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| Lives and works in Frankfurt | | 2011 | La Chaufferie, Thomas Bayrle / Daniel Kohl, Strasbourg | | 2010 | Base Progetti per l’arte, Gummibaum and materials, Florence | | | Galerie Barbara Weiss, Alle Kamele sind ein Kamel (Schopenhauer), Berlin | | 2009 | Galerie Mezzanin, Rosenkranz, Wien (until Jauary 2010) | | | Mamco Geneva, Their Combination is Spectacular, Geneva | | | 53rd Biennale Venice, Venice | | | MACBA, I've a feeling we're not in Kansas anymore, Barcelona | | | Cardi Black Box, Milano | | | Raven Row, Thomas Bayrle, Ann Lislegaard and Ultra-Red, London | | 2008 | Museum Ludwig, Looping, Cologne | | | Galerie Francesca Pia, A moustache is a man’s best friend, Zurich | | | Air de Paris, Stéphane Dafflon/Thomas Bayrle, Paris | | | Dirimart Gallery, Bir enstalasyon duvarkagıtları, otoyollar vs. üzerine / An Installation of Wallpapers, Motorways etc, Istanbul | | | Dependance, Thomas Bayrle / Andreas Slominski, Brussels | | | Etablissement d`en face, Cars & Cats (with Gerald Domenig), Brussels | | 2007 | Galerie Barbara Weiss, (with Monika Baer), Berlin | | | FRAC Limousin, Thomas Bayrle, Limoges | | | Office for Contemporary Art, Thomas Bayrle, Oslo | | | Galerie Johann Widauer, Thomas Bayrle. Jacke wie Hose, Innsbruck | | 2006 | Museum für Moderne Kunst, Thomas Bayrle: 40 Jahre Chinese Rock’n’Roll, Frankfurt/Main | | | Gavin Brown’s enterprise, Happy Days Are Here Again, New York | | 2005 | Cubitt Gallery, Thomas Bayrle, London | | | Art Unlimited, Art Basel | | 2004 | Oldenburger Kunstverein, Thomas Bayrle: Carlos, Oldenburg | | 2003 | Galerie Barbara Weiss, Autostrada, Berlin | | | Eiserner Vorhang/Safety Curtain. A project of museum in progress in co-operation with the Vienna State Opera | | 2002 | Grazer Kunstverein, Thomas Bayrle, Graz | | | Städelsches Kunstinstitut, Thomas Bayrle, Frankfurt | | 2001 | Johann Widauer, Kartoffelzähler, Innsbruck | | | Galerie Meyer-Ellinger, Thomas Bayrle. Bilder, Zeichnungen, Druckgrafik aus den Jahren 1967 bis 2001, Frankfurt | | | CCA, Layout, Kitakyushu | | 2000 | Museum in Progress, flying home..., Vienna | | | Galerie Barbara Weiss, Philip Johnson, 1999 und Werke von 1967– 2000, Berlin | | 1998 | Galerie Meyer-Ellinger, Frankfurt | | | Galerie Francesca Pia, Dolly Animation, Bern | | 1997 | Koriyama City Art Museum, Koriyama | | | Academy of Art & Design, Beijing | | | Museum Moderner Kunst, TassenTassen, Frankfurt | | 1996 | Kunsthalle St. Gallen | | 1995 | Galerie Meyer-Ellinger, Frankfurt | | 1994 | Portikus, Film Video Materialien, Frankfurt | | 1992 | UNAC, Tokyo | | | Galerie Sachs, Munich | | 1991 | Galerie Luis Campana, Frankfurt | | | Galerie Parduhn, Düsseldorf | | | Galerie Sachs, Autobahnkopf, Munich | | 1990 | Portikus, Autobahnkopf, Frankfurt | | | Galerie Buchholz, Autobahnkopf, Cologne | | | Sint Lukas Galerij, Bruxelles | | 1989 | Kunstverein Freiburg, Pinsel durchgespielt, Freiburg | | | Seed Hall, Thomas Bayrle 1983 - 88, Tokyo | | 1988 | Kunsthalle Innsbruck, Madonna Jaguar, Innsbruck | | | Galerie Meyer-Ellinger, Frankfurt | | 1987 | Frankfurter Kunstverein, Thomas Bayrle 1967 und 1987, Frankfurt | | 1986 | Auto Museum, GOLF, Wolfsburg | | 1985 | Galerie ak, Frankfurt | | | UNAC, Tokyo | | 1984 | Museum am Ostwall, Capsel, Dortmund | | 1983 | Städtische Galerie, Druckgrafik 1960-83, Wolfsburg | | 1980 | UNAC, Tokyo | | | Goethe-Institut, Rasterfahndung, San Francisco | | | Stanford University, Graphic Gathering, Palo Alto | | 1977 | WAKO, Cities and Accumulations, Tokyo | | 1975 | Galerie Meyer-Ellinger, Frankfurt | | 1973 | Galerie Meyer Ellinger, Frankfurt | | 1972 | La Pochade, Formation Serielle, Paris | | | Kiko Galleries, Houston | | 1971 | Studio S, Rome | | 1970 | Galerie Cornels, Baden-Baden | | | Galerie 2, Stuttgart | | | Galerie Lichter, Frankfurt | | 1968 | Art Intermedia, Mäntel - Tragbare Grafik, Cologne | | | Galleria Apollinaire, produzione Bayrle, Milan | | | Galerie Thelen, Mäntel, Essen | | 1965 | Galerie Buchholz, Munich | | 1964 | Städtisches Museum, Göttingen | | 1963 | DRUCK, Galerie Bergsträsser, Darmstadt | Selected Group Exhibitions | | 2009 | Frac Aqutaine, Heidi au pays de Martin Kippenberger, Périgieux | | | 53rd Biennale, Venice | | | Raven Row, London | | | Center for Art and Media, notation. Calculation and Form in the Arts, Karlsruhe [cat.] | | | Tracer. After the Butcher, Ausstellungsraum für zeitgenössische Kunst, Berlin | | | Grandfather Clock, Neue Alte Brücke, Frankfurt am Main | | | 1968. Die große Unschuld, Kunsthalle Bielefeld, Germany | | 2008 | Kunsthaus Zürich, Europop, Zurich | | | Reykjavik Arts Festival 2008, Experiment Marathon Reykjavik, Reykjavik | | | Opelvillen, Tempo, Tempo! Das Phänomen der Geschwindigkeit im Film, Rüsselsheim | | | Arbeiter – Verein (cur. Daniel Baumann), Vienna | | | Städel Museum, Konstellation IV. Material / Form / Mensch/ Stadt, Frankfurt | | | Office for Contemporary Art Norway, What Ever Happended to Sex in Scandinavia, Oslo | | | Biennale of Sydney, Sydney | | | Villa Manin Centro d`arte contemporanea, God and Goods, Codroipo | | 2007 | The Kitakyushu Biennial ´07, Moji-Ko Kitakyushu, Japan | | | Brussels Biennial, Brusels | | | Air de Paris, Stéphane Dafflon/Thomas Bayrle, Paris | | | Tbilisi 4: Everyday is Saturday, Tbilisi, Georgia | | | Witte de With, Center for Contemporary Art, Body Politicx, Rotterdam | | | Ursula Stiftung, Small Is Beautiful, Kraichtal-Unterröwisheim | | | PKM Gallery, Imagery Play, Beijing | | | Museum für Moderne Kunst, Das Kapital-Blue Chips und Masterpieces, Frankfurt/M | | | Museum Ludwig, What does the jellyfish want?, Cologne | | | Biennale de Lyon | | | Frankfurter Kunstverein, Whenever It Starts It Is the Right Time, Frankfurt/M | | | Office for Contemporary Art Norway, Thomas Bayrle, screening of Sunbeam, Superstars, Autobahn-Kopf, Oslo | | | Tate Modern, Screening of Sunbeam, Autobahnkopf, Select: A Night with Rosalind Nashashibi, London | | | PKM Gallery, Imagery Play, Beijing< | |
