2022 | Anton Kern Gallery, Photographic Pictures, curated by Anne Collier, New York |
2021 | Frac île-de-France, Les Réserves, Children Power, Romainville |
2020 | Air the Paris, Fuck You Be Nice, Romainville Schimmer, Higher! Higher! Lower, Lower. Louder! Louder! Softer, Softer, Rotterdam |
2019 | Air de Paris, More, Romainville LUMA Westbau, It’s urgent+ - Part II, Zurich Fanta-MLN, Who Knows What the Ostrich Sees in the Sand, Milan |
2018 | LVL3, Local Comfort, Chicago Villa Médicis, Take Me (I’m Yours), Rome |
2017 | Ampersand, Vis à Vis, Lisbon |
2016 | Deutsches Hygiene Museum, Language, Dresden Nogueras Blanchard, Long Live the Old Flesh, Barcelona |
2015 | FRAC Lorraine Metz, Metz / Fundación Marco Vigo, Spain / Sogn Og Fjordane Kunstmuseum, Fjorde, Norway, The Translator’s Voice (La voix du traducteur) FRAC Aquitaine, Les Belles Images: Les Dérivés de la Photographie, Agen Lille Métropole Musée d’art moderne, d’art contemporain et d’art brut, Un Regard Sur La Collection d’Agnès B., Villeneuve d’Ascq |
2014 | Sector 2337, The New (New) Corpse, Chicago The Bluecoat, Dadafest: Art of the Lived Experiment, Liverpool Mu ZEE, La Mer, Salut d’honneur Jan Hoet, Ostende, Belgium MoMA, New York / The Exhibition Research Centre, Liverpool, Please Come to the Show Invitations and Event Flyers from the MoMA Library MacAninch Arts Center, Joseph Grigely, Amy Vogel: A Paraperspective, Chicago Whitney Museum of American Art, Whitney Biennial, New York Goss Michael Foundation, Dallas Biennial, Dallas FRAC Ile-de-France/Le Plateau, Symphonie plastique, Paris CEAAC, Rose, Strasbourg Art Center of La Panacée, Art by Telephone Recalled, Montpellier FRAC Aquitaine, Lumière Noire, Bordeaux |
2013 | Palais de Tokyo, Le principe Galapagos, Paris Flag Art Foundation, Personal, Political, Mysterious, New York FRAC Ile-de-France, Théâtre de la Colline, En quatre temps, trois mouvements, Paris Galerie Francesca Pia, X-Mas show, Zurich Air de Paris, Paginations and Machinations, Paris Tensta Konsthall, Zak Kyes Working With ..., Stockholm Swiss Architecture Museum, The Alphabet for the Land Workshop, Basel |
2012 | Vleeshal, When Joseph meets Nico and Jean-Baptiste, Middelburg Cantor Fitzgerald Gallery, What can a body do?, Haverford Royal Academy of Fine Arts, Microarchives, Antwerp Architectural Association, Zak Kyes Working With..., London, travelling to the Graham Foundation, Chicago Flag Art Foundation, Funny, New York Kunstraum Kreuzberg / Bethanien, Gebärde Zeichen Kunst, Berlin |
2011 | Museum für Gegenwartskunst, Zak Kyes Working With..., Leipzig Tate Liverpool, Alice im Wonderland, Liverpool Centre Pompidou, ERRE, Metz Stedelijk Museum, Highlights from the Maurice van Valen Gift, Amsterdam ProArts, Medusa’s Mirror, Oakland What it is, Nomadic Text, Oak Park FRAC Île-de-France, Le Plateau, Nul si découvert / Void if removed, Paris CAPC, Evento 2011, Bordeaux Center for Book and Paper Arts / Columbia College, The World as Text, Chicago |
2010 | Museum für Gegenwartskunst, Je mehr ich zeichne. Zeichnung als Weltentwurf, Siegen Galerie Francesca Pia, Die Grosse Inventur, Zurich Beurs van Berlage, Niet Normaal. What is normal and who decides?, Amsterdam Galerie Francesca Pia, „per form“, Zurich John Michael Kohler Arts Center, A Torrent of Words: Contemporary Art & Language, Sheboygan, Wisconsin The Tang Museum, The Jewel Thief, Skidmore College The Artist’s Institute, Robert Filliou, New York Villa Arson, Double Blind / Arretez d’essayer de me comprendre!, Nice |
2009 | Plug In Institute of Contemporary Art, FAX, Winnipeg Le Quartier, Centre d’Art contemporain de Quimper, Wake up, please, Quimper SMAK, GAGARIN the Artists in their Own Words - The first Decade, Gent PERFORMA, PERFORMA09, New York Albright-Knox Art Gallery, WALL ROCKETS: Contemporary Artists and Ed Ruscha, Buffalo e-flux, Unbuilt Roads, New York |
2008 | STUK, Pick-up (cur. Guillaume Désanges), Leuven Galerie du jour Agnès b., Histoires de point d’ironie, Paris CCA Wattis Institute of Contemporary Arts, The Wizard of Oz , San Francisco Musee des Beaux Arts, Collections, Permanent/Provisoire 2, Tourcoing |
2007 | Galerie Delphine Pastor, Airs de Paris, Monaco CAPC, Ici et Là, Bordeaux Henry Art Gallery, Mouth Open, Teeth Showing: Works from the True Collection, Washington Newlyn Art Gallery, Social Systems, Newlyn Skestos Gabriele Gallery, Open & Shut, Chicago St. Ives International, Tate St. Ives Contemporary Arts Center, Talk to Me, Cincinnati Museion, Museum für moderne und zeitgenössische Kunst, MAGIC LINE, Bozen |
2006 | Ella Fontanals Cisneros, Classification: Alternative Forms of Knowledge in Contemporary Art, Foundation, Miami Western Front Exhibitions, Between Your Hand and My Head, Vancouver Tulane University, Breathing Time, New Orleans Château de Chareil-Cintrat, Les visiteurs, Chareil-Cintrat Cristina Guerra Contemporary Art, Romance, Lissabon Museo del Territorio di Biella, Art in the Age of Anxiety, Biella Institut Mathildenhöfe, Remembrance as Future, Darmstadt Villa Arson, Glass, Nice Hyde Park Art Center, Home of the Free (cur. Jens Hoffmann), Chicago Nuit Blanche (cur. Nicolas Bourriaud), Paris |
2005 | Bancroft Museum, University of California, The Blind at the Museum, Berkeley Cohan Leslie and Browne, Much madness is divinest sense, New York Museum Moderner Kunst, Nach Rokytník: Die Sammlung der EVN, Vienna Galerie Christophe Daviet-Thery, CCA Artist's Book Show, Paris The Drawing Room, Sounds Like Drawing, London Cristina Guerra Contemporary Art, Romance, Lisbon New Canvas 2005, Rotterdam Van Abbemuseum, EindhovenIstanbul, Eindhoven Chicago Cultural Center, Centrally Located, Chicago Nadine Gandy Gallery, Clouding Europe, Bratislava Numark Gallery, Found Sound, Washington DC White Columns, The Early Show, New York |
2004 | Sculpture Center, Treble (cur. Regine Bashe), New York Espace Paul Ricard, Glassfab (org. Matali Crasset), Paris Guggenheim Museum, Speaking with Hands: Photographs from the Buhl Collection, New York International Centre of Graphic Arts, Point d'ironie, Ljubljana Tokyo Opera City Art Gallery, Why not live for Art?, Tokyo Museo d'Arte Contempreanea di Villa Croce, Aménager la maison, Habiter le musée, Genova Cohan Lesilie and Browne, Summer Show, New York Musée de Design et d'Arts Appliqués/Contemporains, Lausanne Masataka Hayakawa Gallery, Marie-Ange Guilleminot/Joseph Grigely/Teresita Fernández/Tomoko Maezawa/Toshinari Sato, Tokyo Tri postal (Collection Frac Nord-Pas de Calais), Trafic d'influences: Art & Design, Lille Kunsthaus München, Utopia Station, Munich National Museum of Modern Art, Vollevox, Brussels Public, Pick-up (cur. Guillaume Désanges), Paris Revolution Gallery, 10th Anniversary Exhibition, Detroit |
2003 | 2003 Venice Biennial, Utopia Station (cur. Molly Nesbit, Hans Ulrich Obrist and Rirkrit Tiravanija), Vennice Hausler Galerie, Private and Public (org. Rainer Ganahl), Munich Nadine Gandy Gallery, Glass fab, Prague Volume, Reading : Material, New York Casey Kaplan Gallery, Exhibitions of An Exhibition (cur. Jens Hoffmann), New York Masataka Hayakawa Gallery, Tokyo Neuva Film Festival (org. David Levine), Tokyo |
2002 | Kunstmuseum, Zeitmaschine, Bern Haus der Kunst, Stories, Munich Caldic Collection, Boijmans Van Beuningen Museum, Imagine, you are standing here in front of me, Rotterdam The Wright's Exhibition Space, Seattle CCAC Wattis Institute, To Whom It May Concern (cur. Matthew Higgs), San Francisco San Francisco Art Institute, Touch: Relational Aesthetics in the 1990s (cur. Nicolas Bourriaud), San Francisco The Pond, Ideal Avalanche (cur. Michelle Grabner and Brad Killam), Chicago Interactive online version on www.e-flux.com, Do It (home version) (cur. Hans Ulrich Obrist) Revolution Gallery, Pas de Deux, Detroit Anciennes Pompes Funèbres de la Ville de Paris, Plus qu’une Image (cur. Caroline Bourgeois), Paris Centre Régional d’Art Contemporain-Alsace, le manuscrit trouvé dans une bouteille (cur. Hilde Teerlinck), Altkirch Bodybuilder & Sportsman Gallery, Just What It Says, Chicago |
2001 | Centre Georges Pompidou, Azerty, Paris Berlin Biennale, Berlin IASPIS, exhibition2, Stockholm Yokohama Triennale, Yokohama Fonds Régional d’art Contemporain Champagne-Ardenne, Alchimie de la Rencontre, Reims École Supérieure d’art de Perpignan, Language is a Virus, Perpignan University of California Berkeley Art Museum (travels to Museum of Contemporary Art, Chicago and the New Museum of Contemporary Art, New York), A Passion for Art, Berkeley/Chicago/New York Parrish Museum of Art, About the Bayberry Bush, Southampton, New York Institut d’Art Contemporain, Dévoler, Villeurbanne |
2000 | Whitney Museum of American Art, Whitney Biennial, New York Kunsthalle Fribourg, Contacts (cur. Nicholas Bourriaud), Fribourg Musée d’Art Moderne de la Ville de Paris, Voilà, Paris Victoria & Albert Museum, London Kunsthalle St. Gallen, Some Secrets (cur. Dorothea Strauss), St. Gallen Musée d’art Moderne et Contemporain MAMCO, Le Jeu des 7 familles, Geneva The Wellcome Institute and Kettle’s Yard, Noise: the Digital and the Discrete (cur. Adam Lowe), London/Cambridge Kunstmuseum Bern, Eiszeit, Bern The Suburban, Chicago Cranbrook Museum of Art, The Portrait in Contemporary Photography: Work from Local Collections, Bloomfield Hills Tang Museum, Skidmore College, S.O.S.: Scenes of Sounds, Saratoga Springs |
1999 | Académie de France à Rome, La Ville, le Jardin, la Mémoire, Rome Sir John Soane’s Museum, Retrace Your Steps: Remember Tomorrow (cur. Hans-Ulrich Obrist), London Museé d’Art Moderne de Lille Métropole, Changement d’air: Quelques expériences contemporaines, Lille Ikon Gallery, Babel (cur. Claire Doherty), UK (travels) Côté Rue – Galerie Yvon Lambert, Events, Paris New Museum of Contemporary Art, The Time of Our Lives, New York Centre D’Art Contemporain, Paris at Meymac, Meymac Laboratorium, Antwerp Barbara Gross Galerie, True Stories, Munich FRAC Nord-Pas de Calais, Une historire parmi d’autres: Collection Michel Poitevin, Dunkirk Kunstraum der Universität Lüneberg, Interarchiv, Lüneberg |
1998 | Matthew Marks Gallery, The Tree-Trimming Party, New York National Touring Exhibition organized by the Hayward Gallery, Voiceover: Sound and Vision in Recent Art, London Art Transpennine 98, The Manchester Storybooks, Printemps de Cahors, Cahors Sydney Biennial, Sydney Kunsthaus Zürich, An Unrestricted View of the Mediterranean, Zurich University of California at Irvine, Play Mode, Irvine FRAC Nord-Pas de Calais, Recent Acquisitions, Dunkirk Masataka Hayakawa Gallery, Maria Eichhorn, Naofumi Maruyama, Joseph Grigely, Tokyo Wiensowski & Harbord, Imitating Christmas (cur. Jens Hoffmann), Berlin Air de Paris, Bonne Année!, Paris |
1997 | Kunsthalle Wien, Angel, Angel, Vienna De Appel, Blueprint, Amsterdam École nationale supérieure des Beaux-Arts, Transit: Oeuvres du Fonds national d’art contemporain, Paris Istanbul Biennial, Istanbul Palo Alto Cultural Center, Cranbrook Art Museum and 25 other venues in the US, Canada, Latin America, and South America, Do It (cur. Hans-Ulrich Obrist) Istanbul Air de Paris, Smooth, Paris MIT List Visual Arts Center, Recovering Lost Fictions (with Kathleen Gilje), Cambridge, Mass |
1996 | Portikus, Semikolon, Frankfurt Museum of Contemporary Art, The Power of Suggestion: Narrative and Notation in Contemporary Drawing, Los Angeles Museum van Hedendaagse Kunst, de Rode Poort, Ghent Louisiana Museum of Modern Art, NowHere, Denmark Centrum Beeldende Kunst, Manifesta 1, Rotterdam Printed Matter, The Materialization of Life, New York Deitch Projects, Shopping (cur. Jérôme Sans), New York AC Project Room, Drawings from the MAB Library, New York Galerie Mot & Van den Boogaard, Perfect, Brussels |
1995 | Musée d'Art Moderne de la Ville de Paris/ARC, La Belle et la Bête: Art contemporain américain, Paris XLVI Venice Biennale, TransCulture, Venice Santa Monica Museum of Art, Action Station, Santa Monica CA Nicole Klagsbrun Gallery, Linking Worlds (org. Jeff Koons), New York Roger Merians Gallery, Smells Like Vinyl (cur. Sarah Seager & Thaddeus Strode), New York |
1994 | AC Project Room, The Natural World, New York |