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1966 | born in Massachusetts | | | | | | | | Lives and works in Brooklin, NY | | 2010 | Galerie Francesca Pia, Hidden in the Data, Zurich | | 2009 | Gallery Side 2, Tokyo, Japan | | 2008 | Centre d’art la Chapelle Jeanne d’Arc, Musée Henri Barré, Château d’Oiron, John Tremblay, Oiron | | | Centre d’art la Chapelle Jeanne d’Arc, John Tremblay, Thouars | | | Paula Cooper Gallery, John Tremblay, New York | | 2007 | Paik Hae Young Gallery, John Tremblay, Seoul | | | Galerie Almine Rech, Purple Words on a Grey Background, Paris | | 2006 | Emon Gallery, Available Surfaces, Part II, Tokyo | | | Galerie van Gelder, Regarding facts, Amsterdam | | 2005 | Mario Diacono at Ars Libri, John Tremblay, Boston | | | Paula Cooper Gallery, New York | | 2004 | Nouvelle Galerie, John Tremblay, Grenoble | | | Galerie Francesca Pia, Surrounding, Bern | | | Art 35 Basel, video screening of Lamping, Basel | | | Velan Center For Contemporary Art, John Tremblay Video Retrospective, Turin | | 2003 | Galerie Heimer und Partner, Infinity Trials, Berlin | | | Paula Cooper Gallery, Informal European Theater Meeting, New York | | 2002 | Galerie Francesca Pia, Sixteen Corners, Bern | | 2001 | Galerie Francesca Pia, Natural Wonders (with Lisa Beck), Bern | | 2000 | Richard Telles Fine Art, Hello Professor!, Los Angeles | | | Reali Artecontemporanea, Magma, Brescia | | 1999 | Sandra Gering Gallery, The Entire Movie/Quickest way to the Airport, New York | | | Galerie Jousse-Seguin, Possible Utopias, Paris | | 1998 | Sandra Gering Gallery, John Tremblay, New York | | 1997 | Galerie Jousse-Seguin, Paris | | | Art Basel 28’97, Statements presented by Art & Public, Basel | | 1996 | Sandra Gering Gallery, New York | | 1995 | Art & Public, Targets, Geneva | | 1994 | Stand Ecart, Silver, Art Basel 25’94, Basel | Selected Group Exhibitions | | 2011 | Palais de Tokyo, Carte blanche à John M Armleder - All of the above, Paris | | 2010 | Centre d’art contemporain d’Ivry, Le carillon de Big Ben, Ivry | | | Jose Martos Gallery, Wait for Me at the Bottom of the Pool, Sagaponack, New York | | | MUMOK, Daimler Art Collection, Pictures about Pictures: Discourses in Painting from Albers to Zobernig, Wien | | | Musée des beaux-arts de La Chaux-de-Fonds, Portrait de l’artiste en motocycliste, La Chaux-de-Fonds | | | Kunstforum Ostdeutsche Galerie Regensburg, Permanent Trouble, Regensburg | | 2009 | Palais de Tokyo, Chasing Napoleon, Paris (till January 2010) | | | Gresham’s Ghost, Cave Painting, New York | | | Gering & Lopez Gallery, Just what is it that makes today’s painting so different, so appealing?, New York | | | Centre National d’Art Contemporain de Grenoble, Portrait de l’artiste en motocycliste, (until January 2010), Grenoble | | | Kunsthalle St. Gallen, Born to Be Wild, St. Gallen | | | Art Production Fund, Learn to Communicate Like a Fucking Normal Person, New York | | | Palais de Tokyo, Chasing Napoleon , Paris | | | Galerie Francesca Pia, Top 10 Allegories. An exhibition curated by Hard Hat, Zürich | | | Villa Arson, HALF SQUARE, HALF CRAZY / A DEMI CARRE, A DEMI FOU, Nice | | | Vegas Gallery, I Am By Birth A Genevese, London, travelled to Forde, Geneva | | | Collezione Maramotti, Transitions: Painting at the (other) end of art, Reggio Emilia | | | PS1 Contemporary Art Center, Painted World, Long Island | | 2008 | New Jerseyy, The Line is a Lonely Hunter: Drawings in New Jersey, Basel | | | Galerie Jan Wentrop, REINVENTED: Study and Play, Berlin | | | Laure Genillard, Presque Rien II, London | | | Seiler + Mosseri-Marlio Galerie, You Said He Said She Said, Zürich | | | Kunstmuseum St. Gallen, Born to Be Wild – Hommage to Steven Parrino, St. Gallen | | | Praz-Delavallade, Deformalismes, Paris | | 2007 | New York Is Dead Dot Biz, Wu-Tang/googolplex Show (Congress), New York | | | Texas Gallery, Lines, Houston | | | Musée d’Art Contemporain de Lyon, The Freak Show, Lyon | | | Pury & Luxembourg, Painting as Fact – Fact as Fiction, Zürich | | | The Mandrake, The Melvins, Los Angeles | | | Palais de Tokyo, Compulsive, Paris, originated at IAP Art, Miami | | | Centre national d’art contemporain, Villa Arson, Half Square, Half Crazy – A moitié carré, à moitié fou, Nice | | 2006 | Kunsthaus Baselland and Centre d’art d’Ivry le Credac, I go out walking…, Muttenz/Ivry sur Seine | | | Krobath Wimmer, Black/White & Chewing Gum, Wien | | | Salander-O’Reilly Galleries, Mid-Life Crisis, New York | | | Teh Center for Curatorial Studies, Bard College, Uncertain States of America – American Art on the 3rd Millennium, New York | | | FRAC Poitou-Charantes, Rouler les mécaniques | | | Grolier Club, Hot Off the Press: New Prints of 2006, New York | | | Midway Contemporary Art, Axis of Praxis, Minneapolis | | | Kunstfofrum Vienna/Kunsthale, Vienna, Superstars: From Warhol to Madonna, Vienna | | | P.S.1 Contemporary Art Center, The Painted World, New York | | | Galerie Erna Hécey, Onestar stop, Brussels | | | Galerie Edward Mitterand, Slow Burn (cur. Jonah Freeman), Geneva | | | Paula Cooper Gallery, An Ongoing Low-Grade Mystery, New York | | 2005 | Galerie van Gelder, Wintery Cold, Amsterdam | | | P.S.1 Center for Contemporary Art, The Painted World (org. Bob Nickas ), Long Island City, New York | | | Performa Radio, WKCR Columbia University, Performa ’05 (org. Anthony Huberman Broadcast), New York | | | Biennale d’art contemporain de Lyon, Experiencing Duration (cur. Nicolas Bourriard and Jerome Sans), Lyon | | | Albright-Knox Gallery, Extreme Abstraction, Buffalo, New York | | | Musée d’Art Moderne et Contemporain de Strasbourg, L’oeil Moteur, Art Optique et Cinetique/1950–1975, Strasbourg | | | Champion Fine Art, The Feraliminal Lycanthropizer (cur. Craig Kalpakjian), Los Angeles | | | Galerie Les Filles du Calvaire, Minimal Pop (org. Petra Bungert), Paris | | | Galerie Les Filles du Calvaire, Life On The Screen (org. Vincent Pécoil), Brussels | | 2004 | Le Crédac: Centre d'Art d'Ivry, La partie continue2, Ivry sur Seine | | | Swiss Institute, None of the above (cur. John Armleder), New York | | | F.R.AC. Franche-Comté, Musée des Beaux-Arts de Dole, La Lettre Volée, Dole | | | DaimlerChrysler Contemporary, Minimalism and After III, Berlin | | | P.S.1 Contemporary Art Center, Curious Crystals of Unusual Purity (org. Steve Lafreniere and Bob Nickas), Long Island City, NY | | 2003 | Team Gallery, My People Were Fair and Had Cum in their Hair (but Now They’re Content to Spray Stars from your Boughs) (cur. Bob Nickas), New York | | | Anton Kern Gallery, Melvins, New York | | | Riva Gallery, Specificity (cur. Odili Donald Odita), New York | | | Galeria Javier Lopez, JRP EDITIONS, Madrid | | | Flieshmann's in association with Gavin Brown's Enterprise, Surrealestate (cur. Rob Pruitt and Jonathan Horowitz), New York | | | Chateau des Ducs de Bretagne, Les 20 ans des FRAC, Nantes | | | Gallery M, 3-2-1 (with John Miller and Richard Hoecke), (cur. Cara Perlman), New York | | | Kunsthalle Palazzo Liestal, Never Mind Your Step (cur. John Armleder), Liestal/Basel | | | galeries contemporaines des musees de Marseille, Mouvments de Fonds, Marseilles | | 2002 | Artists Space, Painting as Paradox, New York | | | John Connelly Presents, Machine Man, New York | | | Galerie Heimer und Partner, Available Surfaces, Berlin | | | Gallery Van Gelder, Spot the Difference, Amsterdam | | | Gallerie Simonne Stern, Optical Optimism (cur. Sandra Gering), New Orleans | | | Paula Cooper Gallery, From the Observatory (org. Bob Nickas), New York | | | Yerba Buenna Art Center, Guide to Trust 2 (cur. Jimi Dams), San Francisco | | 2001 | Tirana Biennale 1, Tirana | | |
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