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1974 | born in Besançon, France | | Lives and works in Geneva | | 2009 | Apex Kunsthaus, Göttingen | | | Galerie Guy Bärtschi, Apocalhipsters, Geneva | | | Domaine de Kerguéhennec, centre d'art contemporain, Bignan | | | Galerie Art: Concept, Nécology, Paris | | 2008 | Salon 94, Do you wear the Love Glasses?, New York | | | New Art Gallery, Walsall Museum, Call it what you like, Walsall | | 2007 | Hiromi Yoshi, Healing Boom, Tokyo | | | Atelier Hermes, Seoul | | | Galerie Francesca Pia, Huge Reality, Zurich | | | Swiss Institute, Stop believing, start knowing, New York | | 2006 | Nuke, Paris (collaboration with Nathalie Rebholz) | | | Alexandre Pollazzon Ltd, UniverevinU, London | | | Art Statements, Art 37, Basel | | | Galerie Art Concept, Paris | | | Kunstmuseum Thun, Vidya Gastaldon, Thun | | 2005 | Hard Hat, Geneva | | | MAMCO, Biolovarama, Geneva | | 2004 | Cosmic Galerie, Paris | | 2003 | Centre d’art Contemporain, Geneva | | 2001 | Magnani, London | | | Kunsthaus Glarus, Glarus | | | Centre d'Edition Contemporaine, Geneva | | 2000 | Forde, Audi/Beyond grinding halt/Centre Point, Geneva | | | Galerie Mot & Van den Boogaard, Brussels | | | Magnani, Chocolate Explosion, London | | 1999 | Centre National de la Photographie, Prospect, Paris | | | Robert Prime, London | | 1998 | CAPC, Musée d'art contemporain, Bordeaux | | 1997 | Galerie Analix, The First Gramercy International Art Fair, Gramercy Park Hotel, Approaching Cadillac of Time, New York | | 1996 | Galerie Analix, Geneva | Selected Group Exhibitions | | 2011 | Aargauer Kunsthaus, Voici un dessin suisse, Aarau | | 2010 | Kunsthaus Thun, Landschaft im Wandel. Werke aus der Sammlung, Thun | | | Maison d’Art Bernhard Anthonioz, La main numérique, Nogent-sur-Marne | | 2009 | Galerie Francesca Pia, Top 10 Allegories. An exhibition curated by Hard Hat, Zürich | | | The Drawing Room, Alejandro Jodorowsky's ‘Dune’: An exhibition of a film of a book that never was, London, | | | Kunsthaus Grenchen, Three leap seconds later. 1998 … 2008. Ankäufe aus der Bundeskunstsammlung, Grenchen | | | CAC Contemporary Art Center, Shifting Identities (Swiss) Art Now, Vilnius | | | Musée d’art contemporain de Bordeaux, Jean-Luc Blanc, Bordeaux | | 2008 | CNAI=Centre National de l’Estampe et de l’Art Imprimé, Black Noise/Exit Dark Matter, Chatou | | | Espace Out of this World, Atmen-Atman, Territet | | | Musée Jenisch, I love JENISCH, Vevey | | | Kunsthaus Zurich, Shifting Identities, Zurich | | | Ecole-Centre d’Art d’Annecy, La main numérique, Annecy | | | CAN, When fears become forms, Neuchatel | | | Galerie Thaddaeus Roppac, Landscope, Paris | | | Château d’Arenthon fondation pour l’art contemporain Claudine et Jean-Marc Salomon, Abstraction extension, une scène romande et ses connexions (cur. Christian Besson, Julien Fronsacq et Samuel Gross), Alex | | | Alexandre Pollazzon Ltd, 3am eternal, London | | | galerie 1M3, X, Lausanne | | | Espace Out of this World, Elucidée, Territet | | 2007 | Espace Out Of This World, Âtman – Atmen. Vis, souffle et reviens, Montreux | | | Galerie Ruine, Ceci n'est pas une ruine, Genève | | | Alexandre Pollazzon Ltd., Andreas Dobler, Vidya Gastaldon, Matthew Day Jackson, Rannva Kunoy ‚Shangri-la’, London | | | Centre Culturel Suisse, Evenement Sans titre #01/07, Paris | | | Marres Art Centre, RAW. Among the ruins, Maastricht | | | Salon 94, hello I'm crashing, New York | | | Villa Arson, HALF SQUARE, HALF CRAZY / A DEMI CARRE, A DEMI FOU, Nice | | | Centre d’édition contemporaine, BAC, Wunder Stanza, Geneva | | | Ex Mercato Ortofrutticolo, FUORI USO 2006 - ALTERED STATES. Are you experienced? [cur. by Nicolas Bourriaud and Paolo Falcone], Pescara | | 2006 | Busan Biennale 2006, Busan | | | Centre d’art contemporain de la synagoge de Delme, All we ever wanted was everything, Delme | | | Centre d’Art Contemporain, Conversation Pieces, Geneva | | | Grand Palais, Art en France, Paris [cat.] | | | Centre d’Art de Noisy le Sec, Cosmogonies, Noisy le Sec | | | UZ11R3F, Sublime, Geneva | | 2005 | Espace Eléctra, Le voyage intérieur, Paris [cat.] | | | Triennale Vilnius, Vilnius [cat.] | | | Galerie Edward Mitterand, Swiss Folks, Geneva | | | Biennale de Lyon, Expérience de la durée, Lyon [cat.] | | | Art Basel, Bourse Fédérale Suisse, Basel | | | Affiche sérigraphiées pour Acid Mother Temple, concert Juin 2005, Berne/Martigny | | | Musée d’art Moderne, couvent des Cordeliers, I believe in miracles, Paris [cat.] | | | Porte de Versailles, Smiley world Association, who’s next, Paris | | | Galerie Analix, Géneration Femmes, Geneva | | | Galerie Frédéric Giroux, Serendipity ou la productivité du hasard, Paris | | 2004 | C.A.C., Xmas Party, Geneva | | | Dotmov festival 2004, Sapporo, Japan | | | Le carrousel du Louvre, Paris Photo 2004, Paris | | | Kunsthalle Basel, Herbstkatalog Lederfransen 2004, Basel | | | Galerie Francesca Pia, John Tremblay, Bern | | | Peter Kilchmann, The age of optimism, Zurich | | | Donzévansaanen Galerie, Négotiation for love or money ?, Lausanne | | | Galerie Yvon Lambert, Psychic Letscape, New York | | | Art Basel 35, Art Film, Basel | | | Museum am Ostwall, Comment rester zen, Dortmund | | 2003 | Litography for Schweizerische Graphische Gesselleschaft | | | Frieze Art Fair Statement with Magnani, London | | | Centre D’art Contemporain, Vidya Gastaldon, Amy O’Neill, Pierre Vadi, Geneva | | | Villa Arson, Lee 3 tau Ceti Central Armory Show, Nice | | | 25th International Biennal of Graphic Arts, Ljubljana | | | Centre culturel suisse, Comment rester zen, Paris | | 2002 | Kunsthaus Baselland, Sweet nothing, Muttenz/Basel | | | Pompe Funebrès de la ville de Paris, Plus qu’une image, Paris | | | Alpine Museum, Art+Mountains: The Conquistadors of the Useless, Paris | | | Centre d’édition Contemporaine, Animation: Videos, Geneva | | 2001 | Centre Georges Pompidou, electronic music festival, Yellowrama, Paris | | | Grazer Kunstverein, Timewave Zero/The Politics of Ecstasy, Graz | | | Creative Union Hiroshima, Hiroshima Art Document 2001, Hiroshima | | | Forde/Usine, Records Collection, Geneva | | | Centre Georges Pompidou, Programme video by bdv, Paris | | | Galerie Javier Lopez, The new domestic letscape, Madrid | | 2000 | Magnani, Part One, London | | | Centre for Visual Arts, Cardiff/Cornerhouse, Manchester/Orchard Gallery, Derry, Future Perfect, Cardiff, Manchester and Derry | | | Fri-Art, Etat des Lieux #2, Fribourg | | | Printemps de Cahors, Cahors [cat.] | | | Casino Luxembourg, Strange Paradise, Luxembourg [cat.] | | | CAPC, Musée d'Art Contemporain, Presumed Innocent, Bordeaux [cat.] | | | Centre Georges Pompidou, Elysian Fields, Paris [cat.] | | | Centre point/Forde/Usine, Audi. Beyond grinding Halt (with Sidney Stucki), Geneva | | 1999 | Lombard Freid Fine Arts, Surveying the Letscape, New York | | | 6th International Istanbul Biennale [cat.] | | | Spacex Gallery, Etcetera, Exeter | | |
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