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1958born in Cologne
  
Lives and works in Berlin
  
Solo Exhibitions (selection)
2018

Museum Brandhorst, Tour de Madame, Munich (forthcoming)

2017

Campoli Presti, Serinettes. Ladies Pleasures Varying, Paris

2016

Campoli Presti, Best of Studios, London 

Galerie Buchholz, Zodiac Nudes, Berlin

2015Bortolami, Fortune, New York
2014

Galerie Francesca Pia, Maquis, Zurich

Campoli Presti, A Moveable Feast – Part XV, Paris

Reena Spaulings Fine Art, Champrovement, New York

2013

Arnolfini, Seasons and Sacraments, Bristol

DCA, Jutta Koether, Dundee, Scotland

PRAXES, Cycle 1. Jutta Koether. Viktoria, Luise, Isabelle, Berlin

Campoli Presti, The Double Session, London

Andrew Rafacz, Psychosexual, Chicago

Établissement d'en face projects, Un établissement aux Foliès-Koethère, Brussels

2012Bortolami, The Fifth Season, New York
2011

Campoli Presti, Mad Garland, Paris

Moderna Museet, The Thirst, Stockholm

Galerie Daniel Buchholz, Berliner Schlüssel, Berlin

2009Reena Spaulings Fine Art, Lux Interior, New York

Van Abbemuseum, Trio Exhibition 2009, Eindhoven, Netherlands

Susanne Vielmetter Los Angeles Projects, Sovereign Women in Painting, Los Angeles
2008

Galerie Francesca Pia, Zurich

Kunsthall Landmark, Bergen

Sutton Lane, JXXXA LEIBHAFTIGE MALEREI, Paris

Song Song, Touch and Resist, Wien

2007Kunsthalle Bern, Änderungen aller Art, Bern
2006

Herald St, Metalist Moment (Performance), London

Kölnischer Kunstverein, Fantasia Colonia, Köln

Susanne Vielmetter Los Angeles Projects, Los Angeles

Akademie der Bildenden Künste, love in a void (with Silke Otto-Knapp), Wien

2005 

Orchard Gallery, Painters Without Paintings & Paintings Without Painters, New York

Performa 05, Performa, New York

Standard, Blankness is not a Void, Oslo

Apexart, Afterall, New York

White Columns, Trade, New York

2004

Kölnischer Kunstverein, Fresh Aufhebung - Künstlerisches Interesse am philosophisch verneinten Wunderglauben, Köln

Galerie Meerrettich, Allein, Allein, Berlin

371 Grand Street, Fresh Aufhebung, New York

2003

Galerie Meerrettich, desire is war, Berlin

conTEMPorary, The Club in the Shadow, in collaboration with Kim Gordon, Kenny Schachter, New York

2002

Galerie Daniel Buchholz, Extremes Europa, Cologne

2000

Galerie Daniel Buchholz, Köln

Galerie Freund, zur grünen schenke-fünf uhr nachmittags. die geheimen Bilder, Wien

1999

Pat Hearn Gallery, New York

1998

Galerie Daniel Buchholz, Billet-Doux, Köln

Pat Hearn Gallery, Songs of New York & c, New York

1996

Pat Hearn Gallery

Galerie Daniel Buchholz

1995

Pat Hearn Gallery, frontage, New York

1993

Pat Hearn Gallery, Affective Import: Antibodies I-V, New York

Galerie Bruno Brunnet, Unter, Berlin
1992Galerie Sophia Ungers, 100% Malerei, Köln
1991

Generali Foundation, Massen. Malerei und Versammlung, Vienna
Standard Graphik, The Halal File, Vienna

Galerie Bleich-Rossi, Koether, Graz

1989

Galerie Monika Spruth, 20 Minuten, Cologne

1987Kunstraum Stuttgart, Werkschau Jutta Koether, Stuttgart
1985CC Galerie, Road to Cairo, Graz

 

Group Exhibitions (selection)

2017

Stedelijk Museum, Jump into the Future – Art from the 90's ans 2000's. The Borgmann Donation, Amsterdam (forthcoming)

Bortolami, University of Desasters, curated by Matthew Grumbach, New York

Galerie Francesca Pia, L'image, curated by Vincent Romagny, Zurich

2016

Kunsthalle Bern, 30 Jahre Stiftung Kunsthalle Bern, Berne

Leonard & Bina Ellen Gallery, SBC Gallery of Contemporary Art and VOX, centre de l'image, Putting Rehearsals to the Test, Montreal

Campoli Presti Paris, Group Exhibition, Paris

mumok, Painting 2.0: Expression in the Information Age, Vienna

Halle für Kunst, Fantasie, Lüneburg

Galerie Francesca Pia, Spring Awakening, Zurich

2015 – 2016

Rubell Family Collection, No Man's Land, Miami

Museum Brandhorst, Painting 2.0: Painting in the Information Age, Munich

Kunstmuseum Stuttgart, I got Rhythm. Kunst und Jazz seit 1920, Stuttgart

2015

 

Musée d'Art Moderne de la Ville de Paris, Apartés, Paris

Kunsthaus Zürich, Sinnliche Ungewissheit – Eine private Sammlung, Zürich

Campoli Presti, The Pleasure of the Text, London 

Bortolami, The Radiants, New York

Whitney Museum of American Art, Collected by Thea Westreich Wagner and Ethan Wagner, New York

2014

Bonnefantenmuseum, Beating Around the Bush 4, Maastricht

Silberkuppe, New Dawn, Berlin

On Stellar Rays, No Drink No Talk Just Beautiful, New York

2013

Campoli Presti, Death by Water. Death by Fire., Paris

Künstlerhaus Graz, Chat Jet, Malerei <jenseits> ihres Mediums, Graz

Moderna Museet Malmö, Lies About Painting, Malmö

Whitney Museum of American Art, Blues for Smoke, New York

PRAXES, Inaugural Cycles, (with Gerard Byrne), Berlin

Bonnefanten Museum, Beating around the bush Episode #4, Maastricht

The New Museum, NYC 1993: Experimental Jet Set, Trash and No Star, New York

2012

Tate Modern, A Bigger Splash: Painting after Performance, London

Sao Paulo Museum of Art, São Paulo Biennial 2012, São Paulo

Museum of Contemporary Art, Blues for Smoke, Los Angeles

Collezione Maramotti, Archetypes and Historicity. Painting and Other Radical Forms 1995-2007, Reggio Emilia

Whitney Museum of American Art, Whitney Biennal 2012, New York

Saatchi Gallery, Gesamtkunstwerk: new art from Germany, London

Kunsthalle Bern, The Old, The New, The Different, Bern

2011

Galerie Buchholz, Quodlibet III – Alphabets and Instruments, Berlin

Algus Greenspon Gallery, Invitation to the Voyage, New York

Overduin and Kite, The Rose-Colored Room, Los Angeles

Galerie Peithner Lichtenfels, Antidepressiva, Wien

Linienstr.160, Sovereign Woman, Texte zur Kunst zum Gallery Weekend Berlin, Berlin

daad Galerie, Abstract-Mad-Stir-Delirium-Copper-Bottomed-Work-Stick-Shop, Berlin

Saatchi Gallery, Gesamtkunstwerk: New Art From Germany, London

2010

Steirischer Herbst 2010, Utopie und Monument II, Graz

Sammlung Falckenberg – Phoenix Kulturstiftung, Sammlung Reininghaus, Hamburg

Kunstverein Langenhagen, AMOR PARVI oder DIE LIEBE ZUM KLEINEN, Langenhagen

Öffentlicher Raum New York, Wait for Me at the Bottom of the Pool, New York Chrisenhale Gallery, Electra presents – 27 Senses, London

Sammlung Falckenberg, Internationale Kunst aus der Sammlung Reininghaus, Köln, Hamburg-Harburg

SUTTON LANE, Signatures, Paris Kantor / Feuer Gallery, Negation, Subtraction, Dissolution, Los Angeles

2009

The Kitchen, Besides, With, Against, and Yet: Abstraction and the Ready-Made Gesture, New York

Hermes und der Pfau – Project Space for Contemporary Art, Palindrom, (kuratiert von Tom Holert und Michael Dreyer), Stuttgart

Sutton Lane, Reena Spaulings. The Belgian Marbles, Brüssel

Sculpturecenter, Grand Openings, Long Island, New York

Kunsthaus Graz, Schere, Stein, Papier, Graz

Kunsthalle Düsseldorf, Sonic Youth etc.: Sensational Fix, Düsseldorf

Lentos Kunstmuseum, SEE THIS SOUND – Versprechungen von Bild und Ton, Linz

Museum of Contemporary Art, Collecting History, Los Angeles

Scaramouche Gallery, The Practice of Joy before Death. It would not be a party without you, New York

KUBE Museum, 27 Senses, Aalesund

Sandra Beurgel Galerie, We improve your work, Berlin

Kunsthalle St. Gallen, Born to Be Wild, St. Gallen

Susanne Vielmetter Los Angeles Projects, Sovereign Women in Painting, Los Angeles

2008

Badischer Kunstverein, Her Noise Archives, Karlsruhe

Ile des Impressionistes, Black Noise, A tribute to Steven Parrino, Chatou

Glaspavillion, Light is a kind of rhythm (part 2), Berlin 

Neuer Berliner Kunstverein, Jutta Koether / John Miller, Berlin

Galerie Chantal Crousel, Reena Spaulings: Courbet your enthusiasm, Paris

Artists Space, New York (Performance)

Museum Moderner Kunst Stiftung Ludwig Wien (MUMOK), performance, Grand Openings, Vienna

Bumpershoot Festival, performance, Grand Openings, Seattle

Dundee Contemporary Arts, Altered States of Paint, Dundee

Galerie Thomas Flor, CA.BU. + BA.D.AL.MO, Düsseldorf

2007

Museum of Contemporary Art, If I Can't Dance, I Don't Want To Be Part Of Your Revolution Part II, Antwerp

Shedhalle Zürich, Lost and Found. Von Verlusten und Strategien der kulturellen Selbstermächtigung, Zurich

Palais de Tokyo, Bastard Creature (1 of 3 parts of La Marque Noir: Steven Parrino), Paris

Kunsthaus Dresden, Secession Wien, Shandyismus - Autorenschaft als Genre - Ausstellungsgespräch, Wien, Dresden

Zentrum für Kunst und Medientechnologie, zwischen zwei toden between two deaths, Karlsruhe

Susanne Vielmetter Berlin Projects, Jutta Koether/Rodney McMillian, Berlin

Galerie Frank Elbaz, From the Audible to the Visible, Paris

Peter Blum Gallery, Stubborn Materials, New York

dePury & Luxembourg, Painting as Fact – Fact as Fiction, Zurich

Reena Spaulings Fine Art, Dead Already, New York

von der Heydt-Museum, Symbolismus und die Kunst der Gegenwart, Wuppertal Secession, Wuppertal

Sutton Lane Paris, For the People of Paris, Paris

BUIA Gallery, Quotidian, New York

Blancpain Art Contemporain, What we do is secret, Geneva

2006

Institute of Contemporary Art, University of Pennsylvania, Philadelphia; the Power Plant, Toronto

Henry Art Gallery, Univ. of Washington, Seattle; Museum of Contemporary Art, North Miami, Florida, Make your own life, Philadelphia, Toronto, Seattle and North Miami

de Appel arts centre, If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution, Amsterdam

P.S.1 Contemporary Art Center, Music is a better noise, Long Island City

Van Abbemuseum, The Subversive Charm of the Bourgeoisie, Eindhoven

Whitney Museum, Whitney Biennial 2006, New York

Tbilisi, TBILISI 3 / Let's stay alive till monday, Georgia

Magasin, Replay – The Aesthetics of Art and Music / Punk, Grenoble

3. Echigo-Tsumari Art Triennial 2006, Nigata-ken, Japan

Apexart, Gifts go in one direction, New York

Elizabeth Dee Gallery, Bring the war home, New York

Herald St, Love Letter, London

Metro Pictures Gallery, Galerie Daniel Buchholz at Metro Pictures, New York

Reena Spaulings Fine Art, The Dimes of March, New York

Sutton Lane, Reena Spaulings ‚Bialystoker’, London

2005

Standard, Blankness is not a Void, Oslo

Apexart, Afterall, New York,

White Columns, Trade, New York

Performa, Performa 5, New York

Talk and Performance at Tate Modern, Kim Gordon and Jutta Koether, London

2004

KW Institute of Contemporary Art, Jetzt und zehn Jahre davor, Berlin

Künstlerhaus Wien, Born to be a star, Wien

ICA Philadelphia, The Big Nothing, Philadelphia

Kunsthalle Exnergasse, The personal is political, und peinlich, Wien

P.S. 1 Contemporary Art Center, Curious Crystals of Unusual Purity, New York

Pro qm, Europe Extreme III: Farbenfieber, Berlin

Galerie Daniel Buchholz, Teil 1 Müllberg, Cologne

Cubitt, Publish and be damned, London

2003

Grazer Kunstverein, Vom Horror der Kunst, Steirischer Herbst, Graz

Frankfurter Kunstverein, deutschemalereizweitausendunddrei, Frankfurt

Generali Foundation, Fresh Aufhebung, Performance on the occasion of the show Dass die Körper sprechen, auch das wissen wir seit langem, Vienna

Monika Sprüth - Philomene Magers, 20th Anniversary Show, Cologne

Anton Kern Gallery, The Melvins, New York

Frankfurt/Main Greene Naftali Gallery, Holler Color Holler, Special Event in the Backroom of Greene Naftali, New York

2002

Swiss Institute, Black Bonds, New York

2000

MU Art Foundation/De Witte Dame, Kims Bedroom, Eindhoven

Swiss Institute, Prophecies, New York

Team Gallery, Hex Enduction Hour by the Fall (cur. Bob Nickas), New York

1999

INIT-Kunsthalle, Malerei, Berlin

1998

Westfälischer Kunstverein, Brushholder Value, Münster

1997

Newspace, Thomas Emde, Isabell Heimerdinger, Jutta Koether: No Strangers in Paradise, Three German Artists in California, Los Angeles

1996

Bard College, A/Drift, (cur. Joshua Decter), Annandale-on-Hudson, New York

Magasin 3, Center for Contemporary Art, Painting the Extended Field, Malmö

Friedrich Petzel Gallery, Screen (cur. Joshua Decter), New York

Soho 20, Ooo La La!: Twelve Members of the New York Art World Select Twelve Emerging Women Artists, New York

1995

Kunstwerke, When Techno Turns to Poetry, Berlin

Here, Joy of Painting, New York

1994

Forum Stadtpark, Spielverderber, Graz

Pat Hearn Gallery, Rehearsal for ‘frontage’, on the occasion of Taste

Venue, New York

Arthur Rogers Gallery, Dysfunction USA (cur. Bob Nickas und Peter Halley), New Orleans

Wiener Secession, Reflex: Die Neunziger (cur. Martin Prinzhorn), Vienna

Terrain Gallery, The Use of Pleasure (cur. Bob Nickas), San Francisco

1993

Whitney Museum of American Art, Independent Study Program Annual Open Studio Competition, Abstract for Affective Import, New York

PS1, Parallax View: Cologne-New York, New York

Galerie Jousse Séquin, The Good, the Bad and the Ugly (cur. von Peter Hopkins), Paris 

Malerei 2000, Vienna

Galerie Thaddaeus Ropac, June, Paris

Blast Art Benefit, X- Art Foundation, New York

Galerie Christian Nagel, (cur. Cosima von Bonin and Michael Krebber), Cologne

1992

Institute for Contemporary Art, 7 Rooms, 7 Curators(cur. Lois Nesbitt), New York

Buchholz & Buchholz, Projezioni (by Gregorio Magnani), Cologne

Le Consortium, Dijon, (cur. Bob Nickas)

Bruno Brunnet Fine Arts, Berlin (with Merlin Carpenter, Michael Krebber, Cosima von Bonin)

Galerie Laage Salomon, Paris (with L. Joubert)

Galerie Sophia Ungers, Massenverhältnisse - Standards, Cologne

Water Bar, The Inside Job on the occasion of The real Thing (org. Eric Oppenhein), New York

1991

36. Salon de Montrouge, Regard sur la Jeune Creation Allemande, Montrouge

90 a.s.o., Koether - Malerei 2 (cur. Francoise Claire Prodhon und Alain Reinaudo), Auvers-sur-Oise

9 Kölner Galerien, Auf Tod folgt Tod on the occasion of The Köln Show, Cologne

1989

Kunstverein München, Hypostatics (cur. minimal club), Munich

1987

Forum Stadtpark, ... of Everyday Life, on the occasion of the exhibition

Broken Neon (cur. Martin Kippenberger), Graz

Wiener Secession, Information in Jutta Koether, Vienna

La Maquina Espanola, Spectacle of the West (with Bettina Semmer and Rosemarie Trockel), Sevilla

Raum Lothringer Straße, Practical Relations of Everyday Life, Munich

1986

Forum Stadtpark, Terminal Islands, curated by Diedrich Diederichsen, Graz

1985

La Grande Serre, Trockel Semmer Koether, Rouen (with Bettina Semmer

and Rosemarie Trockel)