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Bibliography (selection)
2012Q & A with Joanne Tatham & Tom O’Sullivan, Interview, on: http://www.northernartprize.org.uk/ourblog/qa-with-joanne-tatham-tom-osullivan, October 23, 2012
2011Paul Dale, Artists talk about The Indirect Exchange of Uncertain Value exhibition, in: The List, Issue 685, Summer 2011.
2010James Clegg, Joanne Tatham & Tom O’Sullivan: Direct Serious Action Is Therefore Necessary, in: ArtReview Magazine, Issue 46, December 2010.
2009

Mona Casey interviews Joanne Tatham & Tom O’Sullivan, in: Map, Issue 19, Autumn 2009, pp. 52-57.

Jessica Lack, Artist of the week 50: Joanne Tatham & Tom O'SUllivan, on: www.guardian.co.uk, July 22, 2009. 

Does your contemplation of the situation fuck with the flow of circulation, Eastside Projects, Birmingham 2009.

2008 

Francesca Pia, Reiches Formenvokabular, in: Handelszeitung, no. 20, May 14-20, 2008, S. 99.

Claire Davies, Joanne Tatham and Tom O’Sullivan: A Charming Meaning, A Solid Meaning, A Struggling Meaning, in: The Art Book, Vol. 15, Issue 4, November 2008, pp. 34-35.

Door Ilse van Rijn, Joanne Tatham & Tom O ‚Sullivan; The This & The That of a Category Error, in: Metropolis m, December / January 2007/8, pp. 84-85.

Noemi Smolik, Joanne Tatham & Tom O’Sullivan, in: Artforum, February 2008, pp. 303-304.

Pirkko Rathgeber, Joanne Tatham & Tom O’Sullivan, in: Flash Art, January – February 2008, pp. 151.

The Great Transformation; Art and Tactical Magic, ed. by Frankfurter Kunstverin, Rotterdam 2008, pp. 224–231.

2007

Lizzie Carey-Thomas, Joanne Tatham & Tom O’Sullivan, in: Keep On Onnin’ Contemporary Art at Tate Britain, London 2007, pp. 134–135.

Polly Staple & Will Bradley, A Charming Meaning, A Solid Meaning, A Struggling Meaning, Cologne 2007, pp. 1–13 / 99–102.

Duncan McLaren, HOUSE OF ENLIGHTENMENT, in: MAP, Issue 9, Spring 2007, pp. 40–43.

Neil Mulholland, Heroin Kills; Rhetoric Works, in: Text zur Kunst, March 2007, pp. 165–167.

Sally O’Reilly, Things Fall Apart, in: Frieze, October 2007, pp. 256-261.

Eric Mangion (ed.), Half Square Half Crazy, Villa Arson, Nice, February – June 2007. 

2006

Rhetoric Works & Vanity Works & Other Works, Hunterian Museum and Art Gallery, October 08 – November 12, 2006, Glasgow 2006.

Iain Gale, Making history the modern way, in: Scotland on Sunday, Review, 22/10/06, p. 9.

Melissa Gronlund, Momentum 2006, in: frieze, Issue 103, November – December, 2006, pp. 159–160.

Annette Kierulf & Mark Sladen (eds.), Try Again. Fail Again. Fail Better, Momentum, 4th Nordic Festival of Contemporary Art, Norway 2006, pp. 128–131.

Lili Reynaud Dewar, Cynical Monuments; Anti-social Sculpture, in: Art press 2, no. 3, November – January, 2006/07, pp. 58–67. 

Polly Staple & Melissa Gronlund (eds.), Frieze Projects: Artists Commisions and Talks (2003-2005), London 2006, pp. 70–71.

Joanne Tatham & Tom O’Sullivan, Ha Ha!, in: Magnetic Promenade (and other sculpture parks), Studio Voltaire, London 2006, pp. 51–62. 

Joanne Tatham, Dum-diddle-dum-dum, dum-dum, in: Alan Michael, Stuart Shave / Modern Art, London 2006, pp. 1–7.

Martin Vincent, Joanne Tatham & Tom O’Sullivan, in: Art Monthly, no. 301, November 2006, pp. 25–26.

Lili Reynaud Dewar, Joanne Tatham et Tom O’Sullivan, in: 02, issue 36, winter 05/06, pp. 16-17 (cover).

2005

Lisa Le Feuvre & Will Bradley, Scotland & Venice. Selective memory, National Galleries of Scotland for the 51st Venice Biennale, 2005.

Robert Garnett, Tom O'Sullivan & Joanne Tatham, In: Untitled, issue 34, Spring 2005, p. 67.

Emily Pethick, Joanne Tatham & Tom O’Sullivan, Studio Voltaire, in: Artforum, February 2005.

Reynold Dewar, 76. Dossier: Tatham et O’Sullivan, in: 02, Winter 2005/2006.

Neil Mulholland, Use Your Illusions, in: Tate etc, issue 4, Summer 2005, pp. 76–81.

2004

Hit & Run, SMART project space, Amsterdam 2004 [cat.]

Will Bradley, Joanne Tatham & Tom O'Sullivan, Genesis Sculpture, Paris 2004, pp. 82–83 [cat.]

Tom Morton, Mirror, Mirror, in: Frieze, issue 87, London, November/December 2004, pp. 90–93.

Hannah Firth, Cardiff: Aint no Love in the Heart of the City, in: Circa, issue 109, October 2004, pp. 70–71.

2003

Lars Bang Larsen, HK: Joanne Thatam & Tom O’Sullivan, Glasgow 2003 [cat.]

Neil Mulholland, Leaving Glasvegas, in: Prague Biennale. Peripheries become the center, National Gallery – Veletrzni Palac, Prague 2003, pp. 250–251.

Polly Staple, 50th Venice Biennale, in: Frieze, Issue 77, London, September 2003, p. 112. 

Helen Hirsch, Magische Konstrukte und rätselhafte Dimensionen, in: Kunstbulletin, June 2003, pp. 36–37.

Neil Mulholland, This has reached the limit conditions of its own rhetoric, in: The Scotsman, 18 March 2003, pp. 2 / 12.

Jack Mottram, Joanne Tatham and Tom O'Sullivan, in: The List, 13–27 March 2003, p. 89.

Neil Mulholland, All you need to know, in: Frieze, issue 73, London, March 2003, pp. 91–92.

2002

Very Important Pictures, Kunsthalle Palazzo, Liestal 2002, pp. 28–31. [cat.]

October, Glasgow 2002, pp. 40–45 [cat.]

Will Bradley, My Head Is On Fire But My Heart Is Full Of Love, Charlottenborg Udstillingsbygning, May 08 – June 09, 2002, pp. 20–27.

Lucie McKenzie, Neil Mulholland & Andrea Kusel, The best book about pessimism I ever read, Kunstverein Braunschweig, June 26 – August 25, Braunschweig 2002.

Paul Usherwood, All you need to know, in: Art Monthly, Issue 262, December 2002, pp. 24–25.

Sally O’Reilly, Joanne Tatham and Tom O'Sullivan, in: Art Monthly, issue 260, October 2002, pp. 31–32.

Martin Herbert, Joanne Tatham and Tom O'Sullivan, in: Time Out, September 25 – October 02, 2002, p. 58.

Neil Mulholland, Learning from Glasvegas: Scottish Art after 'the 90', in: Journal of the Scottish Society for Art History, Vol. 7, 2002, pp. 61–70.

Rob Tufnell, Joanne Tatham & Tom O'Sullivan, in: Untitled, Spring 2002, pp. 30–31.

Neil Mulholland, Joanne Tatham and Tom O'Sullivan, in: Flash Art, March/April 2002, pp. 106–107.

Neil Mulholland, The Luxury Gap, in: Flash Art, January/February 2002, pp. 54–55.

Neil Mulholland, Here + Now: Scottish Art 1990–2001, in: Frieze, Issue 63, London, January 2002, p. 105.

2001

Here + Now, McManus Gallery, Dundee 2001, pp. 124–125 [cat.].

Joanne Tatham and Tom O’Sullivan interviewed by Will Bradley, in: Berlin Biennale 2, April 20 – June 20, 2001, Cologne 2001, pp. 245–246. 

Will Bradley, Joanne Tatham & Tom O’Sullivan, The Glamour, May 20 – June 24, 2000, Glasgow 2001.

Elisabeth Mahoney, HK, in: The Guardian, London, 22.12.2001, p. 19.

Sarah Lowndes, HK: Joanne Tatham and Tom O'Sullivan, in: The List, Issue 431, p. 48.

Graham Sutherland, A question of heroin chic, in: Sunday Herald, 16.12.2001, p. 9.

Neil Cameron, Beyond the obvious, in: The Scotsman, 27.11.2001, p. 10.

Moira Jeffrey, Staggering message writ large, in: The Herald, 23.11.2001, p. 19.

Dominic Eichler, Berlin Biennale 2, in: Frieze, Issue 61, September 2001, p. 103.

Lars Bang Larsen, Berlin Biennale, in: Art Forum, New York, September 2001, pp. 203–204.

John Beagles, Then there is no mountain then there is, in: The List, Issue 404, 5–18 January, 2001, p. 77.

2000

Evolution Isn’t Over Yet, Fruitmarket Gallery, Edinburgh, May 20 – July 02, 2000, Edinburgh 2000.

Cathy Wilkes, in: Avalon, The Changing Room, Stirling 2000 [cat.].

Rob Tufnell, Joanne Tatham and Tom O'Sullivan, in: Frieze, Issue 55, November/December 2000, p. 118.

Jack Mottram, Joanne Tatham and Tom O'Sullivan, in: The List, June 2000.

Rob Tufnell, Avalon, in: Make, Issue 88, June 2000, p. 34.

David Burrows, Evolution isn’t over yet, in: Art Monthly, Issue 221, June 1999, pp. 31–34.

Sarah Tripp, Reviews: Scotland, in: Circa, Issue 88, Summer 1999, pp. 58–59.

1999Evolution Isn’t Over Yet, in: Art Monthly, June 1999.  
1998

Add Night To Night, The Showroom, London, April 29 – May 31, 1998, London 1998.

Will Bradley & Anne Ooms, Blow Your Mind, The Collective Gallery, January 10 – February 07, 1998, Edinburgh 1998.

Paul Welsh, Blow Your Mind, in: The List, January 1998.

1997

Charlotte Day, Diorama, Melbourne 1997 [cat.].

Anne Ooms et. al., Nerve: Glasgow Projects, Australian Centre of Photography, Sydney, 1997 [cat.].

Francis McKee & Sam Ainsley, Made In Glasgow, De Markten Arts centre, Brussels, April 22 – May 17, 1997, Glasgow 1997.