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| 1972 | born in Hammond, Indiana | | 1996–98 | Hunter College, New York | | 1990–95 | BA, University of Tennessee, Knoxville | | Lives and works in New York | | 2012 | Whitney Museum of American Art, New York | | 2011 | Galerie Francesca Pia, Villa Francesca Pia, Zürich | | | Grafisches Kabinett, Secession, Zeichnungen für ein kleines Zimmer, Wien | | | Gio’Marconi, Couleur et Fabrication, Milan | | | Friedrich Petzel Gallery, Wade Guyton Stephen Prina, New York | | | Capitain Petzel Gallery, Berlin | | 2010 | Museum Ludwig, Zeichnungen für ein grosses Bild, Köln | | | Baltimore Museum of Art, Baltimore (Guyton/Walker) | | | Friedrich Petzel Gallery, Wade Guyton Stephen Prina, New York | | 2009 | Museum Dhont-Dhaenens, Deurle | | | Galleria Gió Marconi, Milan | | | Greene Naftali, New York (Guyton/Walker) | | | Air de Paris Paris (Guyton/Walker) | | 2008 | Portikus, Frankfurt am Main | | | Galerie Chantal Crousel, Paris | | | LAXART, Los Angeles (GuytonWalker) | | | Museo d’Arte Moderna di Bologna- MAMbo, curated by Andrea Viliani (GuytonWalker), Bologna | | 2007 | Friedrich Petzel Gallery, New York | | | Galerie Francesca Pia, Zurich | | | Galerie Gisela Capitain, Cologne | | | The Suburban, Chicago | | 2006 | westlondonprojects, Paintings, London | | | Haubrokshows, Berlin | | | La Salle de Bains, Wade Guyton, Lyon | | | Hard Hat Editions, Geneva | | | Friedrich Petzel Gallery, Color, Power & Style, New York | | | Carpenter Center, Harvard University, Empire Strikes Back (GuytonWalker collaboration), Cambridge, Massachusetts | | 2005 | Gavlak, West Palm Beach | | | Kunstverein Hamburg, Color, Power & Style, Hamburg | | | Galerie Francesca Pia, Bern | | | Art 36 Statements, presented by Galerie Francesca Pia, Basel | | | Greene Naftali Gallery, The Failever of Judgement, Part III (GuytonWalker collaboration), New York City | | 2004 | Power House, Objects are Much More Familiar, Memphis, TN | | | Reinschau, The Failever of Judgement (GuytonWalker collaboration), presented by Greene Naftali, Cologne | | | Midway Contemporary, XXXXX BBB XXXXXFFFFFF FFFF (GuytonWalker collaboration), St. Paul, MN | | 2003 | Artists Space, Elements of an Incomplete Map, New York | | 1999 | Andrew Kreps Gallery Project Space, New York | | 1998 | Hunter College, MFA exhibition, New York | Selected Group Exhibitions | | 2012 | Zacheta National Gallery of Art, New Sculptures, Warsaw | | | Kunsthalle Bern, The Old, The New, The Different, Bern | | 2011 | Kunsthaus Bregenz, So machen wir es. Techniken und Ästhetik der Aneignung. Von Ei Arakawa bis Andy Warhol, Bregenz | | | Gio Marconi, X, Milan | | | Zürich University of Arts, Abstract Possible: The Zurich Test, a project by Maria Lind, with Wade Guyton and Tommy Stockel, Zürich | | | Luhring Augustine, Untitled (Painting), New York | | | Haubrokshows, Shapes, Berlin | | | Ribordy Contemporary, Abstract and Traces, Geneva | | | Langen Foundation, Systemanalyse, Düsseldorf | | | Museo Tamayo, Bosque de Chapultepec, Abstract Possible, Mexico City | | | Alain Noirhomme, 8 Americans, Brussels | | 2010 | Parasite Art Space, Fax, Sheun Wan, Hong Kong | | | Gaviak Gallery, Five Year Anniversary, Palm Beach | | | Galerie Francesca Pia, Die grosse Inventur – 20 Year Anniversary Exhibition, Zürich | | | Malmö Konsthall, Abstract Possible, Malmö | | | Galerie Chantal Crousel, The Rule of the Game (La Regle de jeu), Paris | | | Westlondonprojects, Systems Analysis, London | | | Friedrich Petzel Gallery, THE SPACE BETWEEN REFERENCE AND REGRET, New York | | | Hessel Museum, At Home/Not at Home: Works from the Collection of Martin and Rebecca Eisenberg, Annandale-on-Hudson | | | Regen Projects, Picture Industry (Good Bye To All That), Los Angeles | | | E:vent Gallery, Narcissus Trance, London | | | Galerie Chantal Crousel, Almeria, Paris | | | Marlborough Gallery, Grass Grows by Itself, New York | | | Cherry and Martin, They Have Not the Art to Argue with Pictures, Los Angeles | | | Kimmerich, The Page, New York | | | Herald St., Fade into You, London | | | Exhibitional of the Federal Republic of Germany, Neugierig? (Curios?), Bonn | | 2009 | Hausbrokshows, Collected things connected, (cur. by Jonathan Monk), Berlin | | | PSM Gallery, Cave Painting, Berlin | | | Galerie Francesca Pia,Top 10 Allegories. An exhibition curated by Hard Hat , Zurich | | | Biennale Venezia, Venice (Guyton/Walker) | | | Miami Art Museum, Space as Medium, Miami | | | The Kitchen, Besides, With, Against, and Yet: Abstraction and The Ready-Made Gesture, New York | | | Galerie Conradi, DARE, Hamburg | | | Castello di Rivoli Museum of Contemporary Art, T2 Torino Triennale 50 Moons of Saturn, Turin | | | Rubell Family Collection, Beg Borrow and Steal, Miami | | | Espace Louis Vuitton, Paris (Guyton/Walker & Wade Guyton) | | | The Drawing Center, Fax, New York | | | Midway Contemporary Art, The Secret Life of Objects: Work from Private Twin Cities Collections, Minneapolis | | | A wild night and another road, Altman-Siegel Gallery S/F, San Fransisco | | 2008 | Capitain Petzel Gallery, Kunst Im Heim, Berlin | | | Gagosian Gallery c/o Red October, for what you are about to receive, Moscow | | | Hammer Museum, Oranges and Sardines: Conversations on Abstract Painting with Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl, and Christopher Wool (cur. by Gary Garrels), Los Angeles | | | Centre Culturel Suisse, Around Max Bill (cur. by Nicolas Trembley), Paris | | | Matthew Marks Gallery and Greene Naftali Gallery, Painting Now and Forever: Part II, New York | | | Casey Kaplan Gallery, Not So Subtle Subtitle (cur. by Matthew Brannon), New York | | | White Columns, That social space between speaking and meaning, by Fia Backstrom, New York | | | Galerie Fortes Vilaca, God is Design (cur. by Neville Wakefield), Sao Paulo | | | John Connelly Presents, A New High in Getting Low, New York | | | Artists Space, Nina In Position (cur. by Jeffrey Uslip), New York | | | Sculpture and Concepts of Spatial Illusion: 1967-2007 (cur. by Don Desmett), Western Michigan University, Kalamazoo | | | Modern Institute, Records Played Backwards (cur. by Daniel Birnbaum), Glasgow | | | Blasted Allegories: Work from the Ringier Collection, Luzern | | | Galerie Johann König, Zuordnungsprobleme, Berlin | | | Torino Triennale,- 50 lune di Saturno, curated by Daniel Birnbaum, Torino | | 2007 | Biennale de Lyon, Lyon | | | Greene Naftali Gallery, String Show, New York | | | Derek Eller Gallery, Neo-Integrity (cur. Keith Mayerson), New York | | | Museum of Modern Art, What is Painting? (Cur. Anne Umland), New York | | | Galerie Chantal Crousel, Someone else with my fingerprints, Paris | | | Lewis Glucksman Gallery Univerity College Cork, Overtake: The Reinterpretation of modern Art, Cork | | | Richard Telles Fine Arts, Degree Zero, Los Angeles | | | Galerie Catherine Issert, Introvert, Extrovert, makes no Difference (cur. John Armleder), Saint Paul de Vence | | | Friedrich Petzel Gallery, The Lath Picture Show, New York | | | Le musée de Serignan, Herning Art Museum, The Centre for Contemporary Art Zanek Ujazdowski, Uncertain States of America: American Art in the 3rd Millennium (cur. Daniel Birnbaum, Hans Ulrich Obrist and Gunnar Kvaran), Serignan, Herning and Zanek Ujazdowski | |
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