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1965 | Born in Geneva, Switzerland | | | 1984-90 | Ecole Supérieure d’Art Visuel, Geneva | 1983-84 | Ecole des Arts Décoratifs, Geneva |
| Lives and works in Geneva | | 2011 | URDLA, Gygi Grave, Lyon | | 2010 | Galerie Francesca Pia, Zurich | | | Instituto Svizzero di Roma, Rome, Italy | | 2009 | Biennale Venice, Swiss representation, Chiesa di San Stae, Venice | | | Galerie Chantal Crousel, Paris | | | Galerie Guy Bärtschi, Geneva | | 2007 | BFAS / Blondeau Fine Arts Service, Geneva | | | COMA, Berlin | | | Musée d’Art Contemporian de Marseilles, Cubes, installation permanent, Marseilles | | 2006 | Le Plateau, installation „vidéotheque mobile“, Paris | | 2005 | Orange County Museum, New Port Beach | | | Galerie Chantal Crousel, Paris | | | Kunstmuseum St. Gallen, Switzerland | | | Villa Merkel, Esslingen am Neckar | | | Tribunal, Château de Châteaudun | | 2004 | MAMCO, Geneva | | | Nature Morte in collaboration with Visual Arts Gallery & India Habitat Centre, New Dehli | | 2003 | Galerie Bob van Orsouw, Zurich | | | Centre PasquArt, Happiness overdose, Biel, Switzerland | | 2002 | Art&Public, Geneva | | | Biennale de Sao Paulo | | | Galerie Chantal Crousel, Paris | | | Stiftung DKM, Duisburg | | 2001 | Galerei Chantal Crousel, Paris | | | Musée d’art moderne et contemporain, Self-Tatoos, estampes et multiples, 1982-2001, Geneva | | | Swiss Institute, Under Pressure, New York | | | Museum of Contemporary Art, Under Pressure, Tucson, USA | | | Art Unlimited, Vidéothèque Mobile, Basel | | | Contemporary Edition Center, Geneva | | 2000 | Elac, Défense, Lausanne | | | Project Room, Scène, Arco, Spain | | | Galerie de Lege Ruimte, Gand | | | Centre National d’Art Contemporain, Le Magasin, Grenoble | | | Galerie Bob Van Orsouw, Zurich | | 1999 | Galerei Chantal Crousel, Paris | | | Airport, Zurich-Kloten in collaboration with the Migros Museum für Gegenwartskunst, Zürich | | | Free Market Kunsthof, Schule für Gestaltung, Zurich | | | Kunstkasten, Winterthur | | | Ausstellungsraum, Offenbach am Main | | 1998 | Galerie de Lege Ruimte, Gand, Belgium | | | Galerie Bob von Orsouw, Zurich | | 1997 | Centre d’art (CAN), Neuchâtel | | | Ecole cantonale d’art (ECAL), Lausanne | | | Galerie Bob van Orsouw, Gramercy Art Fair, New York | | | Galerie Gabrielle Vitte, Ajaccio, France | | 1996 | In Vitro, Geneva | | | Art 27’96, Ecart, Basel | | | Galerie Bob van Orsouw, Zurich | | 1994 | Espace d’Art contemporain, Lausanne | | | Attidues, Chêne-Bougeries | | 1993 | La Régie, Genève | | 1991 | Galerie Skopia, Genève | | 1990 | M/2, Vevey | | 2011 | Kunstmuseum St. Gallen, Back to the Future, St. Gallen | | | Palais de Tokyo, Carte blanche à John M Armleder - All of the above, Paris | | | Fundacion PROA, Of Bridges & Borders, Buenos Aires | | 2010 | Galerie Chantal Crousel, The Rule of the Game, Paris | | | Pori Art Museum, WHY DO YOU RESIST, Pori | | 2009 | Galerie Francesca Pia, Top 10 Allegories. An exhibition curated by Hard Hat, Zürich | | | 11th Swiss Sculpture Exhibition, Utopics, Biel | | | Swiss Institute, Regift, New York | | | Galerie Chantal Crousel, Bijoux de famille, Paris | | | Galleria Continua, Sphères, Coulommiers | | | Manoir de Martiny, Avalanche, Martigny | | | Kunstmuseum Thun, Pièces de résistance: Formen von Widerstand in der zeitgenössischen Kunst, Thun | | | Vegas Gallery, I Am By Birth A Genevese, London | | | LE SPOT, Liam Gillick / Fabrice Gygi / Damien Mazieres, Le Havre | | 2008 | Musée Les Abattoirs, Là où je vais, je suis déjà, Toulouse | | | Galerie 1m3, A multiples exhibition, Lausanne | | | Le Havre Biennal, France | | | Palais de Tokyo, Château de Tokyo / Palais Fontainebleau, Paris | | | NEW JERSEYY, Team 404 & John Armleder: Clinch/Cross/Cut, Basel | | | Espace de l’Art Concret, Abstraction étendue, Mouans-Sartoux | | | MACRO, Midi-Minuit / Mediodia-Medianoche, Rosario | | 2007 | FRAC Pays de la Loire, Rouge Baiser, 1ere edition de la Biennale Estuaire Nantes – Saint Nazaire, Nantes | | | Konsthall Magasin 3, To be continued..., Stockholm | | | Art Forum Berlin 2007, Berlin | | | Domaine du Château d’Avignon, Dans ces eaux là..., Avignon | | | Musée d’Art Contemporain de Lyon, Une question de génération, Lyon | | | Galerie Guy Bärtschi, Collective One, Geneva | | | Centre d'édition contemporaine, Editions, Geneva | | | Cabinet des estampes, The Plastic Vacuum, a proposal by John Tremblay, Geneva | | | Môtiers 2007, (June - September), Môtiers | | 2006 | Fondazione Pitti Discovery, Human Game, Florence | | | Pelouses autorisées, Parc de la Villette, Paris | | | Galerie Sint-Lukas, Bruxelles | | | Museum of Art, Talking about the Real World – a aspect of Contemporary Swiss Art, Chiba City | | | La Vidéothèque mobile, Ecole Nationale Supérieure d’Architecture de Paris, Paris | | 2005 | Museum Ludwig, Des deux côtés du Rhin – Mouvement, Köln | | | Contemporary Swiss Art, Chiba City Museum of Art, Talking about the Real World, Japan | | | Galerie Chantal Crousel, Leçon Zéro, Paris | | | Maison de la culture d'Amiens, Agir Proche, Amiens | | 2004 | Swiss Institute, None of the Abov", New York | | | Art Unlimited, Basel | | | Le Confort Moderne, Personne n'est innocent, Poitiers | | | Cabinets des estampes, L'estampe/à chaque technique ses chefs-d'oeuvre, Geneva | | | Re : Location 6 : Re(framed)locations, dis(covered) desires, Gdansk | | | Migros Museum für Gegenwartskunst, L'air du temps, collection printemps / été, Zürich | | | La Manufacture des Oeillets, Playgrounds & Toys, Ivry sur Seine | | | Attitudes, Espace d’arts contemporains, Situations construites, Geneva | | 2003 | Galerie Chantal Crousel, Through the Eye of a Needle, Paris | | | Museo Nacional Reina Sofia, Pantella Suiza, Madrid | | | ESBA, Fast Food, Fast Love, Geneva | | |
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