since 2021 - Galerie Francesca Pia

Sarah Benslimane, Le monde à l’envers
February 8 – April 12, 2025

Press release

Installation view, Sarah Benslimane, *Le monde à l’envers*, Galerie Francesca Pia, Zurich, 2025. Photo: Cedric Mussano

Sarah Benslimane, *Les mains en l’air,* 2025, Mixed media, 240 x 160 x 18 cm

Sarah Benslimane, *Les mains en l’air* (detail), 2025, Mixed media, 240 x 160 x 18 cm

Sarah Benslimane, *2025*, 2025, Acoustic foam, bells, mirror, metal, 150 x 242 x 12 cm

Sarah Benslimane, *2025* (detail), 2025, Acoustic foam, bells, mirror, metal, 150 x 242 x 12 cm

Sarah Benslimane, *Le monde à l’envers*, 2025, Mixed media, 280 x 190 x 10 cm

Sarah Benslimane, *Le monde à l’envers* (detail), 2025, Mixed media, 280 x 190 x 10 cm

Sarah Benslimane, *Untitled*, 2025, Mirror, fur dice, 76 x 60 x 15 cm

Sarah Benslimane, *Untitled* (detail), 2025, Mirror, fur dice, 76 x 60 x 15 cm

Sarah Benslimane, *La panthère des neiges*, 2025, Mixed media, 210 x 334 x 7 cm

Sarah Benslimane, *La panthère des neiges* (detail), 2025, Mixed media, 210 x 334 x 7 cm

Sarah Benslimane, *Rayan*, 2025, Acoustic foam, cowskin, plastic, bells, call bell, musical instruments, metal bits, rulers, climbing holds, 185 x 305 x 12 cm

Sarah Benslimane, *Rayan* (detail), 2025, Acoustic foam, cowskin, plastic, bells, call bell, musical instruments, metal bits, rulers, climbing holds, 185 x 305 x 12 cm

Sarah Benslimane, *Untitled*, 2025, Mixed media, 180 x 130 x 20 cm

Sarah Benslimane, *Untitled* (detail), 2025, Mixed media, 180 x 130 x 20 cm

Sarah Benslimane, *Untitled*, 2025, Mirror, transport etiquette, cork, 60 x 76 x 1 cm

Sarah Benslimane, *Untitled* (detail), 2025, Mirror, transport etiquette, cork, 60 x 76 x 1 cm

Sarah Benslimane, *Untitled*, 2025, Mirror, print, tape, 60 x 30 x 9 cm

Sarah Benslimane, *Untitled* (detail), 2025, Mirror, print, tape, 60 x 30 x 9 cm

Kaspar Müller, Vergiss all die Emails und Sms…
November 8, 2024 – January 31, 2025

Press release

Installation view, Kaspar Müller, *Vergiss all die Emails und Sms…*, Galerie Francesca Pia, Zurich, 2024. Photo: Cedric Mussano

Kaspar Müller, *Adalbert Rogge, Hille Babbe, 1888*, 2024, Oil on canvas, 77 x 64 x 2 cm

Kaspar Müller, *Semicircle, dark blue, sea breeze*, 2024, Colored resin panel, scent, 65 x 130 x 2 cm

Kaspar Müller, *Trapeze, pink, stable*, 2024, Colored resin panel, scent, 95 x 130 x 2 cm

Kaspar Müller, *Triangle, orange, rubber/vitamin E*, 2024, Colored resin panel, scent, 54.2 x 31.7 x 2 cm

Kaspar Müller, *Rhombus, blue-black, truffle*, 2024, Colored resin panel, scent, 154.3 x 92.8 x 2 cm

Kaspar Müller, *Rectangle, burgundy, candy/androstenone*, 2024, Colored resin panel, scent, 35 x 24 x 2 cm

Kaspar Müller, *Hexagon, olive green, pipe tobacco*, 2024, Colored resin panel, scent, 82.3 x 47.5 x 2 cm

Kaspar Müller, *Parallelogram, purple, grape*, 2024, Colored resin panel, scent, 175 x 70 x 2 cm

Kaspar Müller, *Octagon, mint green, panettone/estratetraenol*, 2024, Colored resin panel, scent, 95 x 95 x 2 cm

Kaspar Müller, *Circle, orange, frozen pizza*, 2024, Colored resin panel, scent, 95 x 95 x 2 cm

Kaspar Müller, *Pentagon, brown, mocha/caffeine*, 2024, Colored resin panel, scent, 90 x 95 x 2 cm

Kaspar Müller, *Rectangle, green, savon aux herbes*, 2024, Colored resin panel, scent, 15 x 90.7 x 2 cm

Kaspar Müller, *Square, blue, chamomile/melatonin*, 2024, Colored resin panel, scent, 80 x 80 x 2 cm

Min Yoon, Perspectives + ing
August 31 – October 26, 2024

Press release

Min Yoon, *Digest + ing Time to Emit* (detail), 2024, Wool felt, steel, thread, 195 x 100 x 39 cm

Installation view, Min Yoon, *Perspectives + ing*, Galerie Francesca Pia, Zurich, 2024. Photo: Cedric Mussano
*Digest + ing Time to Emit*, 2024, Wool felt, steel, thread, 195 x 100 x 39 cm

Installation view, Min Yoon, *Perspectives + ing*, Galerie Francesca Pia, Zurich, 2024. Photo: Cedric Mussano
*Digest + ing + Wait + ing Time to Emit*, 2024, Wool felt, recycled glass bottles, steel, Dimensions variable

Min Yoon, *Digest + ing + Wait + ing Time to Emit* (detail), 2024, Wool felt, recycled glass bottles, steel, Dimensions variable

Installation view, Min Yoon, *Perspectives + ing*, Galerie Francesca Pia, Zurich, 2024. Photo: Cedric Mussano

Installation view, Min Yoon, *Perspectives + ing*, Galerie Francesca Pia, Zurich, 2024. Photo: Cedric Mussano
*Floor + ing Plan B + ing*, 2024, Wool felt, thread, recycled glass bottles, Dimensions variable

Min Yoon, *Floor + ing Plan B + ing* (detail), 2024, Wool felt, thread, recycled glass bottles, Dimensions variable

Min Yoon, *The Creator*, 2024, Wool felt, styrofoam, mineral polymer, steel, fabric, polyester filling, approx. 100 x 150 x 45 cm

Min Yoon, *The Creator* (detail), 2024, Wool felt, styrofoam, mineral polymer, steel, fabric, polyester filling; *Break + ing Time (front (proposal))* (detail), 2024, Watermixable oil on burlap, thread, polyester, wool felt, wire, hotpatch, magnets, brush, artist’s frame, 202 x 36.5 x 14 cm

Min Yoon, *Break + ing Time (front (proposal))*, 2024, Watermixable oil on burlap, thread, polyester, wool felt, wire, hotpatch, magnets, brush, artist’s frame, 202 x 36.5 x 14 cm

Min Yoon, *Break + ing Time (front (proposal))* (detail), 2024, Watermixable oil on burlap, thread, polyester, wool felt, wire, hotpatch, magnets, brush, artist’s frame, 202 x 36.5 x 14 cm

Min Yoon, *Break + ing Time (top)*, 2024, Watermixable oil on burlap, thread, polyester, wool felt, wire, hotpatch, magnets, brush, artist’s frame, 111 x 179.5 x 13 cm

Min Yoon, *Break + ing Time (top)* (detail), 2024, Watermixable oil on burlap, thread, polyester, wool felt, wire, hotpatch, magnets, brush, artist’s frame, 111 x 179.5 x 13 cm

Min Yoon, *Break + ing Time (left)*, 2024, Watermixable oil on burlap, thread, polyester, wool felt, wire, hotpatch, magnets, brush, artist’s frame, 55.5 x 105 x 3 cm

Min Yoon, *Break + ing Time (right)*, 2024, Watermixable oil on burlap, thread, polyester, wool felt, wire, hotpatch, magnets, brush, artist’s frame, 127 x 36.5 x 8 cm

Min Yoon, *Break + ing Time (right)* (detail), 2024, Watermixable oil on burlap, thread, polyester, wool felt, wire, hotpatch, magnets, brush, artist’s frame, 127 x 36.5 x 8 cm

Min Yoon, *Break + ing Time (back (proposal))*, 2024, Watermixable oil on burlap, thread, polyester, wool felt, wire, hotpatch, magnets, 5 cent coin, brush, artist’s frame, 52 x 177 x 12 cm

Min Yoon, *Break + ing Time (back (proposal))* (detail), 2024, Watermixable oil on burlap, thread, polyester, wool felt, wire, hotpatch, magnets, 5 cent coin, brush, artist’s frame, 52 x 177 x 12 cm

Min Yoon, *Break + ing Time (bottom)*, 2024, Watermixable oil on burlap, thread, polyester, wool felt, wire, hotpatch, magnets, 5 cent coin, brush, artist’s frame, 186 x 105.5 x 9 cm

Min Yoon, *Break + ing Time (bottom)* (detail), 2024, Watermixable oil on burlap, thread, polyester, wool felt, wire, hotpatch, magnets, 5 cent coin, brush, artist’s frame, 186 x 105.5 x 9 cm

Min Yoon, *A, G + ing: Letter + ing*, 2024, 2 parts: Plywood, wooden handles, palette, charcoal on paper, feather; Oil on canvas, wool felt, thread, artist’s frame, 250 x 70 x 8.5 cm;51.5 x 61.5 x 3 cm

Min Yoon, *A, G + ing: Letter + ing* (detail), 2024, 2 parts: Plywood, wooden handles, palette, charcoal on paper, feather; Oil on canvas, wool felt, thread, artist’s frame, 250 x 70 x 8.5 cm;51.5 x 61.5 x 3 cm

Min Yoon, *A, G + ing: Dewrong Body*, 2024, 2 parts: Plywood, wooden handles, wool felt, wire; Oil on canvas, wool felt, thread, artist’s frame, 185 x 50 x 7.5 cm; 31.5 x 37.5 x 3 cm

Min Yoon, *A, G + ing: Dewrong Body* (detail), 2024, 2 parts: Plywood, wooden handles, wool felt, wire; Oil on canvas, wool felt, thread, artist’s frame, 185 x 50 x 7.5 cm;31.5 x 37.5 x 3 cm

Min Yoon, *A, G + ing: Lilac Position*, 2024, 2 parts: Plywood, wooden handles, wool felt; Oil on canvas, wool felt, artist’s frame, 137 x 38 x 7.5 cm; 16 x 19 x 2.5 cm

Min Yoon, *A, G + ing: Lilac Position* (detail), 2024, 2 parts: Plywood, wooden handles, wool felt; Oil on canvas, wool felt, artist’s frame, 137 x 38 x 7.5 cm;16 x 19 x 2.5 cm

Min Yoon, *A, G + ing: Inwrong Body*, 2024, 2 parts: Plywood, wooden handles; Oil on canvas, artist’s frame, 102 x 28 x 6.5 cm; 8 x 9.5 x 2 cm

Min Yoon, *B + ing + ing*, 2024, 2 parts: Plywood, wooden handles, wool felt, thread, fabric; Oil on canvas, artist’s frame, 60 x 58 x 7 cm; 19 x 16 x 2.5 cm

Min Yoon, *B + ing + ing* (detail), 2024, 2 parts: Plywood, wooden handles, wool felt, thread, fabric; Oil on canvas, artist’s frame, 60 x 58 x 7 cm; 19 x 16 x 2.5 cm

Min Yoon, *B + ing: 00:60 ot 00:81*, 2024, 2 parts: Plywood, wooden handles, pencil on paper, set squares; Oil on canvas, wool felt, thread, artist’s frame, 92 x 85 x 8 cm; 37.5 x 31.5 x 3 cm

Min Yoon, *B + ing: 00:60 ot 00:81* (detail), 2024, 2 parts: Plywood, wooden handles, pencil on paper, set squares; Oil on canvas, wool felt, thread, artist’s frame, 92 x 85 x 8 cm; 37.5 x 31.5 x 3 cm

Min Yoon, *B + ing: Nah + Da + Um - False Friend*, 2024, 2 parts: Plywood, wooden handles, fabric, tubes of oil paint; Oil on canvas, artist’s frame, 154 x 150 x 9 cm; 61.5 x 51.5 x 3 cm

Min Yoon, *B + ing: Nah + Da + Um - False Friend* (detail), 2024, 2 parts: Plywood, wooden handles, fabric, tubes of oil paint; Oil on canvas, artist’s frame, 154 x 150 x 9 cm; 61.5 x 51.5 x 3 cm

Min Yoon, *Exit Snail Enter Snail*, 2024, Wool felt, cardboard, thread, wire, approx. 60 x 100 x 70 cm

Dietrich, curated by Anne Pontégnie
Marie Angeletti, Lutz Bacher, Olga Balema, Beverly Buchanan, Isabelle Cornaro, Rochelle Feinstein, Pati Hill, Steffani Jemison, Ana Jotta, Sherrie Levine, Katja Mater, Jacqueline Mesmaeker, Hana Miletić, Cinzia Ruggeri, Sturtevant, Eleanor Ivory Weber & Camilla Wills (Divided Publishing)

June 8 – August 23, 2024

Press release

Installation view, *Dietrich*, curated by Anne Pontégnie, Galerie Francesca Pia, Zurich, 2024. Photo: Cedric Mussano

Sturtevant, *Krazy Kat*, 1983, Ink and graphite pencil on paper, passe-partout, frame, 20.7 × 24.6 cm; 28 × 35.4 cm (framed)

Jacqueline Mesmaeker, *Naoïse*, 2002, Digitized mini DV, color, no sound, 7:30 min

Lutz Bacher, *Marlene*, 2018, Acrylic on canvas, framed in black plexiglass, 122 x 122 x 7.5 cm

Steffani Jemison, *Same Time*, 2017, Acrylic on clear polyester film, 119.4 x 50.8 cm

Steffani Jemison, *Same Time*, 2017, Acrylic on clear polyester film, 76.2 x 50.8 cm

Steffani Jemison, *Untitled*, 2021, Acrylic, tempered glass table top, hardware, 149.9 x 76.2 x 12.7 cm

Pati Hill, *Untitled (beans)*, c. 1975–79, Xerograph, 28 × 21.5 cm

Pati Hill, *Untitled (feather)*, 1979, Xerograph, annotated, signed and dated 1979 on verso, 21.6 × 35.3 cm

Pati Hill, *Untitled (circuit)*, c. 1977–79, Xerograph, signed on the back, 28.9 × 21.6 cm

Pati Hill, *Untitled (meat)*, c. 1977–79, Xerograph, 35.5 × 21 cm

Pati Hill, *Untitled*, c. 1980, Xerograph, 21 × 32.9 cm

Pati Hill, *Untitled (carnation)*, c. 1977–79, Xerograph, 28 × 21.5 cm

Olga Balema, *Loop 56210*, 2023, Polycarbonate sheeting, acrylic paint, solvent, 62.9 x 24.1 x 83.8 cm

Marie Angeletti, *Minerve*, 2023, Digital print on painted dibond, two parts, each 110 x 82.5 cm

Olga Balema, *Loop 12286*, 2023, Polycarbonate sheeting, acrylic paint, solvent, 34.3 x 41.9 x 160 cm

Marie Angeletti, *Untitled*, 2023, Digital print on painted dibond, 110 x 85 cm

Beverly Buchanan, *Untitled*, c. 1971–1988, Iron, 15.2 x 14 x 33 cm

Beverly Buchanan, *Untitled (Miniature Architectural Construction)*, c. 1983, Cast concrete and enamel paint, 7.6 x 7 x 6.4 cm

Beverly Buchanan, *Untitled*, c. 1980, Oyster shell tabby mixture, 25.4 x 11.4 x 6.4 cm

Jacqueline Mesmaeker, *Matthis*, 2002, Digitized mini DV, color, no sound, 1:06 min

Sherrie Levine, *Coyote Postcard Collage: 1–16*, 1999, 16 individual postcards, framed, each 52.5 x 42 x 2.5 cm

Cinzia Ruggeri, *Nessuno dei miei gattini porta gli occhiali*, 2018, Felt, collage and cat bell , 25 x 22 cm

Marie Angeletti, *Canoe*, 2024, 110 x 50 x 70 cm

Jacqueline Mesmaeker, *Bibliothèque*, 2023, Print on Hahnemühle paper mounted on panel, Ed. 5/5, each 42 x 29.7 cm

Hana Miletić, *Materials*, 2023, Crocheted and knotted textile (bright white organic cotton, organic cottolin, white latex-covered linen, and white paper yarn), 50 x 4 x 2 cm

Ana Jotta, *Tout passe, tout lasse, tout casse*, 2024, Paperclay, glaze, Diameter 29 cm

Rochelle Feinstein, *Dawned*, 2022, Acrylic, acrylic enamel spray paint on cotton drop cloth, 130 x 130 cm

Isabelle Cornaro, *(Composition)* (detail), 2024, Objects in vitrine, mixed media, 88 x 190 cm

Jacqueline Mesmaeker, *Couloir*, 2021, Dry pastels and colored pencil on Japanese papers, 846 x 37.5 cm; 266 x 50 cm; 126 x 45 cm; 96 x 45 cm

Hana Miletić, *Materials*, 2022, Hand-woven textile (dark recycled jeans, indigo dyed organic cotton, recycled nylon, recycled plastic and white silk lap), 21 x 13 x 1.5 cm

Hana Miletić, *Materials*, 2023, Hand-woven textile (bright orange organic linen, recycled nylon, and recycled plastic), 400 cm, diameter 4 cm

Katja Mater, *Dare Note / Read On*, 2021, 2 C-prints framed double sided, custom made frame, 33 x 24.3 cm, Ed. 1/3 (+ 1 AP)

Katja Mater, *Are Drawn To / Inward Motion*, 2021, 2 C-prints framed double sided, custom made frame, 33 x 24.3 cm, Ed. 1/3 (+ 1 AP)

Katja Mater, *Reversed Moments / In Every Memo*, 2021, 2 C-prints framed double sided, custom made frame, 33 x 24.3 cm, Ed. 1/3 (+ 1 AP)

Katja Mater, *A Keen Raeder / Speaks Clear*, 2021, 2 C-prints framed double sided, custom made frame, 33 x 24.3 cm, Ed. 1/3 (+ 1 AP)

Rochelle Feinstein, *Wonderful Weather*, 2021, Oil on birch veneer, 83.8 x 83.8 cm

Eleanor Ivory Weber & Camilla Wills (Divided Publishing), Anna Zett, Artificial Gut Feeling; Fanny Howe, Night Philosophy; What the Fire Sees, A Divided Reader; Georgia Sagri, Stage of Recovery; Carla Lonzi, Self-portrait; Aurelia Guo, World of Interiors; Fanny Howe, London-rose | Beauty Will Save the World;, Jamieson Webster, Disorganisation & Sex; Joy James, In Pursuit of Revolutionary Love: Precarity, Power, Communities; Ghislaine Leung, Bosses; Alenka Zupančič, Let Them Rot; Albert Serra, A Toast to St Martirià, 2019–2024, Set of 12 books, each 21.6 x 13.9 cm

Mai-Thu Perret, Diana
April 13 – May 25, 2024

Press release

Installation view, Mai-Thu Perret, *Diana*, Galerie Francesca Pia, Zurich, 2024. Photo: Annik Wetter

Mai-Thu Perret, *Diana II*, 2024, Glazed ceramic, green bronze, 158 x 44 x 44 cm. Photo: Mareike Tocha

Mai-Thu Perret, *Diana II* (detail), 2024, Glazed ceramic, green bronze, 158 x 44 x 44 cm. Photo: Mareike Tocha

Mai-Thu Perret, *Untitled*, 2023, Watercolour on paper, 30.7 x 22.8 cm

Mai-Thu Perret, *The lion teaches the cub by making it lose its way*, 2023, Glazed ceramic, 37 x 48.5 x 19 cm. Photo: Mareike Tocha

Mai-Thu Perret, *Carcinoplax Suruguensis*, 2024, Bronze, Ed. of 5 (+ 1 AP), 6 x 30 x 18 cm. Photo: Mareike Tocha

Mai-Thu Perret, *Each time you bring it up it is new*, 2024, Glazed ceramic, 54 x 25 x 24 cm. Photo: Mareike Tocha

Mai-Thu Perret, *Untitled*, 2022, Watercolour on paper, 68 x 50.6 cm

Mai-Thu Perret, *Leftover soup, spoiled rice, not even dogs will look at them*, 2022, Glazed ceramic, 48.5 x 37 x 16.5 cm. Photo: Mareike Tocha

Mai-Thu Perret, *There is no voice by which to call it, there is no shape by which to see it*, 2022, Glazed ceramic, 48 x 37 x 16.5 cm. Photo: Mareike Tocha

Mai-Thu Perret, *Serene and still, like springtime in the flowers*, 2023, Glazed ceramic, 30 x 22.5 x 13 cm. Photo: Mareike Tocha

Mai-Thu Perret, *Serene and still, like springtime in the flowers* (detail), 2023, Glazed ceramic, 30 x 22.5 x 13 cm. Photo: Mareike Tocha

Mai-Thu Perret, *Untitled*, 2022, Watercolour on paper, 70.9 x 50.8 cm

Mai-Thu Perret, *A single leaf flutters in the air and it’s autumn throughout the land*, 2024, Glazed ceramic, 48.5 x 37 x 11.5 cm. Photo: Mareike Tocha

Mai-Thu Perret, *The withered tree flowers in a spring beyond time II*, 2021, Glazed ceramic, 72 x 55 x 7 cm. Photo: Mareike Tocha

Mai-Thu Perret, *Untitled*, 2023, Watercolour on paper, 27 x 18.9 cm

Mai-Thu Perret, *Untitled*, 2023, Watercolour on paper, 22.8 x 30.6 cm

Bernhard Schobinger, Against Method
February 29 – April 6, 2024

Press release

Installation view, Bernhard Schobinger, *Against Method*, Galerie Francesca Pia, Zurich, 2024. Photo: Cedric Mussano

Bernhard Schobinger, *Sägen in der Höhe*, 2024, Saw blades, bar clamps, approx. 100 x 150 x 140 cm

Bernhard Schobinger, *Dreiklang-Dimensionen*, 2020, Necklace made of gold, amethyst, rock crystal, cobalt wire, 28.8 x 20.5 x 1.5 cm, Neckline 66 cm

Bernhard Schobinger, *Untitled*, n.d., Ring made of corroded clockwork, gold, 2.4 x 2.2 x 1.9 cm, Ring size 20, inner ⌀ 1.9 cm

Bernhard Schobinger, *Mutated Insect*, 2023, Ring made of pearls, silver, cobalt, malachite pigment, 3.5 x 6.8 x 6.1 cm, Ringsize 17, inner ⌀ 1.8cm

Bernhard Schobinger, *Insect Ring*, 1993, Ring made of Shakudo (traditional Japanese metal alloy), turquoise, coral, horn, 2.6 x 3.2 x 2.2 cm, Ring size 15, inner ⌀ 1.7 cm

Bernhard Schobinger, *Cobalt Ring*, 2012, Ring made of cobalt, Akoya pearl (Ise Shima), 3.7 x 2.9 x 2.6 cm, Ring size 13, inner ⌀ 1.6 cm; *Untitled*, n.d., Ring made of Akoja pearls (Ise Shima), silver, enamel, 4.2 x 3.5 x 2.3 cm, Ringsize 13, inner ⌀ 1.6 cm

Bernhard Schobinger, *Tutti Kabutti*, 1980/1981, Necklace made of gold chain, plastic (objects found on a construction site), 23 x 10.7 x 2.5 cm, Neckline 46 cm

Bernhard Schobinger, *Untitled*, 1983, Arm cuff made of titanium zinc, plastic, 12 x 12.4 x 1.7 cm, inner ⌀ 5.5 cm

Bernhard Schobinger, *Gummiring*, 1980, Ring made of rubber, white gold, diamonds, 2.5 x 2.5 x 2.8 cm, Ring size 18, inner ⌀ 1.9 cm

Bernhard Schobinger, *Löffel-Brillen-Kette / Spoon-Glasses Necklace*, 2013, Necklace made of silver, steel, glass, acrylic, 31 x 15.5 x 1.7 cm, Neckline 65 cm

Bernhard Schobinger, *Untitled*, n.d., Necklace made of thumbtacks, cobalt wire, 14 x 9 x 0.5 cm, Neckline 38 cm

Bernhard Schobinger, *Untitled*, n.d., Arm cuff made of gold-plated stainless steel, copper fitting, 6.5 x 6.5 x 1.4 cm, inner ⌀ 6.2 cm

Bernhard Schobinger, *Untitled*, n.d., Brooch made of two intertwined pieces of steel wire, paint, stainless steel pin, 4.2 x 11.5 x 1.5 cm

Bernhard Schobinger, *Vogel-Kette / Bird Necklace*, 2020, Necklace made of iron, copper, paint, 8 tightening clamps for blinds, 62.5 x 25 x 1 cm, Neckline 123 cm

Bernhard Schobinger, *Schrödingers Katze / Schrödinger’s Cat*, 1997, Brooch made of steel, steel heel-piece, enamel, freshwater pearl, 3.5 x 8.5 x 1.5 cm

Bernhard Schobinger, *Untitled*, 2006, Brooch made of antique jewellery, found spectacle frame, turquoise, pearl, enamel, gold, stainless steel wire, 1.8 x 12.3 x 1.5 cm

Bernhard Schobinger, *Untitled*, 1988, Brooch made of coral beads, silver, chrome steel, 3.5 x 9.9 x 1.5 cm

Bernhard Schobinger, *Schwamm mit Perle / Sponge with Pearl*, 2013, Brooch made of sponge, cobalt, Akoya pearl, 3.7 x 5.4 x 1.5 cm

Bernhard Schobinger, *Untitled*, 1991, Brooch made of antique white gold rings, pearl, cobalt pin, 5 x 5 x 2 cm

Bernhard Schobinger, *Untitled*, 1980–1984, Wood, paint, nails, 168 x 83 x 7 cm

Bernhard Schobinger, *Untitled*, 2023, Toy truck found underwater, smoky quartz, gold chain, 6 x 13 x 5.5 cm

Bernhard Schobinger, *Dezembermond / December Moon*, 2007, Necklace made of porcelain, gold, malachite pigment, nylon string, 6.7 x 6.7 x 1.7 cm

Bernhard Schobinger, *Wine Glass Stands,* 2019, Necklace made of glass, red and gold urushi lacquer, silver, tourmaline, 20 x 23 x 2 cm, Neckline 44 cm

Bernhard Schobinger, *Shard Ring*, 2009, Jugendstil monogrammed gold ring 18ct, glass shard from a Jugendstil vase, gold urushi lacquer, 3.6 x 2.1 x 3.7 cm, Ringsize 19, inner ⌀ 1.9 cm

Bernhard Schobinger, *Gift / Poison*, 2011, Arm cuff made of glass (fragment from found bottle), red urushi lacquer, 7.4 x 7.6 x 3.8 cm

Bernhard Schobinger, *Fliegender Fisch / Flying Fish*, 1980, Earring made of silver, glass, 11.2 x 5.2 x 0.5 cm

Bernhard Schobinger, *Poison Veleno Skulls*, 2023, Bracelet made of gold, red urushi lacquer, half-pearls, glass fragments (from old bottles), 2.2 x 20.2 x 0.7 cm

Bernhard Schobinger, *R+B-Kette / R+B Necklace*, 2014, Necklace made of rose quartz, sea glass (Okinawa, Japan), gold, 27 x 22 x 3 cm, Neckline 68 cm

Bernhard Schobinger, *Mind the Gap*, 2015, Necklace made of agate, memory stick, hammerstone (stone age), red urushi lacquer, 30 x 9.5 x 4.5 cm, Neckline 52 cm

Bernhard Schobinger, *Untitled*, 1995, Necklace made of wood, cowrie shells, string, 40.5 x 14.5 x 3.5 cm, Neckline 76 cm

Bernhard Schobinger, *Zeitsprung-Kette / Jump in Time Necklace*, 2002, Necklace made of gold 750, Bang Chiang ceramic, marble, azurite, malachite pigment, 25.5 x 9 x 2.8 cm, Neckline 51 cm

Bernhard Schobinger, *Piano Peace*, 2002, Necklace made of felt, ivory, string, metal keyhole, 57 x 11 x 2 cm, Neckline 104 cm

Bernhard Schobinger, *Untitled,* 1984–1985, Wood, paint, steel, 191 x 60 x 10 cm

Bernhard Schobinger, *Chinese Face I*, 1984/1985, Wood panelling, paint, 150 x 180 x 7 cm

Bernhard Schobinger, *Schnecken Ballett II / Ballet of Snails*, 2020, Necklace made of shells (origin of Okinawa Island, Japan), malachite pigment, madder lacquer, shoelace, 30 x 30 x 8 cm, Neckline 68 cm

Bernhard Schobinger, *Juwelen-Türklinke / Jeweled Door Handle*, 2002, Necklace made of diamonds, sapphires, rubies, emeralds, tansanites, metal door handle, japanese string, 68 x 15 x 1.5 cm, Neckline 108 cm

Bernhard Schobinger, *Plumber’s Beads*, 1995, Necklace made of lignum vitae (light boxwood), hemp cord, 51 x 18 x 9.5 cm, Neckline 88 cm

Bernhard Schobinger, *Instabile Flächen*, 1984, Wood, paint, 73 x 156 x 5 cm; *Untitled*, 1980, Plastic, 38 x 45.5 x 6.5 cm

Bernhard Schobinger, *Glacelöffel / Icecream Spoons*, 1999, Arm cuff made of silver 925, enamel, 8.8 x 8.8 x 0.5 cm, inner ⌀ 6.3 cm

Bernhard Schobinger, *5 FR / 2 FR / 1 FR / 0,50 FR (1/2)*, 2023, Necklace made of silver (swiss coins), enamel, 15.7 x 15.3 x 0.2 cm, Neckline 41 cm

Bernhard Schobinger, *Trümmerring / Debris Ring*, 2006, Ring made of silver, enamel, 5 x 4.3 x 3.5 cm, Ring size 14, inner ⌀ 1.6 cm

Bernhard Schobinger, *Kiku (Chrysantheme)*, 2022, Necklace made of silver (Japanese 1 sen coins), enamel, 17 x 17 x 0.3 cm, Neckline 47 cm

Bernhard Schobinger, *Pair of Bracelets*, 1981, Arm cuffs made of silver 925, blue enamel, 9.5 x 9.5 x 1 cm, inner ⌀ 6 cm

Bernhard Schobinger, *Untitled*, n.d., Ring made of cast silver, enamel, 3.5 x 3.5 x 2.5 cm, Ring size 15, inner ⌀ 1.9 cm

Bernhard Schobinger, *Amöben-Ring / Amoeba Ring*, 2015, Ring made of cast iron, enamel, 4 x 4.2 x 1.9 cm, Ring size 13, inner ⌀ 1.6 cm

Bernhard Schobinger, *Time Out*, 2002, Ring made of stainless steel, diamond, enamel, 2.9 x 3.1 x 0.6 cm, Ring size 14, inner ⌀ 1.6 cm

Bernhard Schobinger, *Rotierendes Quadrat / Rotating Square*, 2020, Arm cuff made of antique brass door handles, lapis lazuli pigment, 11 x 12 x 2 cm, inner ⌀ 7 cm

Bernhard Schobinger, *Schmucklinie / Jewellery Line*, 2002, Brooch made of a fragment of fountain pen from boarding school days, amethyst, gold 14 ct, silver, steel, plastic, 2 x 11.2 x 0.9 cm

Bernhard Schobinger, *Hacksilber-Collier / Hack-Silver-Collier*, 1984, Necklace made of silver 800, 15 x 15 x 1 cm, Neckline 40 cm

Bernhard Schobinger, *YES*, 2010, Silver 800, 23.2 x 39.2 x 0.5 cm

Bernhard Schobinger, *Segmenten-Kette / Chain of Segments*, n.d., Necklace made of silver 800, urushi lacquer, cobalt wire, 17.5 x 17.5 x 0.5 cm, Neckline 48 cm

Bernhard Schobinger, *Under Water Car Collection*, 2023, Necklace made of metal, plastic, copper, silver, algae, 28 x 26 x 3.3 cm, Neckline 56 cm

Bernhard Schobinger, *Auto-Ring*, 2023, Ring made of metal, pearls, gold 750, diamond, 2.8 x 2.2 x 5.5 cm, Ring size 15, inner ⌀ 2 cm

Bernhard Schobinger, *Edelstein-Kette / Jewels Necklace*, 2009, Necklace made of 17 precious stones, cobalt wire, 20 x 9 x 0.3 cm, Neckline 44 cm

Bernhard Schobinger, *Cannonball Ring,* 2010, Ring made of medieval cannonball iron (16th century), forged without joints, 2.6 x 2.3 x 1 cm, Ring size 16, inner ⌀ 1.7 cm

Bernhard Schobinger, *Nagel-Ring / Nail Ring*, 2011, Ring made of lemon citrine, white gold 750, 3 x 2.9 x 1.9 cm, Ring size 12, inner ⌀ 1.4 cm

Bernhard Schobinger, *Splinten-Kette / Cotter Pin Necklace*, 1997, Necklace made of brass, precious stones, silver, 29.5 x 22.5 x 0.6 cm, Neckline 55 cm

Bernhard Schobinger, *Shuttlecock Necklace*, 2023, Necklace made of cast silver, enamel, 48.5 x 6.5 x 6.5 cm

Bernhard Schobinger, *Variables Objekt*, 1980–1984, Steel, wood, rigid foam, 141 x 33 x 13 cm

Bernhard Schobinger, *Antennen*, 1984, Various metals, 147 x 40 x 25 cm

Bernhard Schobinger, *Elektro Boogey*, 1991, Necklace made of fine gold, stainless steel, electrical fittings, 20.3 x 18.7 x 0.7 cm, Neckline 50 cm

Bernhard Schobinger, *Untitled*, 2020, Necklace made of brass and plastic keyhole fittings, cobalt wire, silver, 18.5 x 17 x 0.5 cm, Neckline 96 cm

Bernhard Schobinger, *Fischhaken / Fishing Hook*, 2023, Necklace made of gold 750, garnet, amethyst, peridot, cultured pearls, coral, 25.5 x 15 x 1.5 cm, Neckline 50 cm

Bernhard Schobinger, *Eastern Crosses*, 2023, Necklace made of antique crosses found in the Kievan Rus, bronze, copper, red corals, stainless steel wire, 22.5 x 19.5 x 0.5 cm, Neckline 56 cm

Bernhard Schobinger, *Pyrit-Ring*, 2022, Ring made of silver 925, 3.5 x 3.9 x 1.8 cm, Ring size, inner ⌀ 1.7 cm

Bernhard Schobinger, *Untitled*, n.d., Necklace made of smoky quartz, rock crystal, gold drawing on rock crystal, stainless steel, 54.5 x 13.5 x 3 cm, Neckline 114 cm

Bernhard Schobinger, *Pyrit-Ring*, 2022, Ring made of stainless steel, 3.5 x 3.5 x 1.7 cm, Ring size 13, inner ⌀ 1.7 cm

Emil Michael Klein
November 25, 2023 – February 17, 2024

Press release

Installation view, Emil Michael Klein, Galerie Francesca Pia, Zurich, 2023. Photo: Cedric Mussano

Emil Michael Klein, *Untitled*, 2023, Oil on canvas, 141.9 × 185.2 cm

Emil Michael Klein, *Untitled* (detail), 2023, Oil on canvas, 141.9 × 185.2 cm

Emil Michael Klein, *Untitled*, 2023, Oil on canvas, 130 × 135.2 cm

Emil Michael Klein, *Untitled* (detail), 2023, Oil on canvas, 130 × 135.2 cm

Emil Michael Klein, *Untitled*, 2023, Oil on canvas, 112.4 × 145.9 cm

Emil Michael Klein, *Untitled* (detail), 2023, Oil on canvas, 112.4 × 145.9 cm

Emil Michael Klein, *Untitled*, 2023, Oil on canvas, 104.5 × 118.7 cm

Emil Michael Klein, *Untitled* (detail), 2023, Oil on canvas, 104.5 × 118.7 cm

Emil Michael Klein, *Untitled*, 2023, Oil on canvas, 190 × 129.3 cm

Emil Michael Klein, *Untitled* (detail), 2023, Oil on canvas, 190 × 129.3 cm

Emil Michael Klein, *Untitled*, 2023, Oil on canvas, 152.7 × 162.8 cm

Emil Michael Klein, *Untitled* (detail), 2023, Oil on canvas, 152.7 × 162.8 cm

Emil Michael Klein, *Untitled*, 2023, Oil on canvas, 121.5 × 100 cm

Emil Michael Klein, *Untitled* (detail), 2023, Oil on canvas, 121.5 × 100 cm

Emil Michael Klein, *Untitled*, 2023, Oil on canvas, 147.2 × 207.4 cm

Emil Michael Klein, *Untitled*, 2023, Oil on canvas, 130 × 150 cm

Emil Michael Klein, *Untitled* (detail), 2023, Oil on canvas, 130 × 150 cm

Emil Michael Klein, *Untitled*, 2023, Oil on canvas, 145.2 × 150 cm

Emil Michael Klein, *Untitled* (detail), 2023, Oil on canvas, 145.2 × 150 cm

Puppies Puppies (Jade Guanaro Kuriki-Olivo), PULSE
September 21 – October 28, 2023

Press release

Puppies Puppies (Jade Guanaro Kuriki-Olivo), *Latin Night June 11th 2016 (Pulse Nightclub Flyer)*, 2023, Injekt print on paper, signed by the artist, white aluminum frame, Ed. of (+ 1 AP), 50 x 40 cm

Installation view, Puppies Puppies (Jade Guanaro Kuriki-Olivo), *PULSE*, Galerie Francesca Pia, Zurich, 2023. Photo: Cedric Mussano

Puppies Puppies (Jade Guanaro Kuriki-Olivo), *Backstage Vanity Mirror (Pulse)*, 2023, Cosmetic table made of melamine-coated MDF, pull-out drawer with three storage compartments, 3-piece folding mirror with LED-lighting, lipstick on mirror, Dior Forever Liquid 820 lipstick, stool, 157 x 90 x 42 cm

Puppies Puppies (Jade Guanaro Kuriki-Olivo), *Backstage Vanity Mirror (Pulse)* (Detail), 2023, Cosmetic table made of melamine-coated MDF, pull-out drawer with three storage compartments, 3-piece folding mirror with LED-lighting, lipstick on mirror, Dior Forever Liquid 820 lipstick, stool, 157 x 90 x 42 cm

Puppies Puppies (Jade Guanaro Kuriki-Olivo), *Electric Dress (Atsuko Tanaka)*, 2023, LED-dress made from textile and plastic, draped on mannequin, 12 lithium-ion batteries in cases in textile pockets, Madrix programmed micro SD-card, performance (optional), 81 x 66 x 63 cm

Puppies Puppies (Jade Guanaro Kuriki-Olivo), *Electric Dress (Atsuko Tanaka)* (Detail), 2023, LED-dress made from textile and plastic, draped on mannequin, 12 lithium-ion batteries in cases in textile pockets, Madrix programmed micro SD-card, performance (optional), 81 x 66 x 63 cm

Puppies Puppies (Jade Guanaro Kuriki-Olivo), *Bouncer*, 2023, Black upholstered chrome bar stool with footrest, three PULSE logo stickers, flashlight attached to chain, performance (optional), 85.5 x 42 x 42 cm

Puppies Puppies (Jade Guanaro Kuriki-Olivo), *Bouncer* (Detail), 2023, Black upholstered chrome bar stool with footrest, three PULSE logo stickers, flashlight attached to chain, performance (optional), 85.5 x 42 x 42 cm

Puppies Puppies (Jade Guanaro Kuriki-Olivo), *Pulse (Sturtevant)*, 2023, Printed PULSE logo billboard paper pasted on wall, Dimensions variable

Puppies Puppies (Jade Guanaro Kuriki-Olivo), *Pulse (Sturtevant)* (Detail), 2023, Printed PULSE logo billboard paper pasted on wall, Dimensions variable

Puppies Puppies (Jade Guanaro Kuriki-Olivo), *Spectrum of Color (Window)*, 2023, Printed self-adhesive film in Progress Pride colors (light blue, pink, white, brown, black, red, orange, yellow, green, indigo, purple), Dimensions variable

Opening Performance *My heart is beating as I lip sync to this song* by Lara Dâmaso for Puppies Puppies (Jade Guanaro Kuriki-Olivo), *PULSE*, Galerie Francesca Pia, Zurich, 2023

Opening Performance *Bouncer*, Puppies Puppies (Jade Guanaro Kuriki-Olivo), *PULSE*, Galerie Francesca Pia, Zurich, 2023

Opening Performance *Dance like nobody is watching*, DJ Set by Moruk for Puppies Puppies (Jade Guanaro Kuriki-Olivo), *PULSE*, Galerie Francesca Pia, Zurich, 2023

2023

Gili Tal, You May See Butterflies: Elephant Park
June 7 – July 22, 2023

Press release

Installation view, Gili Tal, *You May See Butterflies: Elephant Park*, Galerie Francesca Pia, Zurich, 2023. Photo: Cedric Mussano

Gili Tal, *False Autumn (bike racks, shrub)*, 2023, Inkjet print on paper in artist’s frame, 42.6 x 50.8 x 3 cm

Gili Tal, *Buses VIII*, 2023, Oil on canvas, 140 x 300 cm

Gili Tal, *Buses X*, 2023, Oil on canvas, 140 x 300 cm

Gili Tal, *False Autumn (silver bins in perspective, benches)*, 2023, Inkjet print on paper in artist’s frame, 42.6 x 50.8 x 3 cm

Gili Tal, *Buses IX*, 2023, Oil on canvas, 140 x 300 cm

Gili Tal, *Buses XII*, 2023, Oil on canvas, 140 x 300 cm

Gili Tal, *False Autumn (gust of wind, miscellaneous rubbish), ii*, 2023, Inkjet print on paper in artist’s frame, 42.6 x 50.8 x 3 cm

Gili Tal, *False Autumn (planter, fallen leaves)*, 2023, Inkjet print on paper in artist’s frame, 42.6 x 50.8 x 3 cm

Gili Tal, *Buses XI*, 2023, Oil on canvas, 140 x 300 cm

Gili Tal, *Buses XIII*, 2023, Oil on canvas, 140 x 300 cm

2023

CRAFT, curated by Nicolas Trembley
April 20 – May 27, 2023

Press release

Installation view, *CRAFT*, curated by Nicolas Trembley, Galerie Francesca Pia, Zurich, 2023. Photo: Cedric Mussano

James Benning, *After Missouri Pettway*, Stained glass, lead came, zinc, tin, lead; denim, corduroy, burlap; ink on paper in artist's frame, 2013

James Benning, *After Missouri Pettway* (Detail), Stained glass, lead came, zinc, tin, lead, 2013

James Benning, *After Missouri Pettway* (Detail), Denim, corduroy, burlap, 2013

Anonymous, Wedding bedcovers, Guizhou, China, Recycled cotton, two sided, ca. 1900

Anonymous, Asante Kente woman's cloth from Ghana, indigo and white cotton, strips sewn together, and embroidered with traditional motifs, used, 1920–1950

Ulrike Müller, *Rug (gato verde)*, Wool handwoven in the workshop of Jerónimo and Josefina Hernández Ruiz, Teotitlán del Valle, Oaxaca, Mexico, 2015

Ulrike Müller, *Rug (gato verde)* (Detail), Wool handwoven in the workshop of Jerónimo and Josefina Hernández Ruiz, Teotitlán del Valle, Oaxaca, Mexico, 2015

Anonymous, Grès de Puisaye Pots, Partly ash-glazed stoneware from Puisaye, France, Late 18th / early 19th c.
JB Blunk, Ceramics, 1975–1990

Anonymous, Grès de Puisaye Pots, Partly ash-glazed stoneware from Puisaye, France, Late 18th / early 19th c.
Yukari Hirotani, Nanban Yakijime pottery, Clay plates
JB Blunk, Ceramics, 1975–1990

Atelier E.B with Marc Camille Chaimowicz, 3 silkscreen prints on cotton fabric, 2012
Kazunori Hamana, *Tsubo*, Ceramic, 2022

Atelier E.B with Marc Camille Chaimowicz, 3 silkscreen prints on cotton fabric (Detail), 2012
Kazunori Hamana, *Tsubo*, Ceramic, 2022

Atelier E.B with Marc Camille Chaimowicz, 3 silkscreen prints on cotton fabric (Detail), 2012

Mai-Thu Perret, *Untitled*, Haute lisse hand woven wool tapestry, 2015

Mai-Thu Perret, *Untitled* (Detail), Haute lisse hand woven wool tapestry, 2015

Anonymous, Bamana or Fulani blanket from Mali, hand-spun cotton in indigo blue with variations, 1950s
Mai-Thu Perret, *Abnormally avid II*, Glazed ceramics, steel, 2019
Anonymous, Hanakago (Flower Baskets), Showa era (1926–1989)
Anonymous, Chaff Sieve, Woven willow basket, Bern, Switzerland

Anonymous, Bamana or Fulani blanket from Mali (Detail), hand-spun cotton in indigo blue with variations, 1950s
Anonymous, Chaff Sieve, Woven willow basket, Bern, Switzerland
Mai-Thu Perret, *Abnormally avid II*, Glazed ceramics, steel, 2019
Anonymous, Hanakago (Flower Baskets), Showa era (1926–1989)

Anonymous, Bamana or Fulani blanket from Mali (Detail), hand-spun cotton in indigo blue with variations, 1950s
Mai-Thu Perret, *Abnormally avid II*, Glazed ceramics, steel, 2019
Anonymous, Hanakago (Flower Baskets), Showa era (1926–1989)
Anonymous, Chaff Sieve (Detail), Woven willow basket, Bern, Switzerland

Mai-Thu Perret, *Abnormally avid II*, Glazed ceramics, steel, 2019

Anonymous, Boro futonji, Japan, Recycled cotton, two sided, Meiji era (1868–1912)
Sofu Teshigahara, *Untitled*, Wood, brass, 1950s–1970s
Anonymous, Dry Ikebana by Sogetsu teacher Lea Ruprecht, Zurich, Ceramic vase, dried branches, laquered bamboo, tape, 2022

Sofu Teshigahara, *Untitled*, Wood, brass, 1950s–1970s

Anonymous, Dry Ikebana by Sogetsu teacher Lea Ruprecht, Zurich, Ceramic vase, dried branches, laquered bamboo, tape, 2022

Arrange Whatever Pieces Come Your Way, *Quilt 39*, Cotton, silk, 2022

Arrange Whatever Pieces Come Your Way, *Quilt 39* (Detail), Cotton, silk, 2022

BLESS, *Saunariderinterior Blanket*, Woven cotton blanket with fringed edge and BLESS engraved logo button, 2022
*Pillow with pockets for books, remote control, phone, or else.., N°75 Slitcushion Vintage Denim*, Vintage Denim, Shell: 100% Cotton / Filling: 100% Polyester, 2022
*N°72 Jeansified Objects*, PET bottles with handle covered with denim fabric, 2022

James Benning, *On Paradise Road*, Single-channel HD video installation, 75 min, 2020

2023

Ericka Beckman, Lucky Charm – Drawings and photographs from the 80’s until today
Curated with Jeanne Graff
February 4 – March 18, 2023

Press release
Text by Jeanne Graff

Installation view, Ericka Beckman, *Lucky Charm*, Galerie Francesca Pia, 2023. Photo: Cedric Mussano

2022

David Shrigley, Proposals for Record Covers
December 3, 2022 – January 28, 2023

Press release

Installation view, David Shrigley, *Proposals for Record Covers*, Galerie Francesca Pia, Zurich, 2022. Photo: Annik Wetter

David Shrigley, *Untitled (Red Line)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Please Forgive My Absence)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (You Are Imprisoned by Your Own Foolishness)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Photographers Lack True Purpose)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (I Threw a One for the Hundreth Time in a Row)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (You Are Not Ready to See Behind the Curtain)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Proposal, Old Wheel for New Car)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Proposal)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Drive Fast, Until You Crash)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Sit Down)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Cat Odyssey)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Beans for All, No One to Go Without)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Here)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Socks)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (I Still See Him When I Close My Eyes)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Emotional Pancake)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Do Not Unravel It)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (I Am Rarely Seen and Widely Misunderstood)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (We Should Leave Him in the Sea)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Everything Is Shit, But Do Not Lose Hope)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Good Good)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Gold Watch, Tells the Time, Nothing More)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Ride No Other Horse but This)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (I'm Not Angry, I'm Disappointed)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Punk Cannot Be Created or Destroyed)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Pinnacle of Human Endeavour)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Donut for Sale, Partly Eaten)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (You Must Wear These Boots)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (My Body Is a Canvas)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Look at My Ass)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Centre Parting)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Just Passing Through)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (It's Fine, the Worm Has Gone)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (He Did Not Need It)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Man In the Mirror)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (I Like It)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Red Guitar, Do Not Be Afraid of It)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Look at the Wall)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (You Dance Here, We Will Clap and Cheer)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Consider Your Failings)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Time to Emerge From Your Hole)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (He Tells Me What to Do)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (The Dog Beat Me Again)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Old Dog, We Still Love You)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Resist Bad Stuff)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Ice Cubes for Dinner)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (Tennis Ball)*, 2022, Acrylic on paper, 55 x 55 cm

David Shrigley, *Untitled (The Rain Is Delicous)*, 2022, Acrylic on paper, 55 x 55 cm

2022

Dozie Kanu
October 15 – November 26, 2022

Press release

Installation view, Dozie Kanu, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano

Dozie Kanu, *Knuckle crate (rejected Vitra design)*, 2022, Birch wood, stainless steel, Ed. of 50 (+5 AP), 39.85 x 39.37 x 35.3 cm

Dozie Kanu, *unresolved design marathon dance continua (Hermès, Houston)* (detail), 2022, Polished stainless steel, United States of America 1 cent pennies, grout, varnish, 2 parts, 5 x 140 x 280 cm each

Dozie Kanu, *aro pillars chukwu dinners*, 2022, Found steel pipes, burnt pine wood, spray paint, powder-coated steel keyhole plates, 45 x 65 x 76 cm

Dozie Kanu, *aro pillars chukwu dinners* (detail), 2022, Found steel pipes, burnt pine wood, spray paint, powder-coated steel keyhole plates, 45 x 65 x 76 cm

Dozie Kanu, *Chair [ xix ] (head hunt)*, 2022, Steel, acrylic polyurethane enamel primer paint, 440 x 106 x 102 cm

Dozie Kanu, *hang something metric*, 2022, Found water pump component, steel, coat hanging clips, 150 cm measuring stick, 250 x 150 x 40 cm

Dozie Kanu, *youtu.be/vrqLrxWUBXc*, 2022, LCD Screen, Raspberry Pi, electrical wiring, 13 x 8 cm

Dozie Kanu, *three / four useless flagpoles playing with gaud*, 2022, Mixed media, 340 cm height

Dozie Kanu, *TESIA JONES*, 2022, Glass mirror, found glass mirror in polished steel frame, steel, acrylic polyurethane enamel paint, ironing board, 168 x 148 x 60 cm

Dozie Kanu, *Untitled*, 2022, Steel, acrylic polyurethane enamel paint, 83 x 67 x 50 cm

Dozie Kanu, *Chair [ xviii ] (cooler)*, 2022, Found cooler, steel, concrete, epoxy sculpting clay, foam, acrylic polyurethane enamel paint, 80 x 60 x 50.5 cm

Dozie Kanu, *brooks*, 2022, Found steel pipes, internal scale components, stainless steel, acrylic polyurethane enamel paint, 67 x 50 x 83 cm

Dozie Kanu, *Explosion Proof*, 2022, Found explosion proof light case, found steel sheet, steel, electrical wiring, 57 x 57 x 40 cm

Dozie Kanu, *Headboard (Love Crime)*, 2022, Found mahogany head board, found chrome plated steel, inkjet prints on matte photopaper, artist's frames, epoxy sculpting clay, 136 x 58 x 7 cm

Dozie Kanu, *Headboard (Love Crime)* (detail), 2022, Found mahogany head board, found chrome plated steel, inkjet prints on matte photopaper, artist's frames, epoxy sculpting clay, 136 x 58 x 7 cm

Dozie Kanu, *weighing forgiveness in light of*, 2022, Found weighing scale, steel plates, electrical wiring, found cone lamp shade, acrylic polyurethane enamel paint, 152 x 67 x 50 cm

2022

Bruno Serralongue, Pour la vie, Galerie Francesca Pia, Zurich
September 3 – October 8, 2022

Press release
Texts about the series

Installation view, Bruno Serralongue, *Pour la vie*, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano

Cherri Foytlin of the Navajo Diné Nation, leader of the Bayou Bridge Pipeline opposition movement and founder of Water is life Camp. Protecting Mother Earth Conference, Wa He Lut Indian School, Olympia, Washington, July 1, 2018
Inkjet print (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas box, 157 x 126 x 5 cm, Ed. 1/3 + 2 AP

*Inhabitants, Aguascalientes F. Gomez (Chiapas)*, 1996
Framed Cibachrome print mounted on aluminum, 158.5 x 129 cm, Ed. 1/3 + 2 AP

*Park Jun Kyu, Hwang Yi Min, Yu Man Hyeong (in a meeting room at KCTU headquarters), Seoul*, 2001
Framed Ilfochrome print mounted on aluminum, 128 x 159 cm, Ed. 1/3 + 2 AP

*Tahar Abidi, Tunisian journalist, political refugee in France, WSIS, Geneva, December 10, 2003*
Framed ilfochrome print mounted on aluminum, 158.5 x 129 cm, 1/3 + 2 AP

*For life (the Zapatista journey has already begun), Paris, May, 29, 2021*
Inkjet print (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas box, 51 x 63 x 5 cm, Ed. 1/5 + 2 AP

*ZAD of Notre-Dame-des-Landes, November 5, 2016*
Inkjet print (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas box, 63 x 51 x 5 cm, Ed. 1/3 + 2 AP

*Sunday Afternoon, 1999*
57 vintage silverprints, framed, each 32 x 25 cm, Ed. 3/3 + 2 AP

*Sunday Afternoon, 1999* (detail)
57 vintage silverprints, framed, each 32 x 25 cm, Ed. 3/3 + 2 AP

*Pastor Harry Joseph of Mount Triumph Baptist Church in front of his church, Saint James, Louisiana, August 7, 2017*
Inkjet print (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas box, 126 x 157 x 5 cm, Ed. 1/3 + 2 AP

Boubacar Diallo, elected member of the consultation committee of the ADEF residence in Saint-Ouen, led the fight for a dignified rehousing of the residents following their evacuation to allow the destruction of the residence, which is located within the perimeter of the future Olympic village, Saint-Ouen, January 23, 2021
Inkjet print (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas box, 126 x 157 x 5 cm, Ed. 2/5 + 2 AP

*Kim Sung-ok, Seoul*, 2001
Framed ilfochrome print mounted on aluminum, 128 x 159 cm, Ed. 1/3 + 2 AP

*Campfire, Calais, December 2008*
Inkjet print (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas box, 51 x 63.5 x 5 cm, Ed. 2/5 + 2 AP

Marcus Mitchell of the Navajo Diné Nation, shot on January 19, 2017, by a Norton County deputy sheriff at a protest against construction of the Dakota Access Pipeline in Standing Rock. Hit in the head, he lost his left eye and hearing in his left ear. Protecting Mother Earth Conference, Nisqually Nation reservation, Wa He Lut Indian School, Olympia, Washington, July 1, 2018
Inkjet print (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas box, 126 x 157 x 5 cm, Ed. 1/3 + 2 AP

*V Tube, Water is Life Camp, Rayne, Louisiana, July 7, 2018*
Inkjet print (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas box, 51 x 63 x 5 cm, Ed. 1/3 + 2 AP

*Jardins des Vertus, at the foot of a straw wall, Aubervilliers, May 8, 2021*
Inkjet print (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas box, 63 x 51 x 5 cm, Ed. 1/5 + 2 AP

*Afghan refugee encampment on waste ground near the the hospital, Calais, July 16, 2020*
Diptych, inkjet prints (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas boxes, each 126 x 157 x 5 cm, Ed. 1/3 + 2 AP

*Ahmed, heading for the Jules Ferry day centre, Calais, Thursday 16 April 2015*
Inkjet print (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas box, 63.5 x 51 x 5 cm, Ed. 1/5 + 2 AP

'La Fanfare Climatique' (climate brass band) playing to support the occupancy of the Jardins Ouvriers des Vertus (community gardens) threatened with destruction to allow the building of a swimming pool for the Olympic Games, Aubervilliers, May 8, 2021
Inkjet print (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas box, 126 x 157 x 5 cm, Ed. 1/5 + 2 AP

La vie ici, Foyer Adef, 82 rue de Saint-Denis, Saint-Ouen, January 7, 2020 - November 6, 2021 (in the months preceding its destruction to make way for the athletes' village of the Olympic Games Paris 2024)
50 inkjet prints behind glass, each 20 x 25 cm, Ed. 1/3 + 2 AP

*Group (road workers and villagers), 12.08.2004*
Framed Ilfochrome print with passe-partout, 67 x 77 cm, Ed. 1/3 + 2 AP

*Group (Brickworks) Jinan, 13.08.2004*
Framed Ilfochrome print with passe-partout, 67 x 77 cm, Ed. 1/3 + 2 AP

*Group (CNHTC, Volvo Truck), Jinan, 13.08.2004*
Framed Ilfochrome print with passe-partout, 67 x 77 cm, Ed. 1/3 + 2 AP

*Counting of the Great Crested Newt. Photograph taken during the field trip of the 'Naturalistes en lutte' (Naturalists strike back) on the ZAD of Notre-Dame-des-Landes on Sunday, April 9, 2017*
Framed inkjet print (Canson Baryta Photographique paper) with passe-partout, 48.5 x 62.5 cm, 3/3 + 2 AP

2022

Alvin Baltrop, Wade Guyton, Heimo Zobernig
June 3 – July 23, 2022

Press release

Installation view, Alvin Baltrop, Wade Guyton, Heimo Zobernig, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano

Heimo Zobernig, *Ohne Titel (HZ 2012-090)*, 2012, Pressboard, 137.5 x 137.5 x 66 cm
Installation view, Alvin Baltrop, Wade Guyton, Heimo Zobernig, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano

Wade Guyton, *Untitled*, 2020, Epson UltraChrome HDX inkjet on linen, 91.4 x 68.6 cm

Alvin Baltrop, *The Piers (exterior with two figures)*, n.d. (1975–1986), Silver gelatin print, 11.4 x 17.1 cm

Heimo Zobernig, *Ohne Titel (HZ 2012-122)*, 2012, Acrylic, Kriptonite, Polyester, Steel, 182 x 50 x 62 cm

Heimo Zobernig, *Ohne Titel (HZ 1988-025)*, 1988, Dispersion, Pressspan, 120 x 60 x 60 cm
Installation view, Alvin Baltrop, Wade Guyton, Heimo Zobernig, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano

Alvin Baltrop, *The Piers (man leaning)*, n.d. (1975–1986), Silver gelatin print, 25.4 x 20.2 cm

Heimo Zobernig, *Ohne Titel (HZ 1988-025)*, 1988, Dispersion, pressboard, 120 x 60 x 60 cm
Installation view, Alvin Baltrop, Wade Guyton, Heimo Zobernig, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano

Heimo Zobernig, *Ohne Titel (HZ1988-016)*, 1988, Pigment, foam, 10 x 200 x 100 cm

Alvin Baltrop, *The Piers (body under cloth)*, n.d. (1975–1986), Silver gelatin print, 17.8 x 11.4 cm

Alvin Baltrop, *The Piers (exterior with two figures)*, n.d. (1975–1986), Silver gelatin print, 20.3 x 25.4 cm

Alvin Baltrop, *The Piers (exterior view)*, n.d. (1975–1986), Silver gelatin print, 11.3 x 17.7 cm

Alvin Baltrop, *The Piers (man lying in room)*, n.d. (1975–1986), Silver gelatin print, 11.4 x 20 cm

Alvin Baltrop, *The Piers (exterior with two figures)*, n.d. (1975–1986), Silver gelatin print, 18.4 x 11.4 cm

Alvin Baltrop, *The Piers (man looking in window)*, n.d. (1975–1986), Silver gelatin print, 25.5 x 20.5 cm

2022

Philippe Decrauzat, No Journey Ends
April 9 – May 21, 2022

Press release

Installation view, Philippe Decrauzat, *No Journey Ends*, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano

Philippe Decrauzat, *no journey ends*, 2022, Acrylic on canvas, 175 × 175 cm

Philippe Decrauzat, *no journey ends* (detail), 2022, Acrylic on canvas, 175 × 175 cm

Philippe Decrauzat, *returned (indigo)*, 2022, Acrylic on canvas, 128 × 128 cm

Philippe Decrauzat, *returned (indigo)* (detail), 2022, Acrylic on canvas, 128 × 128 cm

Philippe Decrauzat, *Take On / No Take*, 2017, 16mm black-and-white film, mirror, motor, loop

Philippe Decrauzat, *a closed placed (carbon black)*, 2021, Acrylic on canvas, 175 × 175 cm

Philippe Decrauzat, *a closed placed (carbon black)* (detail), 2021, Acrylic on canvas, 175 × 175 cm

Philippe Decrauzat, *supreme indifference (gris de Payne)*, 2021, Acrylic on canvas, 175 × 192 cm

Philippe Decrauzat, *supreme indifference (gris de Payne)* (detail), 2021, Acrylic on canvas, 175 × 192 cm

Philippe Decrauzat, *something that stands for what it is not (anthracite)*, 2021, Acrylic on canvas, 175 × 175 cm

Philippe Decrauzat, *something that stands for what it is not (anthracite)* (detail), 2021, Acrylic on canvas, 175 × 175 cm

2022

Rochelle Feinstein, You Again, Galerie Francesca Pia, Zurich
A six venue exhibition at Bridget Donahue, New York; Candice Madey, New York; Nina Johnson, Miami;
Francesca Pia, Zurich; Campoli Presti, Paris; Hannah Hoffman, Los Angeles
February 11 – April 2, 2022

Press release