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1976 | born in Geneva, Switzerland | | | | | 2002–2003 | Whitney Independent Study Program, Whitney Museum of American Art, New York | | 1997 | BA (Hons) in English, Cambridge University | | | Lives and works in Geneva |
| 2011 | Le Magasin, The Adding Machine, Grenoble, travelling exhibition Haus Konstruktiv, Zurich Art Prize 2011: Mai-Thu Perret, I dream of the code of the west, Zürich | | | MAMCO, Mai-Thu Perret. Spectra in Cycle L’éternel détour, séquence d’été 2011, Geneva | | | Aargauer Kunsthaus, The Adding Machine, Aarau, travelling exhibition | | | Hard Hat, Geneva | | | Théâtre de l’Usine, Love Letters in Ancient Brick, Geneva | | | David Kordansky Gallery, Migraine, LA | | 2010 | University of Michigan: Museum of Art, An Ideal for Living, Ann Arbor | | | Timothy Taylor Gallery, Parade, London | | 2009 | Galerie Francesca Pia, Zürich | | | The Aspen Art Museum, 2013, Aspen | | | Galerie Praz-Delavallade, The Crack-Up, Paris | | 2008 | San Francisco Museum of Modern Art, New Work, San Francisco | | | Timothy Taylor Gallery, 2012, London | | | Galerie Barbara Weiss, Bikini, Berlin | | | Kunsthalle Sankt Gallen, Land of Crystal, St. Gallen | | | The Kitchen, An Evening of the Book and Other Stories, New York | | 2007 | Bonnefantenmuseum, Land of Crystal, Maastricht | | | Das Kunstwerk und sein Ort, Amden | | | Galerie Francesca Pia, Crab Nebula, Zurich | | 2006 | Hard Hat, An Evening of the Book, Geneva | | | The Renaissance Society, And every woman will be a walking synthesis of the universe, Chicago | | | Chisenhale Gallery, Solid objects (with Valentin Carron), London | | | Galerie Barbara Weiss, Mai-Thu Perret. Apocalypse Ballet, Berlin | | 2005 | Galerie Praz-Delavallade, Heroine of the People, Paris | | | Centre d’Art Contemporain, Solid objects (with Valentin Carron), Geneva | | 2004 | ArtBasel 35, Statement presented by Galerie Francesca Pia, Basel | | | Centre d’édition contemporaine, Love Thy Sister Like Thyself, Geneva | | 2003 | Galerie Francesca Pia, Pure self-expression x25, Bern | | 2002 | The Modern Institute, Glasgow | | | Glassbox, We Close Our Eyes In Order To See, Paris | | 2001 | Le Studio, CAN, Land of Crystal, Neuchâtel | | 2012 | Kunstmuseum Thurgau, 10'000 Stunden. Über Handwerk, Meisterschaft und Scheitern in der Kunst, Thurgau | | | Mumok, Kunst und Mode, Vienna | | | La maison rouge, Néon – who’s afraid of red, yellow and blue?, Paris | | | Zacheta National Gallery of Art, New Sculpture, Warsaw | | | Praz Delavallade, curated by Hard Hat, Shake & Bake, Paris | | | Centre Pompidou, Nouveau Festival, Paris | | 2011 | 54th Venice Biennale, ILLUMInations, Venice | | | Palais de Tokyo, Carte blanche à John M Armleder - All of the above, Paris | | | Mudac, Helvètes vulcains, Lausanne | | | Museo Tamayo, Abstract Possible, Mexico City | | | Centre Pompidou, Danser sa vie, Danse et arts visuels au XXe et XXIe siècles, Paris | | | Kunstmuseum Liechtenstein, BEISPIEL SCHWEIZ. Entgrenzungen und Passagen als Kunst, Vaduz | | 2010 | Casa Taberelli, Chartreuse jeune: An intervention by Olaf Nicolai, Cornalano | | | Malmö Konsthall, Abstract Possible, Malmö | | | Salt Lake Art Center, Go West, Utah | | | Power House Art Center, Born Under a Bad Sign, Memphis, TN | | | Migros Museum, While bodies get mirrored – An Exhibition about movement, space and installation, Zürich | | | Musée des Beaux-Arts et d’Archeologie,, group show Charles Fourier ou l’Attraction Passionnée, Besançon | | | Haus der Kunst, Goldene Zeiten Teil 1 - Steven Claydon, Django Hernàndez und Mai-Thu Perret München | | 2009 | Ludwik Grohman Villa Anabasis: Rituals of Homecoming, Festival of Dialogue of Four Cultures, Lodz | | | Galerie Francesca Pia, Top 10 Allegories. An exhibition curated by Hard Hat, Zürich | | | Utopics, 11th Swiss Sculpture Exhibition, Bienne | | | 2nd Athens Biennale, HEAVEN, Athens | | | Art Unlimited, Basel | | | Kunsthalle St. Gallen, Born to Be Wild, St. Gallen | | | Christine König Galerie, Beginnings, Middles, And Ends, Wien | | | CAC Contemporary Art Center, Shifting Identities (Swiss) Art Now, Vilnius | | | The Drawing Center, Fax, New York | | | Karma International, Prose pour des Esseintes, Zürich (collaboration with John Armleder), Zürich | | | Timothy Taylor Gallery, Ventriloquist, London | | | Swiss Institute, Regift, New York | | | Montehermoso Cultural Center, Living Together, Vitoria-Gasteiz | | | Baltic Center for Contemporary Art, A Spoken Word Exhibition, Baltic, Gateshead | | | Festiwal, Dialogu, Czterech, Kultur `09, Ludwik Grohman Villa, Anabasis. Rituals of Homecoming, Wrzesnia | | 2008 | Kunsthaus Zürich, Shifting Identities – (Swiss) Art today, Zürich | | | Centre Pasquart, AURUM, L’or dans l’art contemporain, Bienne | | | Tranzitdisplay, A Spoken Word (cur. Mathieu Copeland), Prague | | | Espace de l'Art Concret, Abstraction étendue: Une scène romande et ses connexions, Mouans-Sartoux | | | Château d’Arenthon Fondation pour l’art contemporain, Abstraction Extension, Claudine et Jean-Marc Salomon, Alex | | | Cneai=, Black Noise. A Tribute to Steven Parrino, Chatou | | | Tang Contemporary, There is No Story to Tell, Beijing | | | The Line is a Lonely Hunter-Drawings in New Jerseyy, New Jerseyy, Basel | | | Pavillon Suisse de la Cité internationale universitaire de Paris, Le spectrarium, Paris | | | Champion Fine Arts at Rental Gallery, Champion Zero, New York | | | Kunstmuseum Magdeburg, Standort Alltag – Everyday Ideologies, Magdeburg | | | Galerie Lionel Latham, Mémoires d`objets, Genève | | | Art and Entrepreneurship, Art Dubai, Dubai; Chelsea Art Museum, New York; E-Werk, Berlin; Center for contemporary Art, Moscow; Centre d`art contemporain, Genève; Superstudio Piu, Milan; Philips de Pury & Company, London | | | Sketch, The Saints, and music & films by Amy Granat, with Fia Backstrom, Jutta Koether, Amy O`Neill, Angel Turner, Emily Sundblad & Stefan Tcherepnin, London | | | Artprojx Space, Dadadandy Boutique, London | | 2007 | Timothy Taylor Gallery, Ballet mécanique, London | | | Rubell Family Collection, Euro-Centric, Part 1: New European Art from the Rubell Family Collection, Miami | | | Swiss Institute, A Spoken Word Exhibition (cur. Mathieu Copeland), New York | | | MAMCO, Black Noise, Geneva | | | Anyang Public Art Project, Anyang | | | Fri-Art, Les artistes de la collection Cahiers d’artistes série VI + VII, Fribourg | | | Sonjeart Centre and Kimho Art Museum, Tomorrow, Seoul | | | Gulbekian Foundation, An Atlas of Events, Lisbonne | | | Biennale de Lyon, 00 – L’Histoire d’une décennie qui n’est pas encore nommée, Lyon | | | Cherry and Martin, Radiant City, LA | |
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