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1956 | born in in East Longmeadow, Massachusetts |
| | | | National Technical Institute for the Deaf | | | New England College | | | Oxford University |
| Lives and works in Chicago | | 2008 | The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs/ Museum of Contemporary Art, Chicago, Joseph Grigley: St. Cecilia, Saratoga Springs/Chicago | | 2007 | Baltimore Contemporary Museum, traveling to Orange County Museum of Art, St. Cecilia, Baltimore/Orange County, CA | | 2006 | Cohan and Leslie, Different Things about the same Thing, New York | | 2005 | Nadine Gandy Gallery, Remembering is a Difficult Job, But Somebody Has to Do It, Prague | | | Air de Paris, It's Everywhere, Paris | | 2004 | The Suburban, Oak Park | | | Yerba Buena Center for the Arts, Ten Years of Conversations, San Fancisco
| | 2003 | Masataka Hayakawa Gallery, Blueberry Surprise, Tokyo | | | Cohan Leslie and Browne, Vox Populi, New York | | | Galerie Francesca Pia, Comes from Living in Jersey, Bern | | | fa projects, Lost in Jersey City (collaboration with Ellen Cantor), London | | 2002 | Air de Paris, Paris | | | Cohan Leslie and Browne, New York | | | Adam Art Gallery, Victoria University, Wellington | | 2001 | Whitney Museum of American Art, New York | | | Foundation Joan Miró, Barcelona | | | Nadine Gandy Gallery, Prague | | 2000 | Cohan Leslie and Browne, New York | | | Index, Stockholm | | | Künstlerhaus Palais Thurn und Taxis, Bregenz | | | Jack Hanley Gallery, San Francisco | | | Masataka Hayakawa Gallery, Tokyo | | 1999 | Galerie Air de Paris, Fireside Talk, Paris | | | Wadsworth Atheneum, The Pleasure of Conversing, Hartford | | | Cranbrook Museum of Art, Publications and Publication Projects, 1994–1999, Bloomfield Hills, MI | | 1998 | Douglas Hyde Gallery, Trinity College, Conversations and Portraits, Dublin | | | Galerie Francesca Pia, I am such a petite thing, Bern | | | The Barbican Center, Barbican Conversations (in collaboration with the Public Art Development Trust), London | | | Masataka Hayakawa Gallery, Tokyo | | | Center for Contemporary Art, Pretty Paper, Kitakyushu, Japan | | 1997 | Air de Paris, Little Piglet, Paris | | | Revolution Gallery, Conversations, Detroit | | | Galerie Arndt & Partner, Does It Give Away the Story?, Berlin | | 1996 | Anthony d’Offay Gallery, The Pleasure of Conversing, London | | | Musée d'Art Moderne de la Ville de Paris/ARC, Migrateurs, Paris
| | | AC Project Room, Portraits, New York | | | FRAC-Limousin, Conversations and Portraits, Limoges | | | MIT List Center for the Visual Arts, Ordinary Conversations, Cambridge, Mass | | 1995 | AC Project Room, Figures of Speech, New York | | 1994 | White Columns, Conversations with the Hearing, New York | | | Washington Project for the Arts, Body Signs: Deviance, Difference, and Eugenics, Washington | Selected Group Exhibitions
| | 2010 | Museum für Gegenwartskunst, Je mehr ich zeichne. Zeichnung als Weltentwurf, Siegen | | | Beurs van Berlage, Niet Normaal. What is normal and who decides?, Amsterdam | | 2009 | Plug In Institute of Contemporary Art, FAX, Winnipeg | | | Le Quartier, Centre d’Art contemporain de Quimper, Wake up, please, Quimper | | | SMAK, GAGARIN the Artists in their Own Words - The first Decade, Gent | | | PERFORMA, PERFORMA09, New York | | | Albright-Knox Art Gallery, WALL ROCKETS: Contemporary Artists and Ed Ruscha, Buffalo | | | e-flux, Unbuilt Roads, New York | | 2008 | STUK, Pick-up (cur. Guillaume Désanges), Leuven | | | galerie du jour Agnès b., Histoires de point d’ironie, Paris | | | CCA Wattis Institute of Contemporary Arts, The Wizard of Oz , San Francisco | | | Musee des Beaux Arts, Collections, Permanent/Provisoire 2, Tourcoing | | 2007 | Galerie Delphine Pastor, Airs de Paris, Monaco | | | CAPC, Ici et Là, Bordeaux | | | Henry Art Gallery, Mouth Open, Teeth Showing: Works from the True Collection, Washington | | | Newlyn Art Gallery, Social Systems, Newlyn | | | Skestos Gabriele Gallery, Open & Shut, Chicago | | | St. Ives International, Tate St. Ives | | | Contemporary Arts Center, Talk to Me, Cincinnati | | | Museion, Museum für moderne und zeitgenössische Kunst, MAGIC LINE, Bozen | | 2006 | Ella Fontanals Cisneros, Classification: Alternative Forms of Knowledge in Contemporary Art, Foundation, Miami | | | Western Front Exhibitions, Between Your Hand and My Head, Vancouver | | | Tulane University, Breathing Time, New Orleans | | | Château de Chareil-Cintrat, Les visiteurs, Chareil-Cintrat | | | Cristina Guerra Contemporary Art, Romance, Lissabon | | | Museo del Territorio di Biella, Art in the Age of Anxiety, Biella | | | Institut Mathildenhöfe, Remembrance as Future, Darmstadt | | | Villa Arson, Glass, Nice | | | Hyde Park Art Center, Home of the Free (cur. Jens Hoffmann), Chicago | | | Nuit Blanche (cur. Nicolas Bourriaud), Paris | | 2005 | Bancroft Museum, University of California, The Blind at the Museum, Berkeley | | | Cohan Leslie and Browne, Much madness is divinest sense, New York | | | Museum Moderner Kunst, Nach Rokytník: Die Sammlung der EVN, Vienna | | | Galerie Christophe Daviet-Thery, CCA Artist's Book Show, Paris | | | The Drawing Room, Sounds Like Drawing, London | | | Cristina Guerra Contemporary Art, Romance, Lisbon | | | New Canvas 2005, Rotterdam | | | Van Abbemuseum, EindhovenIstanbul, Eindhoven
| | | Chicago Cultural Center, Centrally Located, Chicago
| | | Nadine Gandy Gallery, Clouding Europe, Bratislava | | | Numark Gallery, Found Sound, Washington DC | | | White Columns, The Early Show, New York | | 2004 | Sculpture Center, Treble (cur. Regine Bashe), New York | | | Espace Paul Ricard, Glassfab (org. Matali Crasset), Paris | | | Guggenheim Museum, Speaking with Hands: Photographs from the Buhl Collection, New York
| | | International Centre of Graphic Arts, Point d'ironie, Ljubljana | | | Tokyo Opera City Art Gallery, Why not live for Art?, Tokyo | | | Museo d'Arte Contempreanea di Villa Croce, Aménager la maison, Habiter le musée, Genova | | | Cohan Lesilie and Browne, Summer Show, New York | | | Musée de Design et d'Arts Appliqués/Contemporains, Lausanne | | | Masataka Hayakawa Gallery, Marie-Ange Guilleminot/Joseph Grigely/Teresita Fernández/Tomoko Maezawa/Toshinari Sato, Tokyo | | | Tri postal (Collection Frac Nord-Pas de Calais), Trafic d'influences: Art & Design, Lille | | | Kunsthaus München, Utopia Station, Munich | | | National Museum of Modern Art, Vollevox, Brussels | | | Public, Pick-up (cur. Guillaume Désanges), Paris | | | Revolution Gallery, 10th Anniversary Exhibition, Detroit | | 2003 | 2003 Venice Biennial, Utopia Station (cur. Molly Nesbit, Hans Ulrich Obrist and Rirkrit Tiravanija), Vennice | | | Hausler Galerie, Private and Public (org. Rainer Ganahl), Munich | | | Nadine Gandy Gallery, Glass fab, Prague | | | Volume, Reading : Material, New York | | | Casey Kaplan Gallery, Exhibitions of An Exhibition (cur. Jens Hoffmann), New York | | | Masataka Hayakawa Gallery, Tokyo | | | Neuva Film Festival (org. David Levine), Tokyo | | 2002 | Kunstmuseum, Zeitmaschine, Bern | | | Haus der Kunst, Stories, Munich | | | Caldic Collection, Boijmans Van Beuningen Museum, Imagine, you are standing here in front of me, Rotterdam | | | The Wright's Exhibition Space, Seattle | | | CCAC Wattis Institute, To Whom It May Concern (cur. Matthew Higgs), San Francisco | | | San Francisco Art Institute, Touch: Relational Aesthetics in the 1990s (cur. Nicolas Bourriaud), San Francisco
| | | The Pond, Ideal Avalanche (cur. Michelle Grabner and Brad Killam), Chicago | | | Interactive online version on www.e-flux.com, Do It (home version) (cur. Hans Ulrich Obrist) | |
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