2022
Alvin Baltrop, Wade Guyton, Heimo Zobernig
June 3 – July 23, 2022
Installation view, Alvin Baltrop, Wade Guyton, Heimo Zobernig, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Heimo Zobernig, Ohne Titel (HZ 2012-090), 2012, Pressboard, 137.5 x 137.5 x 66 cm
Installation view, Alvin Baltrop, Wade Guyton, Heimo Zobernig, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Wade Guyton, Untitled, 2020, Epson UltraChrome HDX inkjet on linen, 91.4 x 68.6 cm
Alvin Baltrop, The Piers (exterior with two figures), n.d. (1975–1986), Silver gelatin print, 11.4 x 17.1 cm
Installation view, Alvin Baltrop, Wade Guyton, Heimo Zobernig, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Installation view, Alvin Baltrop, Wade Guyton, Heimo Zobernig, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Heimo Zobernig, Ohne Titel (HZ 2012-122), 2012, Acrylic, Kriptonite, Polyester, Steel, 182 x 50 x 62 cm
Heimo Zobernig, Ohne Titel (HZ 1988-025), 1988, Dispersion, Pressspan, 120 x 60 x 60 cm
Installation view, Alvin Baltrop, Wade Guyton, Heimo Zobernig, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Installation view, Alvin Baltrop, Wade Guyton, Heimo Zobernig, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Alvin Baltrop, The Piers (man leaning), n.d. (1975–1986), Silver gelatin print, 25.4 x 20.2 cm
Installation view, Alvin Baltrop, Wade Guyton, Heimo Zobernig, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Installation view, Alvin Baltrop, Wade Guyton, Heimo Zobernig, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Installation view, Alvin Baltrop, Wade Guyton, Heimo Zobernig, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Installation view, Alvin Baltrop, Wade Guyton, Heimo Zobernig, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Heimo Zobernig, Ohne Titel (HZ 1988-025), 1988, Dispersion, pressboard, 120 x 60 x 60 cm
Installation view, Alvin Baltrop, Wade Guyton, Heimo Zobernig, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Installation view, Alvin Baltrop, Wade Guyton, Heimo Zobernig, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Installation view, Alvin Baltrop, Wade Guyton, Heimo Zobernig, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Heimo Zobernig, Ohne Titel (HZ1988-016), 1988, Pigment, foam, 10 x 200 x 100 cm
Installation view, Alvin Baltrop, Wade Guyton, Heimo Zobernig, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Alvin Baltrop, The Piers (body under cloth), n.d. (1975–1986), Silver gelatin print, 17.8 x 11.4 cm
Alvin Baltrop, The Piers (exterior with two figures), n.d. (1975–1986), Silver gelatin print, 20.3 x 25.4 cm
Alvin Baltrop, The Piers (exterior view), n.d. (1975–1986), Silver gelatin print, 11.3 x 17.7 cm
Alvin Baltrop, The Piers (man lying in room), n.d. (1975–1986), Silver gelatin print, 11.4 x 20 cm
Alvin Baltrop, The Piers (exterior with two figures), n.d. (1975–1986), Silver gelatin print, 18.4 x 11.4 cm
Alvin Baltrop, The Piers (man looking in window), n.d. (1975–1986), Silver gelatin print, 25.5 x 20.5 cm
Installation view, Alvin Baltrop, Wade Guyton, Heimo Zobernig, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
2022
Philippe Decrauzat, No Journey Ends
April 9 – May 21, 2022
Installation view, Philippe Decrauzat, No Journey Ends, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Installation view, Philippe Decrauzat, No Journey Ends, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Philippe Decrauzat, no journey ends, 2022, Acrylic on canvas, 175 × 175 cm
Philippe Decrauzat, no journey ends (detail), 2022, Acrylic on canvas, 175 × 175 cm
Philippe Decrauzat, no journey ends (detail), 2022, Acrylic on canvas, 175 × 175 cm
Philippe Decrauzat, returned (indigo), 2022, Acrylic on canvas, 128 × 128 cm
Philippe Decrauzat, returned (indigo) (detail), 2022, Acrylic on canvas, 128 × 128 cm
Installation view, Philippe Decrauzat, No Journey Ends, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Installation view, Philippe Decrauzat, No Journey Ends, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Philippe Decrauzat, Take On / No Take, 2017, 16mm black-and-white film, mirror, motor, loop
Installation view, Philippe Decrauzat, No Journey Ends, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Installation view, Philippe Decrauzat, No Journey Ends, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Installation view, Philippe Decrauzat, No Journey Ends, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Installation view, Philippe Decrauzat, No Journey Ends, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Installation view, Philippe Decrauzat, No Journey Ends, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Installation view, Philippe Decrauzat, No Journey Ends, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Installation view, Philippe Decrauzat, No Journey Ends, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Installation view, Philippe Decrauzat, No Journey Ends, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Philippe Decrauzat, a closed placed (carbon black), 2021, Acrylic on canvas, 175 × 175 cm
Philippe Decrauzat, a closed placed (carbon black) (detail), 2021, Acrylic on canvas, 175 × 175 cm
Installation view, Philippe Decrauzat, No Journey Ends, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Philippe Decrauzat, supreme indifference (gris de Payne), 2021, Acrylic on canvas, 175 × 192 cm
Philippe Decrauzat, supreme indifference (gris de Payne) (detail), 2021, Acrylic on canvas, 175 × 192 cm
Installation view, Philippe Decrauzat, No Journey Ends, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Installation view, Philippe Decrauzat, No Journey Ends, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Philippe Decrauzat, something that stands for what it is not (anthracite), 2021, Acrylic on canvas, 175 × 175 cm
Philippe Decrauzat, something that stands for what it is not (anthracite) (detail), 2021, Acrylic on canvas, 175 × 175 cm
Philippe Decrauzat, something that stands for what it is not (anthracite) (detail), 2021, Acrylic on canvas, 175 × 175 cm
2022
Rochelle Feinstein, You Again, Galerie Francesca Pia, Zurich
A six venue exhibition at Bridget Donahue, New York; Candice Madey, New York; Nina Johnson, Miami;
Francesca Pia, Zurich; Campoli Presti, Paris; Hannah Hoffman, Los Angeles
February 11 – April 2, 2022
Installation view, Rochelle Feinstein, You Again, Galerie Francesca Pia, Zurich, 2022. Photo: Annik Wetter
Rochelle Feinstein, We Love You, 2004, Oil, aluminum paint on canvas, 121.9 x 162.6 cm / 48 x 64 in.
Installation view, Rochelle Feinstein, You Again, Galerie Francesca Pia, Zurich, 2022. Photo: Annik Wetter
Rochelle Feinstein, Love is Over, 2008, Silkscreen glass ink, mirror on canvas board, framed, 122 x 104 cm / 48 x 41 in.
Installation view, Rochelle Feinstein, You Again, Galerie Francesca Pia, Zurich, 2022. Photo: Annik Wetter
Rochelle Feinstein, Plein Air VII, 2021, Gold, aluminum leaf on dropcloth, 274.32 x 335.28 cm / 108 x 132 in.
Rochelle Feinstein, Love is Over, 2008, Mirror on masonite board, styrofoam bricks, 2 parts, 123.2 x 95.3 cm
Installation view, Rochelle Feinstein, You Again, Galerie Francesca Pia, Zurich, 2022. Photo: Annik Wetter
Rochelle Feinstein, Shag, 2021, UV print on Dibond, 152.4 x 147.3 cm / 60 x 58 in.
Rochelle Feinstein, iTouch, 2021, UV print on canvas, 152.4 x 147.3 cm / 60 x 58 in.
Installation view, Rochelle Feinstein, You Again, Galerie Francesca Pia, Zurich, 2022. Photo: Annik Wetter
Installation view, Rochelle Feinstein, You Again, Galerie Francesca Pia, Zurich, 2022. Photo: Annik Wetter
Rochelle Feinstein, Boo Fucking Hoo & Ball and Chain, 2009, Gold and aluminum leaf, oil on canvas, 2-inch disco ball, rotating display, thread, battery, 188 x 200.7 cm / 74 x 79 in.
Installation view, Rochelle Feinstein, You Again, Galerie Francesca Pia, Zurich, 2022. Photo: Annik Wetter
Rochelle Feinstein, Analog restrospective. 1992–2008, 2012, 80 diapositive slides, Kodak Ektagraphic projector, 5 min., loop, 19 x 33 x 27.9 cm
Installation view, Rochelle Feinstein, You Again, Galerie Francesca Pia, Zurich, 2022. Photo: Annik Wetter
Installation view, Rochelle Feinstein, You Again, Galerie Francesca Pia, Zurich, 2022. Photo: Annik Wetter
Installation view, Rochelle Feinstein, You Again, Galerie Francesca Pia, Zurich, 2022. Photo: Annik Wetter
Rochelle Feinstein, Wonderful Weather, 2021, Oil on birch veneer, 83.8 x 83.8 cm / 33 x 33 in.
Rochelle Feinstein, Think, 1991, Oil relief prints on canvas, 106.7 x 106.7 cm / 42 x 42 in.
Rochelle Feinstein, Pick Pick Pick, 1993, Paper, oil and acrylic on canvas, 106.7 x 106.7 cm / 42 x 42 in.
Rochelle Feinstein, Wonderful Vacation, 1994, Oil on canvas, 83.3 x 83.3 cm / 33 x 33 in.
Rochelle Feinstein, Pinky, 1991, Oil on canvas, 106.7 x 106.7 cm / 42 x 42 in.
Rochelle Feinstein, Face Value, 1993, Oil, tape on canvas, 106.7 x 106.7 cm / 42 x 42 in.
Rochelle Feinstein, Wonderful Sex, 1992, Oil, fabric, printed dish towel on canvas, 83.8 x 83.8 cm / 33 x 33 in.
Rochelle Feinstein, Wonderful View, 1995, Oil on canvas, 83.8 x 83.8 / 33 x 33 in.
2021
Hans-Peter Feldmann
November 13, 2021 – February 5, 2022
Installation view, Hans-Peter Feldmann, Galerie Francesca Pia, Zurich, 2021. Photo: Annik Wetter
Hans-Peter Feldmann, Mokkatassen, 1990s, 18 different ceramic mocha cups, 18 ceramic saucers, variable dimensions, each approx. 12 x 12 x 6 cm
Hans-Peter Feldmann, Fotos Autoradio, "Photos von Autoradios als schöne Musik spielte", 6 photographs, 58 x 85 cm
Installation view, Hans-Peter Feldmann, Galerie Francesca Pia, Zurich, 2021. Photo: Annik Wetter
Hans-Peter Feldmann, Family, 2000s, Oil painting on canvas, triptych, frames, each 45 x 38 cm
Hans-Peter Feldmann, Blumentöpfe an der Wand, 5 plastic flower pots, variable dimensions, each approx. 30 x 30 x 35 cm
Hans-Peter Feldmann, Blumentöpfe an der Wand, 5 plastic flower pots, variable dimensions, each approx. 30 x 30 x 35 cm
Installation view, Hans-Peter Feldmann, Galerie Francesca Pia, Zurich, 2021. Photo: Annik Wetter
Installation view, Hans-Peter Feldmann, Galerie Francesca Pia, Zurich, 2021. Photo: Annik Wetter
Hans-Peter Feldmann, 2 linke Schuhe, 1990s, Leather shoes, approx. 30 x 22 x 12 cm
Hans-Peter Feldmann, Kartenhaus, 1990s, Playing cards, cardboard, glitter, 44 x 39.5 x 21 cm
Hans-Peter Feldmann, Schuhe (Guess), Shoes, thumbtacks, 17 x 21 x 19 cm
Installation view, Hans-Peter Feldmann, Galerie Francesca Pia, Zurich, 2021. Photo: Annik Wetter
Hans-Peter Feldmann, Kanne mit Schatten, 1990s, Porcelaine teapot, cardboard, 13 x 29 x 20 cm
Hans-Peter Feldmann, Schachtelskulptur auf Sockel, 1990s, Cardboard boxes, 16 x 18 x 10 cm
Hans-Peter Feldmann, Zollstockhaus, 2000s, Folding rules, wire, 79 x 47 x 64 cm
Hans-Peter Feldmann, Betten, 11 b/w photographs, each 20.5 x 27 cm
Hans-Peter Feldmann, Betten, 11 b/w photographs, each 20.5 x 27 cm
Hans-Peter Feldmann, Verkehrspolizist, 2010s, Oil on canvas, 97 x 160 x 2 cm
Installation view, Hans-Peter Feldmann, Galerie Francesca Pia, Zurich, 2021. Photo: Annik Wetter
Hans-Peter Feldmann, 1 Pfund Erdbeeren, 2000s, 34 photographs, each 10 x 10 cm
Hans-Peter Feldmann, Flugzeug, 2000s, Cardboard, 136 x 60 cm
Hans-Peter Feldmann, THANK YOU, b/w print, 63 x 118 cm
Installation view, Hans-Peter Feldmann, Galerie Francesca Pia, Zurich, 2021. Photo: Annik Wetter
Installation view, Hans-Peter Feldmann, Galerie Francesca Pia, Zurich, 2021. Photo: Annik Wetter
Installation view, Hans-Peter Feldmann, Galerie Francesca Pia, Zurich, 2021. Photo: Annik Wetter
Hans-Peter Feldmann, Brotbilder, 2000s, Photographs, each 100 x 100 cm
Hans-Peter Feldmann, Saxophon mit Text, 1990s, Photograph on paper, 30.5 x 22 cm
Installation view, Hans-Peter Feldmann, Galerie Francesca Pia, Zurich, 2021. Photo: Annik Wetter
Hans-Peter Feldmann, Zeit Serie, Fensterputzerin, 1970s, 31 b/w photographs, 9 x 13 cm
Hans-Peter Feldmann, Zeit Serie, Fensterputzerin (Detail), 1970s, 31 b/w photographs, 9 x 13 cm
Hans-Peter Feldmann, Zeit Serie, Schiff auf dem Rhein, 1970s, 35 b/w photographs, 10 x 15 cm
Hans-Peter Feldmann, Zeit Serie, Schiff auf dem Rhein (Detail), 1970s, 35 b/w photographs, 10 x 15 cm
Installation view, Hans-Peter Feldmann, Galerie Francesca Pia, Zurich, 2021. Photo: Annik Wetter
Hans-Peter Feldmann, Alle Kleider einer Frau, 1970s, 70 photographs, each 9 x 8.8 cm, 87 x 118 cm
Hans-Peter Feldmann, Alle Kleider einer Frau (Detail), 1970s, 70 photographs, each 9 x 8.8 cm, 87 x 118 cm
Installation view, Hans-Peter Feldmann, Galerie Francesca Pia, Zurich, 2021. Photo: Annik Wetter
Hans-Peter Feldmann, Collage, 2000s, Collage, 103 x 74 cm
Installation view, Hans-Peter Feldmann, Galerie Francesca Pia, Zurich, 2021. Photo: Annik Wetter
Hans-Peter Feldmann, Ohne Titel, 2000s, Oil painting on canvas, frame, 60 x 51.5 cm
2021
Greg Parma Smith, Gems in the Temple
September 18 – November 6, 2021
Installation view, Greg Parma Smith, Gems in the Temple, Galerie Francesca Pia, Zurich, 2021. Photo: Annik Wetter
Installation view, Greg Parma Smith, Gems in the Temple, Galerie Francesca Pia, Zurich, 2021. Photo: Annik Wetter
Installation view, Greg Parma Smith, Gems in the Temple, Galerie Francesca Pia, Zurich, 2021. Photo: Annik Wetter
Installation view, Greg Parma Smith, Gems in the Temple, Galerie Francesca Pia, Zurich, 2021. Photo: Annik Wetter
Installation view, Greg Parma Smith, Gems in the Temple, Galerie Francesca Pia, Zurich, 2021. Photo: Annik Wetter
Installation view, Greg Parma Smith, Gems in the Temple, Galerie Francesca Pia, Zurich, 2021. Photo: Annik Wetter
Installation view, Greg Parma Smith, Gems in the Temple, Galerie Francesca Pia, Zurich, 2021. Photo: Annik Wetter
Installation view, Greg Parma Smith, Gems in the Temple, Galerie Francesca Pia, Zurich, 2021. Photo: Annik Wetter
Greg Parma Smith, Transmundane Guardian: American Pitbull in Pigment Slurry, 2021, Oil on canvas, 137.2 x 132.1 cm
Greg Parma Smith, Banner Ducks Manifesting as Inter-Spatial Membrane, 2021, Oil on canvas, 132.1 x 132.1 cm
Greg Parma Smith, Angel of the Ecliptic (Sun), 2021, Oil on canvas, 111.8 x 111.8 cm
Greg Parma Smith, Four Pigment Eggs (Life’s Covenant), 2021, Oil on canvas, 101.6 x 111.8 cm
Greg Parma Smith, Beatified Salmon in Sheer Landscape, 2021, Oil on canvas, 101.6 x 203.2 cm
Greg Parma Smith, Lunar Panel with Stellar Array, 2021, Oil on canvas, 71.1 x 71.1 cm
Greg Parma Smith, Universal Flower in Situated Lapis Lazuli Firmament, 2021, Oil on canvas, 71.1 x 55.9 cm
Greg Parma Smith, Universal Flower in Situated Rose Mineral Firmament, 2021, Oil on canvas, 71.1 x 55.9 cm
Greg Parma Smith, Universal Flower in Situated Cerulean Mineral Firmament, 2021, Oil on canvas, 71.1 x 55.9 cm
2021
This city Is
Jenna Bliss, Hans-Christian Lotz, Alan Michael, Sam Pulitzer, Gili Tal
June 12 – September 11, 2021
Installation view, This city Is, Galerie Francesca Pia, Zurich, 2021. Photo: Flavio Karrer
Sam Pulitzer, dashed with sarcasm, a scarlet standard threshold, 2019, Acrylic lacquer on wood, 215 × 97 × 12 cm
Alan Michael, Syn, 2015, Oil on canvas, 152 × 105 cm
Installation view, This city Is, Galerie Francesca Pia, Zurich, 2021. Photo: Flavio Karrer
Alan Michael, Present Day, 2016, Oil on canvas, 105 × 75 cm
Installation view, This city Is, Galerie Francesca Pia, Zurich, 2021. Photo: Flavio Karrer
Installation view, This city Is, Galerie Francesca Pia, Zurich, 2021. Photo: Flavio Karrer
Alan Michael, Generalized Secrecy, 2012, Oil on canvas, 101 × 152 cm
Installation view, This city Is, Galerie Francesca Pia, Zurich, 2021. Photo: Flavio Karrer
Gili Tal, Windows (Winter), 2021, UV print on canvas and blackout material, 160 × 150 × 25 cm
Installation view, This city Is, Galerie Francesca Pia, Zurich, 2021. Photo: Flavio Karrer
Installation view, This city Is, Galerie Francesca Pia, Zurich, 2021. Photo: Flavio Karrer
Sam Pulitzer, arbeit sans phrase, 2021, Metal, screen printing fire enameled, 59 × 75 cm
Sam Pulitzer, Under Erasure for Illustrative Purposes, 2021, Metal, screen printing fire enameled, 59 × 75 cm
Alan Michael, The Self is a Process, 2010, Oil on canvas, 101 × 76 cm
Installation view, This city Is, Galerie Francesca Pia, Zurich, 2021. Photo: Flavio Karrer
Installation view, This city Is, Galerie Francesca Pia, Zurich, 2021. Photo: Flavio Karrer
Hans-Christian Lotz, Untitled, 2021, Aluminum, acrylglass, 124 × 76 × 10 cm
Hans-Christian Lotz, Untitled, 2021, Aluminum, acrylglass, 124 × 76 × 10 cm
Hans-Christian Lotz, Scale, 2014, Mixed media, 30 × 40 cm
Installation view, This city Is, Galerie Francesca Pia, Zurich, 2021. Photo: Flavio Karrer
Jenna Bliss, Tribute In Light #3, 2021, Silver gelatin prints, scratched and exposed super8mm reversal film, 25.6 × 20.2 cm
Jenna Bliss, New York New York, 2019, Super8mm film, transfered to video, 01:38 min. looped
Jenna Bliss, Tribute In Light #6, 2021, Silver gelatin prints, scratched and exposed super8mm reversal film, 25.6 × 20.2 cm
Jenna Bliss, Tribute In Light #4, 2021, Silver gelatin prints, scratched and exposed super8mm reversal film, 25.6 × 20.2 cm
Installation view, This city Is, Galerie Francesca Pia, Zurich, 2021. Photo: Flavio Karrer
Gili Tal, Spaces for Reflection, 2019, Lazertran and varnish on canvas, 170 × 120 cm
2021
Isabelle Cornaro
March 27 – June 5, 2021
Installation view, Isabelle Cornaro, Galerie Francesca Pia, Zurich, 2021. Photo: Annik Wetter
Isabelle Cornaro, Streams II (#11, Aluminum), 2019, Resin and aluminum powder, 23 x 23 x 4 cm
Installation view, Isabelle Cornaro, Galerie Francesca Pia, Zurich, 2021. Photo: Annik Wetter
Isabelle Cornaro, Streams II (#8, Aluminum), 2019, Resin with aluminum powder, 200 x 22.5 x 11.5 cm
Isabelle Cornaro, Streams II (#8, Aluminum), 2019, Resin with aluminum powder, 200 x 22.5 x 11.5 cm
Isabelle Cornaro, Streams II (#5, Aluminum), 2019, Resin with aluminum powder, 140 x 22.5 x 11.5 cm
Isabelle Cornaro, Streams II (#1, Aluminum), 2019, Resin with aluminum powder, 269.5 x 22.5 x 11.5 cm
Isabelle Cornaro, Streams II (#1, Aluminum), 2019, Resin with aluminum powder, 269.5 x 22.5 x 11.5 cm
Isabelle Cornaro, Streams II (#1, Aluminum), 2019, Resin with aluminum powder, 269.5 x 22.5 x 11.5 cm
Isabelle Cornaro, Streams II (#6, Aluminum), 2019, Resin with aluminum powder, 116.5 x 22.5 x 11.5 cm
Installation view, Isabelle Cornaro, Galerie Francesca Pia, Zurich, 2021. Photo: Annik Wetter
Installation view, Isabelle Cornaro, Galerie Francesca Pia, Zurich, 2021. Photo: Annik Wetter
Installation view, Isabelle Cornaro, Galerie Francesca Pia, Zurich, 2021. Photo: Annik Wetter
Isabelle Cornaro, Shimmers (film still), 2017, 16 mm film transferred to digital, color, silent, 16/9, 1:25 min
Isabelle Cornaro, Accumulation (film still), 2020, 16 mm film transferred to digital, color, silent, 16/9, 2:28 min
Isabelle Cornaro, Transient (film still), 2020, 16 mm film transferred to digital, color, silent, 16/9, 1:18 min
Installation view, Isabelle Cornaro, Galerie Francesca Pia, Zurich, 2021. Photo: Annik Wetter
Installation view, Isabelle Cornaro, Galerie Francesca Pia, Zurich, 2021. Photo: Annik Wetter
2021
Hollis Frampton
March 27 – June 5, 2021
Installation view, Hollis Frampton, Galerie Francesca Pia, Zurich, 2021. Photo: Annik Wetter
Installation view, Hollis Frampton, Galerie Francesca Pia, Zurich, 2021. Photo: Annik Wetter
Installation view, Hollis Frampton, Galerie Francesca Pia, Zurich, 2021. Photo: Annik Wetter
Installation view, Hollis Frampton, Galerie Francesca Pia, Zurich, 2021. Photo: Annik Wetter
Installation view, Hollis Frampton, Galerie Francesca Pia, Zurich, 2021. Photo: Annik Wetter
Hollis Frampton, ADSVMVS ABSVMVS (II. JELLY), 1982, Ektacolor photograph, 50.8 x 40.6 cm
Hollis Frampton, ADSVMVS ABSVMVS (II. JELLY), 1982, Ektacolor photograph, 40.6 x 50.8 cm
Hollis Frampton, ADSVMVS ABSVMVS (III. CUTTLEFISH), 1982, Ektacolor photograph, 40.6 x 50.8 cm
Hollis Frampton, ADSVMVS ABSVMVS (IV. CHIMÆRA), 1982, Ektacolor photograph, 50.8 x 40.6 cm
Hollis Frampton, ADSVMVS ABSVMVS (V. LOTUS), 1982, Ektacolor photograph, 50.8 x 40.6 cm
Hollis Frampton, ADSVMVS ABSVMVS (VI. MIDSHIPMAN), 1982, Ektacolor photograph, 40.6 x 50.8 cm
Hollis Frampton, ADSVMVS ABSVMVS (VII. OYSTER SHELL), 1982, Ektacolor photograph, 50.8 x 40.6 cm
Hollis Frampton, ADSVMVS ABSVMVS (VIII. COMMON GARTER and EASTERN COACHWHIP), 1982, Ektacolor photograph, 40.6 x 50.8 cm
Hollis Frampton, ADSVMVS ABSVMVS (IX. GARDEN TOAD), 1982, Ektacolor photograph, 40.6 x 50.8 cm
Hollis Frampton, ADSVMVS ABSVMVS (X. PEPPER), 1982, Ektacolor photograph, 50.8 x 40.6 cm
Hollis Frampton, ADSVMVS ABSVMVS (XII. MOURNING DOVE), 1982, Ektacolor photograph, 40.6 x 50.8 cm
Hollis Frampton, ADSVMVS ABSVMVS (XI. GRASS FROG), 1982, Ektacolor photograph, 50.8 x 40.6 cm
Hollis Frampton, ADSVMVS ABSVMVS (XIII. BROWN RAT), 1982, Ektacolor photograph, 50.8 x 40.6 cm
Hollis Frampton, ADSVMVS ABSVMVS (XIV. ROSE), 1982, Ektacolor photograph, 50.8 x 40.6 cm
Installation view, Hollis Frampton, Galerie Francesca Pia, Zurich, 2021. Photo: Annik Wetter
Installation view, Hollis Frampton, Galerie Francesca Pia, Zurich, 2021. Photo: Annik Wetter
Installation view, Hollis Frampton, Galerie Francesca Pia, Zurich, 2021. Photo: Annik Wetter
Hollis Frampton, Black & white spaghetti, 1964, Black & white photograph, 27.9 x 35.6 cm
Installation view, Hollis Frampton, Galerie Francesca Pia, Zurich, 2021. Photo: Annik Wetter
Marion Faller and Hollis Frampton, Rites of Passage (Empty cake), 1983/84, Gelatin silver print, 35.6 x 27.9 cm
Marion Faller and Hollis Frampton, Rites of Passage (Stork/Birth), 1983/84, Gelatin silver print, 35.6 x 27.9 cm
Marion Faller and Hollis Frampton, Rites of Passage (Car), 1983/84, Gelatin silver print, 35.6 x 27.9 cm
Marion Faller and Hollis Frampton, Rites of Passage (Marriage), 1983/84, Gelatin silver print, 35.6 x 27.9 cm
Marion Faller and Hollis Frampton, Rites of Passage (To War), 1983/84, Gelatin silver print, 35.6 x 27.9 cm
Marion Faller and Hollis Frampton, Rites of Passage (Return/Peace), 1983/84, Gelatin silver print, 35.6 x 27.9 cm
Marion Faller and Hollis Frampton, Rites of Passage (Retirement), 1983/84, Gelatin silver print, 35.6 x 27.9 cm
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