenfels, Antidepressiva, Vienna
IBID PROJECTS London, Group Show, London

2010

Steirischer Herbst Festivalbüro, Steirischer Herbst 2010: Utopie und Monument II, Graz
Öffentlicher Raum New York, Wait for Me at the Bottom of the Pool, New York
Chrisenhale Gallery, Electra presents – 27 Senses, London
Sammlung Falckenberg, Internationale Kunst aus der Sammlung Reininghaus, Köln, Hamburg-Harburg
SUTTON LANE, Signatures, Paris
Kantor / Feuer Gallery, Negation, Subtraction, Dissolution, Los Angeles
Kunstverein Langenhagen, AMOR PARVI oder DIE LIEBE ZUM KLEINEN, Langenhagen
The Kitchen, Besides, With, Against, and Yet: Abstraction and the Ready-Made Gesture, New York

2009

 

Lentos Kunstmuseum, SEE THIS SOUND – Versprechungen von Bild und Ton, Linz
Museum of Contemporary Art, Collecting History, Los Angeles
Scaramouche Gallery, The Practice of Joy before Death. It would not be a party without you, New York
KUBE Museum, 27 Senses, Aalesund
Sandra Beurgel Galerie, We improve your work, Berlin
Kunsthalle St. Gallen, Born to Be Wild, St. Gallen
Van Abbemuseum, Trio Exhibition 2009, Eindhoven
Galerie Daniel Buchholz, Quodlibet II, Cologne
Kunsthalle, Sonic Youth etc.: Sensational Fix, Düsseldorf
Isabella Bortolozzi Galerie, Celebration, Berlin
Galerie Chantal Crousel, Bijoux de Famille, Paris

2008

Galerie Chantal Crousel, Reena Spaulings: Courbet your enthusiasm, Paris
Badischer Kunstverein, Her Noise Archives, Karlsruhe
Ile des impressionnistes, Black Noise, A tribute to Steven Parrino, Chatou
Glaspavillon, Light is a kind of rhythem (part 2), Berlin
Neuer Berliner Kunstverein, Jutta Koether / John Miller, Berlin
Artists Space, New York (Performance)
Museum Moderner Kunst Stiftung Ludwig Wien (MUMOK), performance, Grand Openings, Vienna
Bumpershoot Festival, performance, Grand Openings, Seattle
Dundee Contemporary Arts, Altered States of Paint, Dundee
Galerie Thomas Flor, CA.BU. + BA.D.AL.MO, Düsseldorf

2007

Galerie Fank Elbaz, Deaf 2. From the Audible to the Visible, Paris
Susanne Vielmetter Berlin Projects, Jutta Koether/Rodney McMillian, Berlin
Galerie Frank Elbaz, From the Audible to the Visible, Paris
Peter Blum Gallery, Stubborn Materials, New York
Shedhalle, Lost and Found. Von Verlusten und Strategien der kulturellen Selbstermächtigung, Zurich
Palais de Tokyo, Bastard Creature (1 of 3 parts of ‚La Marque Noir: Steven Parrino’), Paris
dePury & Luxembourg, Painting as Fact – Fact as Fiction, Zurich
Reena Spaulings Fine Art, Dead Already, New York
von der Heydt-Museum, Symbolismus und die Kunst der Gegenwart, Wuppertal
Secession, Kunsthaus  Dresden, Shandyismus – Autorschaft als Genre – Ausstellungsgespräch, Vienna and Dresden
Zentrum für Kunst und Medientechnologie, zwischen zwei toden between two deaths, Karlsruhe
Sutton Lane Paris, For the People of Paris, Paris
BUIA Gallery, Quotidian, New York
Blancpain Art Contemporain, What we do is secret, Geneva

2006

deApple, If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution, Amsterdam
Galerie Krinzinger, Hot Spring...In Autumn, Vienna
P.S.1 Contemporary Art Center, Music is a better noise, Long Island City
3. Echigo-Tsumari Art Triennial 2006, Nigata-ken, Japan
Apexart, Gifts go in one direction, New York
Elizabeth Dee Gallery, Bring the war home, New York
Paul Cooper Gallery, An Ongoing Low-Grade Mystery, New York
Herald St, Metalist Moment (Performance), London
Institute of  Contemporary Art, University of Pennsylvania, Philadelphia; the Power Plant, Toronto; Henry Art Gallery, Univ. of Washington, Seattle; Museum of Contemporary Art, North Miami, Florida, Make your  own life, Philadelphia, Toronto, Seattle and North Miami
Herald St, Love Letter, London
Metro Pictures Gallery, Galerie Daniel Buchholz at Metro Pictures, New York
Reena Spaulings Fine Art, The Dimes of March, New York
Van Abbemuseum, The Subversive Charm of the Bourgeoisie, Eindhoven
Whitney Museum, Whitney Biennial 2006, New York
TBILISI 3. Let’s stay alive till monday, Tbilisi, Georgia
Sutton Lane, Reena Spaulings ‚Bialystoker’, London
MAGASIN – Centre National d’Art Contemporaine de Grenoble, Replay – The Aesthetics of Art and Music/Punk, Grenoble

2005

Orchard Gallery, Painters Without Paintings & Paintings Without Painters, New York
Performa 05, Performa, New York
Standard, Blankness is not a Void, Oslo
Apexart, Afterall, New York
White Columns, Trade, New York

2004

KW Institute of Contemporary Art, Jetzt und zehn Jahre davor, Berlin
Rheinschau, Cologne
Galerie Daniel Buchholz, Teil 1 Müllberg, Cologne
Cubitt, Publish and be damned, London
Künstlerhaus Wien, Born to be a Star, Vienna
ICA Philadelphia, The Big Nothing, Philadelphia
Kunsthalle Exnergasse, The personal is political, und peinlich, Vienna
P.S.1, Curious Crystals of Unusual Purity, New York

2003

Generali Foundation, Fresh Aufhebung, Performance on the occasion of the show Dass die Körper sprechen, auch das wissen wir seit langem, Vienna
Steirischer Herbst, Grazer Kunstverein, Vom Horror der Kunst, Graz
Monika Sprüth - Philomene Magers, 20th Anniversary Show, Cologne
Anton Kern Gallery, The Melvins, New York
Frankfurter Kunstverein, deutschemalereizweitausenddrei, Frankfurt/Main
Greene Naftali Gallery, Holler Color Holler, Special Event in the Backroom of Greene Naftali, New York

2002

Daniel Reich, Unknown Pleasures, New York

2000

MU Art Foundation/De Witte Dame, Kims Bedroom, Eindhoven  
Swiss Institute, Prophecies, New York
Team Gallery, Hex Enduction Hour by the Fall (cur. Bob Nickas), New York

1999

INIT-Kunsthalle, Malerei, Berlin

1998

Westfälischer Kunstverein, Brushholder Value, Münster  
Pat Hearn Gallery, Mary Heilmann, Joan Jonas, Jutta Koether, Monique Prieto, New York

1997

Newspace, Thomas Emde, Isabell Heimerdinger, Jutta Koether: No Strangers to Paradise, Three German Artists in California, Los Angeles

1996

Bard College, A/Drift, (cur. Joshua Decter), Annandale-on-Hudson, New York
Magasin 3, Center for Contemporary Art, Painting the Extended Field, Malmö
Friedrich Petzel Gallery, Screen (cur. Joshua Decter), New York
Soho 20, Ooo La La!: Twelve Members of the New York Art World Select Twelve Emerging Women Artists, New York

1995

Kunstwerke, When Techno Turns to Poetry, Berlin
Here, Joy of Painting (cur. Ami Arnault und Alix Lambert), New York

1994

Forum Stadtpark, Spielverderber, Graz
Pat Hearn Gallery, Rehearsal for ‘frontage’, on the occasion of Taste Venue, New York
Arthur Rogers Gallery, Dysfunction USA (cur. Bob Nickas und Peter Halley), New Orleans
Wiener Secession, Reflex: Die Neunziger (cur. Martin Prinzhorn), Vienna
Terrain Gallery, The Use of Pleasure (cur. Bob Nickas), San Francisco

1993

Galerie Jousse Séquin, The Good, the Bad and the Ugly (cur. von Peter Hopkins), Paris
Malerei 2000, Vienna
Galerie Thaddaeus Ropac, June, Paris
Whitney Museum of American Art, Independent Study Program Annual Open Studio Competition, Abstract for Affective Import, New York
P.S. 1 Institute for Contemporary Art, Parralax View: Cologne-New York (cur. Daniela Salvioni), New York
Blast Art Benefit, X- Art Foundation, New York
Galerie Christian Nagel, (cur. Cosima von Bonin and Michael Krebber), Cologne

1992

Institute for Contemporary Art, 7 Rooms, 7 Curators (cur. Lois Nesbitt), New York
Buchholz & Buchholz, Projezioni (by Gregorio Magnani), Cologne
Le Consortium, Dijon, (cur. Bob Nickas)
Bruno Brunnet Fine Arts, Berlin (with Merlin Carpenter, Michael Krebber, Cosima von Bonin)
Galerie Laage Salomon, Paris (with L. Joubert)
Galerie Sophia Ungers, Massenverhältnisse - Standards, Cologne
Water Bar, The Inside Job on the occasion of The real Thing (org. Eric Oppenhein), New York

1991

36. Salon de Montrouge, Regard sur la Jeune Creation Allemande, Montrouge
90 a.s.o., Koether - Malerei 2 (cur. Francoise Claire Prodhon und Alain Reinaudo), Auvers-sur-Oise,
9 Kölner Galerien, Auf Tod folgt Tod on the occasion of The Köln Show, Cologne

1989

Kunstverein München, Hypostatics (cur. minimal club), Munich

1987

Forum Stadtpark, ... of Everyday Life, on the occasion of the exhibition Broken Neon (cur. Martin Kippenberger), Graz
Wiener Secession, Information in Jutta Koether, Vienna
La Maquina Espanola, Spectacle of the West (withBettina Semmer and Rosemarie  Trockel), Sevilla
Raum Lothringer Straße, Practical Relations of Everyday Life, Munich

1986

Forum Stadtpark, Terminal Islands (cur. Diedrich Diedrichsen), Graz

1985

La Grande Serre, Trockel Semmer Koether, Rouen (with Bettina Semmer and Rosemarie Trockel)