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Bibliography (selection)

Hannes Loichinger, Realitätseffekte, in Texte zur Kunst, No. 114, June 2019, pp. 178.


Kari Rittenbach, Jay Chung and Q Takeki Maeda, Worl Without End; Or, the Second Coming of Crit?, in Mousse, no. 64, Summer 2018, pp. 126-133


Jay Chung & Q Takeki Maeda, scrapbook, Statements, Tokyo, May 13 – June 18, 2017, Tokyo 2017.

Jay Chung, Der Tote im Sumpf, in: MAY, no. 17, April 2017, pp. 110-134.

Jay Chung & Q Takeki Maeda, Gedanken zur Ortsspezifik, in: Out of Place, Spring 2017, p. 5. 


Jay Chung, in: Starship Magazine, no. 14, Spring 2016.


Helmhaus Zürich (ed.), Das Dreieck der Liebe, Helmhaus Zürich, September 25 - November 22, 2015, Zurich 2015.

Alexander Scrimgeour, Jay Chung & Q Takeki Maeda, in: Artforum, January 2015, Volume 53, No. 5, p. 228.

Jay Chung, Dull and Bathos, in: Starship, No. 23, Summer 2015, p. 29.


Pablo Larios, Jay Chung & Q Takeki Maeda, in: Frieze d/e, No. 17.


Mark Brown, Hayward Gallery’s Invisible Show: The Best Exhibition You’ll Ever See, in: The Guardian, 18 May 2012, p. 5.
Jay Chung, Detroit, in: May Revue, No. 8, February 2012, pp. 41-57.
Jay Chung and Q Takeki Maeda, Translation I, in: Frieze d/e, No. 4, Spring 2012, pp. 28-29.
Laura Cumming, Invisible: Art about the Unseen 1957-2012, in: The Observer, 16 June 2012, p. 27.
Jörg Heiser, Words & Deeds, in: Frieze, No. 144, January-February 2012, pp. 128-129.

Hansjürgen Wille, Fahnenparade: Turnier des Reit- und Fahnenvereins Ladeburg, in: Reiten und Zucht, July 2012, p. 29.

2011Jennifer Allen, The Ends of Photography, in: Frieze d/e, No. 3, Winter 2011, pp. 58-69.
Antje Stahl, based in Berlin, in: Frieze d/e, No. 2, Autumn 2011, pp. 115-116.
Polly Staple, Best of 2011: Part 2, in: Frieze Blog, 21 December 2011, (23.07.2015).

Kirsty Bell, Jay Chung & Takeki Maeda, in: Frieze, No. 135, November-December 2010, pp. 114-115.
Jay Chung, D5 and the Gesture of Withdrawal, in: May Revue, No. 4, June 2010, pp. 198-209.

Jay Chung and Q Takeki Maeda, The Two Clerks, in: Provence, Issue O, Summer 2010, pp. 55-57.
Jay Chung and Q Takeki Maeda, Hans Ulrich Obrist Interviews Volume I–1, Trans. Takeki Maeda and Yoko Yamaoto, Ottman Gmbh & Co Südhausbau KG, Munich 2010 [artist book].
Holland Cotter, Bloodflames III, in: New York Times, 29 October 2010, C28.
Jay Chung and Q Takeki Maeda, Today I Made Nothing, in: New York Times, 10 September 2010, C26.
Nadine Zeidler (ed.), Tracing the Invisible, exhibition catalogue, Schloss Ringenberg, May – July 2010, Hamminkeln 2010.

2009Jay Chung, for him, in: May Revue, No. 1, June 2009, pp. 22-27.
Jay Chung, Paper Trail: Do You Love Me? at Kunstverein Munich, in: May Revue, No. 2, November 2009, pp. 156-167.
Jay Chung and Q Takeki Maeda, Japanese Fashion as Social Barometer, in: Provence, issue R, 2009, pp. 78-86.
Nikola Dietrich, Jay Chung & Q Takeki Maeda, in: Little Theatre of Gestures, Museum für Gegenwartskunst, May 16 – August 16, Basel 2009, pp. 77-80.
2008Jay Chung and Q Takeki Maeda, I’d Like to Use, in: Starship Magazine, No. 11, September 2008, pp. 22-25.
Dan Fox, Jay Chung & Q Takeki Maeda, Cubitt, London, UK, in: Frieze, No. 118, October 2008, pp. 301-302.
Perros Negros and Toasting Agency (eds.), Otra de Vaqueros, exhibition catalogue, Berlin 2008.

Used Future, PRESS RELEASE, A compilation by Daniel Baumann for Used Future, Used Future, No. 20, 2007.

Wonil Rhee, Peter Weibel and Gregor Jansen (eds.), Thermocline of Art, New Asian Waves, exhibition catalogue ZKM Zentrum für Kunst und Medientechnologie Karlsruhe, Neue Asiatische Kunst. Thermocline of Art, June 15 – November 4, 2007, Ostfildern 2007.
2006Julian Myers, A Brief History of Invisible Art, CCA Wattis Institute of Contemporary Arts, San Francisco, USA, in: Frieze, No. 97, March 2006, p. 157.
Mandla Reuter (ed.), Pigment Piano Marble, exhibition catalgoue, Maipu 327 Buenos Aires, September 2006, Frankfurt am Main 2006.
Andrea Villiani, Caducean City, exhibition catalgoue, Bologna Museo d’Arte Moderna, May 25 – June 15, 2006, Bologna 2006.
2005The Association of Freed Times, El Diario del Fin del Mundo, A Journey that Wasn’t, in: Artforum International, No. 10, Summer 2005, pp. 296-301.
Sung Won Kim, Vanessa Joan Müller and Nicolaus Schafhausen (eds.), Parallel Life, exhibition catalogue, Frankfurt am Main, Frankfurter Kunstverein 2005.

Jay Chung, The Final Unfettering, Commerce 5, 2004, 136 p.

David Lieske, Rumours, in: The Sky Is Thin as Paper Here, exhibition catalogue, Galerie Buchholz, Köln 2004.
Francesca D. Shaw, Jay Chung: The Con Man Revisited, in: Flash Art International, No.236, May – June 2004, p. 68.