Jay Chung   Q Takeki Maeda, Untitled (Polaroids by Whitney Horn), 2015, Polaroid, 31.4 x 26.6 x 2.8 cm


Jay Chung and Q Takeki Maeda


in Surface and Custom, Shiseido Gallery, Tokyo, October 18 - December 22, 2019

Isabelle Cornaro, Untitled (Reproductions special project), 2015, Spray paint, variable dimensions

Isabelle Cornaro

 

in Remake, Frac Normandie Rouen, Rouen, September 14 – January 20, 2020

 

in Habiter l'intime Fondation Thalie, October 24 – December 7, 2019

Stéphane Dafflon, AST210, 2012, acrylic on canvas, 215 x 200 cm

Stéphane Dafflon


in From Southern German Modernity to International Contemporary Art, Daimler Art Collection, Stuttgart, November 14 – February 1, 2020

 

in D, Château de Rentilly, FRAC Ile-de-France, Bussy-Saint-Martin, September 20 – December 22, 2019

Philippe Decrauzat, Vertical wave, 2011, Acyrlic on canvas, 288 x 113 cm

Philippe Decrauzat

 

in D, Château de Rentilly, FRAC Ile-de-France, Bussy-Saint-Martin, September 20 – December 22, 2019

Wade Guyton, Untitled, 2011, Epson UltraChrome inkjet on linen, 213.4 x 175.3 cm

Wade Guyton

 

Zwei Dekaden MCMXCIX–MMXIXMuseum Ludwig, Cologne, November 16, 2019 – March 1, 2020

Fabrice Gygi, Coulant, 2013, iron, 90 x 48 x 48 cm

Fabrice Gygi


in Ecart at Art Basel, Mamco, Geneva, July 4 – December 31, 2019

Virginia Overton, Untitled, 2017, Painted pine with cedar veneer, plywood, and brass kickplate, steel strapping and palo santo

Virginia Overton

 

in Ecart at Art Basel, Mamco, Geneva, July 4 – December 31, 2019

Greg Parma Smith, Albatross with Nimbus, 2016, Oil and jewels on canvas, 106 x 106 x 5 cm

Greg Parma Smith


in We need more than one term for these big things, University of Applied Sciences, Vienna, October 30, 2019 – January 7, 2020

Mai-Thu Perret, Les guérillères XII, 2016, steel, wire, papier-mâché, acrylic paint, gouche, synthetic hair, cotton, polyester fabric, bronze, resin, wood, 135 x 63 x 80 cm

Mai-Thu Perret


in Neither Black / Red / Yellow Nor Woman, Times Art Center Berlin, September 28, 2019 – January 4, 2020

Vaclav Pozarek, Bibliothek, 2015, varnished plywood, 29.5 x 110 x 25 cm

Vaclav Pozarek

 

HOW (hot or what) at Galerie Francesca Pia is featured on Contemporary Art Daily.

 

Sam Pulitzer, Peace is better than a place in history, 2017, Colored pencil on acid free paper, artist's frame, 61.5 x 42 cm

Sam Pulitzer


The Premise of a Better Life, Kunsthaus Glarus, Glarus, October 27, 2019 – January 1, 2020

Opening October 26, 2019

 

Marta Riniker-Radich, The thoughts mold the brain, as certainly as the brain molds the thoughts, 2016, Polyurethane tube, electrical wire, plastic band

Marta Riniker-Radich


Last Gasp at Galerie Francesca Pia is currently featured on Art Viewer, November 29, 2019

Cinzia Ruggeri, Topolino Puff, Velvet poufs, 1980s

Cinzia Ruggeri


in We need more than one term for these big things, University of Applied Sciences, Vienna, October 30, 2019 – January 25, 2020

Bruno Serralongue, Lessive dans le squat de l'ancienne usine Galoo Littoral (rebaptisée "Fort Galoo") peu de temps avant son évacuation, Calais, mercredi 15 avril 2015, 50 x 62.5 cm

Bruno Serralongue


Calais – Témoigner de la «Jungle». Bruno Serralongue. Agence France-Presse. Les HabitantsCentre Pompidou, Galerie de Photographies, Paris, October 16, 2019 – February 24, 2020

David Shrigley, John, 2004, ink on paper, 30 x 21 cm

David Shrigley

 

in Playmode, MAAT, Lissabon, September 11, 2019 – February 2, 2020

John Tremblay, "Stacked" for S.P., 2010, enamel on canvas, 264.5 x 86 x 5 cm

John Tremblay


in From Southern German Modernity to International Contemporary Art, Daimler Contemporary, Stuttgart, November 14 – February 1, 2020

 

in Sound on the 4th Floor, Daimler Contemporary, Berlin, July 7, 2019 – February 2, 2020

 

in Ecart at Art Basel, Mamco, Geneva, July 4 – December 31, 2019

Betty Woodman, Spring Bushes, 2013, Glazed earthenware, epoxy resin, lacquer, acrylic paint, cement, 81 x 79 x 33 cm   

Betty Woodman 

 

in With Pleasue: Pattern and Docoration in America 1972-1985, The Museum of Contemporary Art, Los Angeles, October 27, 2019 – May 11, 2020