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Bibliography (selection)

Andrea Scott, Goings On About Town, Virginia Overton: Built, in: The New Yorker, September 3, 2018, p. 10.

Uma Nair, Frieze Sculpture 2018: Experiments across architectural ideas, in: Architectural Digest, July 24, 2018.

Victoria Zunitch, The natural and the industrial meet at Socrates, in: Queens Chronical: qboro Arts, July 19, 2018.

Sydney Franklin, Virginia Overton’s site-specific work at Socrates Sculpture Park rethinks raw construction materials, in: The Architects Newspaper, July 11, 2018.

Javier Pes, Here Are the Top 5 Highlights of Frieze Sculpture 2018, in: Artnet, July 4, 2018.

Ivy Olesen and Victoria Stapley-Brown, Ten public art works to see for free around New York this summer, in: The Art Newspaper, July 2, 2018.

Nadja Sayej, The Best in US Public Art this Summer, in: The Guardian, June 11, 2018.

Kat Herriman, Virginia Overton Reveals the Natural Beauty of Socrates Sculpture Park, in: Cultured Magazine, June 11, 2018.

Merle Exit, Transforming junk to art at Socrates Sculpture Park, in: The Times Ledger, June 10, 2018.

Daniel McDermon, 8 Outdoor Art Installations in New York to Get Excited About., in: The New York Times, May 25, 2018.

Steven Litt, FRONT announces 3 new public art installations for downtown and University Circle, in:, May 18, 2018.

Five Outdoor Exhibitions Not To Miss In New York, in: Cultured Magazine, Spring 2018.

The Twenty Five; Build It And They Will Come: Virginia Overton at Socrates Sculpture Park, in: Cultured Magazine, Spring 2018, p. 74.

Scott Lynch, Virginia Overton’s Socrates Sculpture Park Takeover Includes Pair Of Repurposed Pickups., in: Gothamist, May 7, 2018.

David Matorin, Motoko Fukuyama / Virginia Overton, in: Art Papers, Spring 2018.

Scott Indrisek, The Artist Who Conjures Beauty from Refuse and Rust, in: Artsy, April 19, 2018.

Juliet Helmke, The Best Public Art Opening in New York City This Spring, in: Observer, March 20, 2018.

Sarah Cascone, 28 Public Artworks to See in New York This Spring, in: Artnet, March 23, 2018.

Mary Clarke, A Radical Book and Music Store Takes Over a Chinatown Gallery, in: Garage, Vice, January 24, 2018.


Peter Coffin, Imaginary Concerts, Anthology Editions and Printed Matter Press, New York, 2017, p. 107.

Katy Donoghue, Seven Female Artists Confront Minimalism in ‘Escape Attempts’, Whitewall Magazine, March 10, 2017.

Hyunjee Nicole Kim, Toward a ‘Herstory’ of Minimalism, Hyperallergic, March 15, 2017.

Chris Hampton, In Detroit, Artists Explore the Riches of the 99-Cent Store, New York Times, June 28, 2017.

Riches of the Dollar Store, New York Times, June 29, 2017, pp. C1, C5.

Margaret Regan, MOCA Metamorphosis, Tucson Weekly, June 29, 2017.

Sarah Rose Sharp, A Dollar-Store Art Show Shortchanges Its Viewers, Hyperallergic, June 23, 2017.

Michael Slenske, Female Artist Turn Minimalism on its Head at Shulamit Nazarian’s New Hollywood Gallery, Wallpaper*, February 21, 2017.

In Shulamit Nazarian’s New LA Gallery, Radical Artists and Curators Are Making Noise, Wallpaper*, May 2017.

Monica Westin, David Ireland and Virginia Overton, Artforum, March 2017.


10 to See: 4 Virginia Overton, White Cube, Bermondsey, Aesthetica Magazine, August–September 2016.

Art Basel 2016: ‘Parcours’ Installation Highlights Around the City, Yahoo! Singapore, June 14, 2016.

Art Basel 2016 Reports Buoyant Sales to International Private Collections and Institutions, ArtLyst, June 20, 2016.

Art Basel Explored – Artlyst Survives Day Two of Miami Art Week, Artlyst, December 1, 2016.

Art Basel Questionnaire: Virginia Overton, Untitled, 2016, ArtReview, June 14, 2016.

Art Basel will unsicheren Zeiten auf trotzen, Tagblatt, June 14, 2016.

Art Basel will unsicheren Zeiten trotzen, Liechtensteiner Vaterland, June 14, 2016.

Artwork at Coal Creek Farm in Cumberland County, Knoxville News Sentinel, October 18, 2016.

Balance Act at Aldrich, The Ridgefield Press, August 24, 2016.

Eight Gallery Shows to See During London’s Frieze Week, Artlead, October 7, 2016.

Exhibition – Virginia Overton, Best of Connecticut, December 19, 2016.

Datebook: Virginia Overton at White Cube, Bermondsey, Blouin ArtInfo, October 5, 2016.

How to Deconstruct a Pick-up Truck, The Art Newspaper, June 14, 2016, p. 6.

Storytelling and Bonfires with Virginia Overton, Connecticut Post, October 25, 2016.

Summer 2016 Art Exhibitions Not to Be Missed: Virginia Overton, Visit, June 6, 2016.

Virginia Overton at the Whitney Museum, Contemporary Art Daily, September 21, 2016.

Virginia Overton at White Cube Bermondsey, Afasia Archzine, October 16, 2016.

Virginia Overton White Cube,, October 7, 2016.

Virginia Overton’s ‘Winter Garden’ at Whitney Museum of American Art, Blouin ArtInfo, December 20, 2016.

Weltmesse Art Basel setzt in unsicheren Zeiten auf Qualität, Hoefner Volksblatt, June 14, 2016.

West Bund Art Fair Kicks Off in Shanghai, Attracts Strong International Presence,, November 11, 2016.

White Cube Opens Exhibition Featuring Scupture and a Large-Scale Installation by Virginia Overton,, October 1, 2016.

The Work of Virginia Overton on View at The Aldrich Contemporary Art Museum,, July 18, 2016.

Steve Ahillen, Coal Creek Grows Art on the Farm, Knoxville News Sentinel, October 23, 2016, pp. 1D, 12D.

Sabine Altorfer, Ein Kunstfest. So popular wie exklusiv, Grenchner Tagblatt, June 14, 2016.

Ein Kunstfest. So popular wie exklusiv, Aargauer Zeitung, June 15, 2016.

Ein Kunstfest. So popular wie exklusiv, Oltner Tagblatt, June 15, 2016.

Carlotta Loverini Botta, After Frieze: Le Scelte dei Curatori, Vogue Italia, October 7, 2016.

Charlotte Boutboul, What Exhibitions to See During Frieze Next Week, Whitewall, September, 29, 2016.

Laurie Brookins, Chloe Sevigny, Tavi Gevinson Discuss Met Gala, Art at Chanel’s Tribeca Dinner, Hollywood Reporter, April 19, 2016.

Angela Brown, Look, Look Again: Bortolami Group Show Considers the Art of Close, Careful Viewing, Art News, December 22, 2016.

Sarah Cascone, Here’s the Full List of Parcours Projects at Art Basel, Artnet News, May 20, 2016.

Paul D’Agostino, Summer Museum Preview, Brooklyn Magazine, May 31, 2016.

Michelle Falkenstein, Rats on Main Street? Don’t Scream, They’re Art, New York Times, July 10, 2016, p. CT8.

Nicholas Forrest, Sneak Peek: What to Expect at Art Basel in Basel 2016, Blouin ArtInfo, May 26, 2016.

Jeremy Gerard, ’Dean’, ‘Juncton 48’ and ‘Do Not Resist Take Top Honors at Tribeca Film Festival, Deadline Hollywood, April 21, 2016.

Janis Gibson, New Aldrich Show Engages Community, Stratford Star, April 29, 2016, pp. 1B, 4B.

Blake Gopnik, Virginia Overton: Forward to the Past, Artnet News, August 19, 2016.

Susan Hodara, How to Put a Museum Exhibition Together (Hint: Start with Cash), New York Times (online edition), August 26, 2016.

Unseen Ingredients: Cash, and Lots of Time, New York Times, August 28, 2016, p. WE9.

Jeremy Kay, ’Dean’, ‘Juncton 48’ Win at Tribeca, Screen Daily, April 21, 2016.

Isabella Mason, Michel François’ ‘Instant Gratification’ at Bortolami Gallery, New York, Blouin ArtInfo, November 14, 2016.

Carol McColgin, Friday Fleurs: Chanel’s Tribeca Film Festival Artists Dinner, Hollywood Reporter, April 22, 2016.

Tom McDonough, Common Places Ready Made, Matt Keegan, OR, New York and Stavenger, Norway: Inventory Press and Rogaland Kunstsenter, 2016, p. 53.

Kevin McGarry, 7 Standout Artists From Art Basel, Vogue, June 20, 2016.

Allison Meier, Wind Turbines Sustain an Aquatic Garden on a Whitney Museum Terrace, Hyperallergic, July 6, 2016.

Meredith Mendelsohn, 7 Getaway Shows to Visit from New York, Artsy, August 8, 2016.

Susanna Petrin, Die Neuentdeckung der Heimat über die Welt der Kunst, Grenchner Tagblatt, June 15, 2016.

Robin Pogrebin, A Curator’s Swift Ascendance at the Whitney’s Hierachy, New York Times, May 3, 2016, p. C1.

Inside Art: At Art Basel, Upbeat Dealers Exult Over Brisk Sales, New York Times, June 17, 2016, p. C20.

Elli Resvanis, Virginia Overton, This is Tomorrow, October 11, 2016.

Michele Robecchi, Virginia Overton White Cube London, Flash Art Online, October 31, 2016.

Barry Samaha, Common, Karlie Kloss, Brandon Maxwell and More Gather at the Whitney Art Party 2016,, November 16, 2016.

Claire Voon, The Art World Called It: Greenery Is Pantone’s Color of the Year, Hyperallergic, December 9, 2016.

Kendra Wilson, NYC Weekend: Lily Pads and Rooftops Ponds at the Whitney

Museum, Gardenista, July 22, 2014.


Over & Under, New Yorker, July 22, 2015.

Virginia Overton First UK Show at White Cube Mason’s Yard, Artlyst, January 21, 2015.

Virginia Overton, Freymond-Guth Fine Arts, Afasia Archzine, October 15, 2015.

E. Baker, London–Virginia Overton at White Cube Mason’s Yard Through March 14, 2015, ArtObserved, February 27, 2015.

Paul Black, Virginia Overton, White Cube Mason’s Yard—The Concrete Poetry of Language, Artlyst, January 26, 2015.

Dwayne Butcher, Virginia Overton and Greely Myatt Know Each Other, Bmore Art, March 5, 2015.

Herriman, Kat. Natural Selection, W Magazine, January 16, 2015.

Sarah Hotchkiss, Falling Under the Spell at CAPITAL, KQED Arts, February 11, 2015.

Mike Mitchell, Maplewood Students Collaborate with Harvard Class on Book Project, Children First: News from Metro Nashville Public Schools, February 2, 2015.

Sam Moyer, Virginia Overton: The Ice Trick, (French title: Trompeuse simplicité), L’Officiel Art, December/January/February 2015/2016, pp. 112–121.

Amy Mutza, Review: Touch the Spindle at Capital Gallery, Rogue/Rave, March 14, 2015.

Kostas Prapoglou, Virginia Overton: White Cube, Mason’s Yard, The Seen: Chicago’s International Online Journal of Contemporary & Modern Art, March 13, 2015.

Eva Scherly, Virginia Overton: Not Just an Observer…, Wall Street International Magazine, April 14, 2015.


The Five Point Weekend Escape Plan: Find Fresh Art in Memphis, New York Magazine, April 10, 2014.

Ice Fishing, Mousse Magazine, #44, Summer 2014.

Outlooks: Virginia Overton, Museum & Gallery Listings for Nov. 14–20, New York Times, November 13, 2014.

Team of Curators Organizes Martos Gallery’s North Fork Summer Show, Hamptons Art Hub, July 11, 2014.

Virginia Overton, The Artists’ Artists, Artforum, December 2014.

Wise Buys: 50 Women Artists Worth Watching, Art+Auction, September 2014.

Jackie Bischof, A New Sculpture Sprawls in Upstate New York at Storm King: Artist Virginia Overton’s 488-Foot Brass Tube is Installed, Wall Street Journal, March 28, 2014.

Brian Boucher, Overton’s 488-Foot Tube Opens Storm King Season, Art in America, April 1, 2014.

Sarah Cascone, High Line Restaging 1971 Willoughby Sharp Show on Pier 54, Artnet, June 19, 2014.

Abbey Chase and Michael Alan Connelly, 25 Things To Do In New York This Fall, Huffington Post, August 27, 2014.

Kevin Conley, Virginia Overton’s 400 Foot Sculpture Comes to Storm King, Town & Country, May 2, 2014.

Ashton Cooper, 14 Questions for Site-Responsive Sculptor Virginia Overton, Blouin ArtInfo, April 17, 2014.

Becky Elmquist, Form It With Love: An Interview with Virginia Overton, Muse Magazine, #39.

Nate Freeman, Out Where the Better Half Summers: The Art World Makes Its Annual Hamptons Pilgrimage, GalleristNY Blog, June 2014.

Christy Gast, Virginia Overton, Miami Rail, June 2014.

Andrew M. Goldstein, 10 of the Most Outstanding Booths at Independent Projects 2014, Artspace Magazine, November 8, 2014.

Michael Groth, Seeking Harmony, Hyperallergic, May 14, 2014.

Scott Indrisek, The Definitive Top 11 Booths at Art Basel Miami Beach, Blouin ArtInfo, December 3, 2014.

Ken Johnson, Where Minimalist Meets Showy: Zhang Huan and Virginia Overton Contrast at Storm King, New York Times, August 8, 2014, p. C21.

Daniel Kunitz, ’Like a Virgin’: VI, VII, January 24–March 2, Modern Painters, May 2014, p. 109.

Zoë Lescaze, A New Art Fair Battles the Auctions With Star Power, New York, Observer, October 20, 2014, p. 46.

M.H. Miller, Here is the Exhibitor List for Independent Projects, A New Fair Debuting in New York in November, ArtNews, September 16, 2014.

Coline Milliard, See the 25 Best Booths at Art Basel 2014, Artnet, June 18, 2014.

Kara Pickman, Virginia Overton, Museum of Contemporary Art, North Miami, Flash Art, July–August–September 2014, p. 99.


Cars Help Drive Traffic to Art Basel, CBS News Miami, December 5, 2013.

Entrümpeln für Fortgeschrittene, annabelle, August 7, 2013, p. 36.

Virginia Overton, New Yorker, March 25, 2013, p. 26.

Virginia Overton in Kunsthalle Bern, SonntagsZeitung, August 25, 2013, p. 36.

Jonathan Bell, Full throttle: a fleet of supercharged art cars goes on show in Miami, Wallpaper*, December 4, 2013.

Martin Bieri, Hier geht es um mich, Der Bund, August 22, 2013, p. 34.

Dwayne Butcher, Virginia Overton is Special, artbutcher, September 23, 2013.

Kevin Conley, The Exhibitionist: Virginia Overton, Town & Country, March 29, 2013.

Neal Curley, 1-800-GO-PENSKE, In Street Trash, pp. 3–8. New York, 2013.

Kelly Crow and Mary M. Lane, Mirrors, Mirrors on the Walls of Art Basel, Wall Street Journal, June 16, 2013, p. C14.

Anne Doran, Letha Wilson, Art in America, April 2013, p. 113.

Sonja Gasser, Die verdoppelte Kunsthalle, Berner Zeitung, August 28, 2013, p. 3.

Tim Griffin, Virginia Overton, Empire State, Arte a New York oggi, pp. 146–149, Milan, Skira, 2013.

Gareth Harris, Review, Empire State, Palazzo delle Esposizioni, Rome, Financial Times, May 15, 2013.

Marshall Heyman, Salt, Sea and Sculpture Right Next Door, Wall Street Journal, August 5, 2013, p. A20.

Miciah Hussey, Rob Pruitt’s Art Awards 2013: Gallery Solo Show of the Year Nominees, Art in America, December 2013, p. 113.

Paddy Johnson, Whitney Kimball, and Corinna Kirsch, We Went to Chelsea: Blue Chip Edition, Part One, Artfcity, March 27, 2013.

Quinn Latimer, Nicola Martini, Virginia Overton, Magali Reus, Artforum, May 2013, pp. 342–43.

Zoe Lescaze, Domestic Art, New York Observer, August 19, 2013, pp. B1, B5.

Kevin McGarry, For Art Basel, Miami’s Swankiest Garage Becomes a Gallery Yet Again, T Magazine, December 3, 2013.

Dominic Molon, Place is the Space: A Building, A Decade, An Exhibition, Place is the Space, pp. 37–43, St. Louis, Contemporary Art Museum St. Louis, 2013.

Virginia Overton, Place is the Space, pp. 56–59, St. Louis, Contemporary Art Museum St. Louis, 2013.

Céline Piettre, Empire State, Brings the New York Art Scene to France, Blouin ArtInfo, November 21, 2013.

Andrew Russeth, Virginia Overton at Mitchell-Innes & Nash, GalleristNY Blog, March 19, 2013.

Virginia Overton in ‘Emergency Cheesecake’ at the Whitney, 16 Miles of String, February 4, 2013.

Charlie Schultz, High-Octane Art Fare for Miami Art Week, ArtSlant Miami blog, December 2013.

Ashley Simpson, Art Sprouts in Montauk,, August 1, 2013.

Roberta Smith, Virginia Overton, New York Times, March 22, 2013, p. C27.

Diane Solway, Walking the Line: Virginia Overton’s transformed old pick-up truck, W, March 5, 2013.

Benjamin Sutton, Virginia Overton at Mitchell-Innes & Nash, Artinfo, March 15, 2013.

Carol Vogel, An Outdoor Gallery Pops Up in Montauk, New York Times, July 29, 2013, p. C3.

Fan Zhong, Speed Freaks, W, December 2013/January 2014, p. 140.


Virginia Overton at the Power Station, Dallas, Mousse Magazine, February 2012.

We Went To Chelsea, Vol. 2, Art Fag City, April 4, 2012.

Work in Progress: Tree Hugger, V Magazine, Issue 78, Fall Preview 2012, pp. 38–39.

Christopher Bollen, Virginia Overton Cooks Up Mischief, Interview, March 2012.

Will Brand and Paddy Johnson, 5 Art Stars You Need to Know, The L Magazine, March 28–April 10, 2012, p. 25.

Ben Davis, Virginia Overton Piece for the High Line Unexpectedly Becomes Interactive, Artinfo, September 28, 2012.

Dan Duray, Virginia Overton to Make Truck Sculpture for High Line, GalleristNY Blog, August 23, 2012.

David Everrit Howe, Stop By: The Power Station, Dallas, Kaleidoscope, Issue 17, Winter 2012–13, p. 152.

Alex Gartenfeld, First Look: Virginia Overton, Art in America, April 2012, p. 33.

Will Heinrich, Sleights of Hand: Virginia Overton at the Kitchen and ‘Haitian Masters’ at Edward Thorp Gallery, GalleristNY Blog, April 6, 2012.

Vlatka Horvat, Top Along Below Inside, Lexicon of Spatial Dysfunction: Volume I. Boston: Boston University Art Gallery, 2012, pp. 37, 47, 49, 51.

Ken Johnson, Virginia Overton, New York Times, April 6, 2012, p. C28.

An Afterlife For a Sculptor, New York Times, April 27, 2012, p. C34.

Merrily Kerr, Virginia Overton, Time Out New York, April 19–25, 2012, p. 43.

Meredith Mendelsohn, Country Slicker, Modern Painters, March 2012, pp. 44–46.

Karen Rosenberg, Check Out the Gallery in the Freezer, New York Times, August 3, 2012, p. C21.

Andrew Russeth, When is a Cat Not a Cat? When It’s a Sculpture, Gallerist, NY Blog, April 10, 2012.

Tim Saltarelli, Virginia Overton, Flash Art, March–April 2012, Issue 283, p. 85.

Peter Simek, The Next Rachofsky, D, March 2012, pp. 72–74, 169–170.

Murtaza Vali, Critic’s Picks: Virginia Overton,, April 2012.


American Dreamers, W, October 2011, p. 78.

Jacob Kassay / Robert Morris / Virginia Overton, New Yorker, January 31, 2011, p. 13.

Christopher Bollen, Virginia Overton, Interview, March 2011, p. 92.

Will Brand, Jacob Kassay, Robert Morris, Virginia Overton at Mitchell-Innes & Nash, Art Fag City, January 26, 2011.

Francesca Campagnoli, Never Off, alternativi nell’anima, FOOL, September 2011, pp. 30–32.

Ivy Cooper, Review: High quality variety at White Flag, St. Louis Beacon, May 9, 2011.

Sarrita Hunn and Ryan Thayer, Impossible Vacation, Temporary Art Review, May 30, 2011.

Felicity Lunn, Virginia Overton, frieze d/e, Issue 1, Summer 2011, p. 136.

Lauren Neill Butler, Jacob Kassay, Robert Morris, and Virginia Overton,, January 2011.

Karen Rosenberg, All Nooks, Crannies, Bedrooms and Trees Are Backdrops for Art, New York Times, August 8, 2011, p. C5.


Grass Grows by Itself, Time Out New York, August 12-18, 2010, p. 37.

Virginia Overton, New Yorker, April 5, 2010, p. 14.

Virginia Overton, Greater New York 2010, MoMA PS1, New York, 2010, pp. 154-155.

Elena Bordignon, Virginia Overton: N.O. Gallery, Milano, Flash Art, November 2010, Issue 228, p. 90+.

Holland Cotter, Today I Made Nothing, New York Times, September 10, 2010, p. C26.

Tim Griffin, Today I Made Nothing, Artforum, December 2010, p. 253.

Caterina Misuraca, Virginia Overton,, September 22, 2010.


Stephanie Moisdon, Olivier Mosset: Artiste, collectionneur, biker…, Beaux Arts Magazine, December 2009, pp. 62–67.


Carol Knowles, Voices and Visions, Memphis Flyer, August 5, 2005.




99 Cents or Less, New York: Karma and Museum of Contemporary Art Detroit, 2018. Text by Elysia Borowy-Reeder. Edited by Jens Hoffmann.


A Collection of Four Exhibitions, Museum of Contemporary Art, Tucson, 2017. Texts by Anne-Marie Russell and Jocko Weyland.

Descent, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, 2017. Texts by Rizvana Bradley, Charlotte Ickes, and M. NourbeSe Philip.

Artists II, Steidl, Göttingen, Germany, 2015. Photographs by Jason Schmidt. Edited by Alix Browne and Christopher Bollen.

Virginia Overton, White Cube, London, 2015. Text by Lisa Le Feuvre.

Van Tuyckom-Taets Collection, Leo Van Tuyckom, Brussels, 2015. Edited by Erno Vroonen and Anna Wondrak.

Commissions & Public Projects, White Cube, London, 2015.

High Art: Public Art on the High Line, Skira Rizzoli Publications/Friends of the High Line, New York, 2015. Edited by Cecilia Alemani.


Curator-in-Residence Program: Season 3, September 2014–February 2014, Disjecta Contemporary Art Center, Portland, 2014.

Pistonhead: Artists Engage the Automobile, Venus Over Manhattan, New York, 2014.


Virginia Overton, 19.10.2013–12.01.2014, Westfälischer Kunstverein, Münster, 2013.

Place is the Space: A Building, A Decade, An Exhibition, Contemporary Art

Museum St. Louis, St. Louis, 2013. Text by Dominic Molon.

Rien faire et laisser rire, Galerie Rodolphe Janssen, Brussels, 2013.

Empire State, Arte a New York oggi, Skira, Milan, 2013. Text by Tim Griffin.

Street Trash, self-published, New York, 2013. Text by Neal Curley.


Deluxe, The Power Station, Dallas, 2012. Texts by Katarina Burin and Shan Overton. Interview between Mai-Thu Perret and Virginia Overton.


The 2011 Bridgehampton Biennial, Martos Gallery, New York, 2011. Text by Bob Nickas.

Impossible Vacation, White Flag Projects, St. Louis, 2011.

1107 Manhattan Avenue, Spencer Brownstone Gallery, New York, 2011.


Greater New York 2010, MoMA PS1, New York, 2010. Text.

Untitled (Milan), N.O. Gallery, Milan, 2010. Text by Howie Chen.

The W.C. #33: Looking Back: The Fifth White Columns Annual, White Columns, New York, 2010. Interview between Bob Nickas and Craig Garrett.

Run and Tell That! New Work from New York, Syracuse University Art Galleries, Syracuse, 2010.


Skytracker, Powerhouse, Memphis, 2007.


VA4398UV, self-published, New York, 2006–2007.